A mini podcast of a tune I mixed together

Key-Code(Fight Step RMX)

Old Record Box(101)

Graffiti

Outer

I made a very downtempo, illuminatingly ambient mix of Industrial Dance Music

Hydra (Pluto RMX)

I feathered together some keyboard sampling and mixed  a few new age beats. Something in the works!

Discovery

I am working with these sounds in the mini studio

Synchronicity

I  was just in the lab mixing a certain style of ambient and hip hop pattern

Hemisphere

In this backdrop I used a few simple patterns such as syncopation and ambient tones

Icycles (Freeze RMX)

I blended a mix of bassline and dub techniques for an ambient backdrop

Dionysius

Polar

I cut up a few sounds to create a backdrop for future projects

Oracle

As a youth, the world was looking for the next big "thing" after popular music had taken over mainstream music, From the bottom of the dial to the top, americans and abroad were reaching for an american icon besides the fast-roaring and consciencious verbology of Tupac and Biggie. The mainstream of music  all sounded the same. Rock groups who were classically trained needed to fastly catch up with the awe inspired perfection of the 21st generation. While  CEOs and mogul sharks such as  Rick Rubin and David Geffen similarly planned out hit after hit and gained notariety from there very eclectic styles and sound qualities. obscure record companies with similar sound quality from the ghettos of America emerged. Groups such as Guns 'N Roses and Metallica were not enough forefront to truly take center stage. Although there was a new age of synthesized rock and hair-bands, it was quickly devalued as "Hair band metal," and pushed aside for decades as inferior, the bands of the late nineties lost there grasp on both conceptualism as well as longevity amongst a new sound that was emerging. Groups that were bold and triumphant as far as satire is concerned. Groups like Green River, Mother Lovebone, Mudhoney and Screaming trees made there mecca in Seattle. Artists abroad such as Eddie Vetter and Chris Cornell quickly jumped on the "non-narcissistic" values of Washington state as Andrew Wood and Green River developed and invented new styles of emo-alternative and somewhat chaotic melodies of the Ballard underground and abroad. A new style had been created as a result of songs being compressed to fit the time-slot, That would mean an influx of punk rock and  folk being formulated into full length songs. As an artist, this was the golden era. Kaotik Suspence has always created art and designs and had an interest in making his own music.  Living in a very eclectic music area transcended a passion to make sounds through the keyboard, turntables, and experimental mixed recordings. The late-blooming artist, Kaotik Suspence, was brought up in a very eclectic era studying the rhythms of grunge rock, old school hip-hop, break-beats, house music, drum and bass, trance dub-step and glitch in the Seattle area. Being in such a musical epicenter as Capitol Hill and Pioneer Square in the electronic musical golden age motivated him to make a statement. Kaotik Suspence practiced his styles through keyboards, synthesizers and beat machines. With a new found sensation to infuse these styles together, he started using  programs such as Adobe Abilton,  Reason and other programs. In hopes to break away and focus on musical production, he moved to the Bay Area, CA to study new techniques and styles.  check out these tunes!




Kaotik Suspence!

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