smoking a blunt with the Eraserhead baby— don’t text

Butterfly 3001

Blue Morpho (Mall Grab Remix)

Squid Game (Let's Play)

The Flower Blooms

Refixes of classic tracks, for Dj's only, Only use if you own the original Records, Enjoy!

Download the full track on the Pj Bridger Bandcamp
pjbridger.bandcamp.com/album/pj-bridger-pj-dubs-03

Ruff Sqwad - Together (Pj Bridger Refix)

Cherry-Coloured Funk (Cocteau Twins Remix)

Test Control

Cut The With The Cake Knife was recorded by Rose McDowall in 1988/89 following the break up of her group Strawberry Switchblade. Produced with the aid of several musicians in several studios, the album features songs written for the fabled second Strawberry Switchblade album. More importantly perhaps it showcases the honest, direct and life-affirming songs of one of the greatest unsung songwriters of the modern pop era at a tumultuous time in her career.

Tibet opens the set and could be one of the best pop songs you’ve never heard. The innate sadness of the songs’ content – the loss of a friendship, impending sorrow – is heightened to heart-melting level by McDowall’s pop nous and melodic sensibility. Choruses and hooks are everywhere on Cake Knife, from the outsider take on stadium 80s pop in Wings Of Heaven to the spiraling, ecstatic So Vicious, a glorious anthem that highlights the human fragility in McDowall’s vocal performance, an instrument that has never lost the naïve purity it first exemplified in Strawberry Switchblade’s early 80s recordings. The centerpiece of the album, the title-track, is the greatest Switchblade pop chart hit that never was. Like the veiled melancholy of her former group’s hits, Cut With The Cake Knife hints at a darkness beneath the gloss, a darkness that saw McDowall delve into more esoteric territory with her subsequent recordings and collaborations. Cut With The Cake Knife serves as the bridge between the pop music McDowall had been making with her friends Jill Bryson, Lawrence from Felt and Primal Scream to what became a more extreme, deep sound informed by neo-folk and post industrial music.

Rose McDowall’s role in the canon has always been one of an outsider. Beginning in Glasgow’s East End in the avant proto-noise group The Poems, achieving fame briefly in the 80s and then disappearing into counter-cultural folklore, the emphasis in the internet-age has been skewed towards her image and cultural significance. Unseen to many, her solo work, her groups Sorrow and Spell and her collaborations with a whole host of underground luminaries have still touched lives. As McDowall elucidates: “They're real sad songs, about real life. I've had people come up to me to say I'd connected with them and helped them. I remember a gig in America when we made a whole room cry. It was bizarre. A couple at the front of the stage started crying and then these two boys beside and  suddenly everyone was crying. And I thought, "that's power."

Night School’s issue of Cut With The Cake Knife includes unpublished photographs, extensive sleeve notes from Rose McDowall and 2 bonus tracks culled from the bootleg 7” “Don’t Fear The Reaper.”


ROSE MCDOWALL - Tibet (from Cut With The Cake Knife LSSN027)

i wish my former vocalist the best of luck in her future endeavors<3
  this is Edith on vocals


"FRAIL" 
(E.Kath)

If you defray
You end up prey
Glow through the veil
Is this what you call frail

Ignore the edification 
Of those whom you admire
We withhold our blessing
We refuse to calm the fire

Frail
Is this what you call frail
Glow through the veil
Is this what you call frail

Knit her a new pea coat
Drape it past the knee
The sinew has withered
Suture as accessory

Frail
Is this what you call frail
Glow through the veil
Is this what you call frail

////////////////////////
Edith Frances: vocals
Alex Zelenka: engineer
Samuel Jacob: engineer
Patrick Mundy: mix
Brian Gardner: master
Au Vyst: artwork

///////////////
////////////
////////


Frail

Labyrinth Ear - Snow White

OUT THIS TUESDAY

powwowW / MICRO N∆PS SPLIT

powwowW ı I Am One

Reputation

this version may never come out [HOA004]

Aphex Twin - Fingerbib

https://instagram.com/kisloty

Шакке – Клуб Навсегда (Schacke – Kisloty Forever) second edition repress out on orange vinyl 1 September 2019 and available from Bandcamp and all major stores:

https://kisloty.bandcamp.com/album/schacke-ep

Schacke – Kisloty People (КЛУБ001)

Flat Beat

BANDCAMP

SINOK x SKETCHY - MY HUMPS

From what I understand the lyrics are as follows:


Leave us daddy, 
Leave my mum
I wanna be where it's just begun
Yes, no, maybe, so
I've seen them once, I've seen them all
No way

Nowhere
No-one
Nowhere
Nowhere
Nowhere


Any corrections will be greatly appreciated.

Crystal Castles // Yes/No (Mr.Kitty Cover)

+ssRNA capsule out on Amniote Editions June 25th 2020.

+ssRNA1: Parietal Eye - Sentimental Zodiac (Digital + limited edition long sleeve t-shirt)
+ssRNA6: Snog (Coluber) - Move (Digital + video)
+ssRNA10: Teiid - Once Called California (Digital + limited edition poster)

+ssRNA6 written & produced by Nature Boy
Mastered by Joel Krozer at Six Bit Deep
Digital via Bandcamp + video

Artwork by Rose Marie Johansen, videoscript by e2

https://amniote-editions.bandcamp.com/

+ssRNA6: Move (Amniote Editions 2020)

+ssRNA6.1: Snog (Coluber) - Move (Amniote Editions 2020)

When I Mean Nothing to You-Stegosaurus Rex

pansy

do u still have love for me
do u still have love for me
cos ive been falling falling falling
for what seems like years to me

well here i am
give what u can
shouldnt breathe
i shouldn't breathe
speak to me
speak to me
speak to me
speak to me

do u still have love for me
do u still have love for me
cos ive been falling falling falling
for what seems like years to me

a face that aches
a heart that breaks
and here i am
shouldn't breathe
i shouldn't breathe
speak to me
speak to me
speak to me
a face that aches
a heart that breaks
and here i am
i shouldn't breathe
i shouldn't breathe
i shouldn't breathe
i shouldn't breathe

love me love me love me love me love me love me love me love me

smoking a blunt with the Eraserhead baby— don’t text

K . U . L . T