Interplay btn the pieces is amazing.......clear:)

lovely smooth cool jazz vibes !!! loving especially the perc and the piano triplets !!! Big up !!!! <3<3<3

For his long-overdue Fact mix Pariah chases a jaw-swinging, grin-inducing, eyelid-fluttering vibe that fluctuates between sparseness and intensity, depth and release.

https://www.factmag.com/2022/07/04/fact-mix-866-pariah/

Fact Mixes

Fact Mix 866: Pariah (Jul '22)

Guest show by SAL from Berlin.

http://www.instagram.com/sal_karlson

SÅL @ The Lot Radio 04-30-2023

@salsound is a Ratisbona-born, Berlin & Munich raised, love child of Max Horn and Karl Kobs. Blending a broad variety of genres from House, Leftfield, Breakbeat, Downtempo, Slacid, and Disco in their DJ-Sets, their sound is eclectic, yet driven by the crowd's response. Find them regularly at parties via the collective Schwach&Eklektisch.

Gone Fishing 006 w/ SAL

* Subscribe for more premieres: https://bit.ly/2igyosu
* Read more: https://boltingbits.com/kassian-x-303/
* Watch on YouTube: https://youtu.be/za1oMSOX19A
* Pre-order: https://k7.lnk.to/PhaseTwo

Within the transformations of their meticulous processes, London duo Kassian become a vessel for alchemy: filtering and distilling scores of stems, samples and layers until something richer and more complex than the sum of its parts emerges. Uncomfortable in any solitary genre, and at the midpoint of somewhere unexpected and uncharted, the pair describe their sound as “almost techno.”

Since their debut release in 2018, Kassian have drifted leftwards into heavier, more abstract territory, harnessing their individual skills for working in the small pockets and painting the whole cloth of the canvas. In their first outing for !K7, Phase Two EP, the Roland System 1 synth is the throughline as they painstakingly piece together sketches, turning high hats into kick drums, capturing the resonance of percussion and drift further into each other’s heavy-hitting sonic realms.

“X-303” recontextualises the sci-fi inspiration of its name, forging a new style of interstellar acid. A driving kick drum holds steady through a track which oscillates between contrasts: from eerie, suspenseful pads and distorted string sounds, to a minimalistic groove accented with double-time drums and mechanistic pulses. “Tabla” reduces a distinct latin rhythm down to its essence, and is propelled by a thick and distended bass loop. Its hypnotic groove combines the human and the virtual with a glitching vocal sample and the juddering of strummed guitar strings, highlighted by the percussive hits of its namesake instrument.

The pair characterise “Prelude” as “a Frankenstein kind of monster.” Constructed around a radio sample of a legend of the scene, it is a sleek and incremental gradation of shades, with micro layers from their palette of sounds rising and falling, blending and twisting with no obvious lead or bass. Repurposing the same drums as “X-303”, the EP’s final track “Patterns” was inspired by Kassian’s earliest incarnations of live performances, and it unashamedly captures the peaks of communal moments, rounding out the EP with an epic take on deep and techy house.

PREMIERE: Kassian - X-303

Within the transformations of their meticulous processes, London duo Kassian become a vessel for alchemy: filtering and distilling scores of stems, samples and layers until something richer and more complex than the sum of its parts emerges. Uncomfortable in any solitary genre, and at the midpoint of somewhere unexpected and uncharted, the pair describe their sound as “almost techno.”

Since their debut release in 2018, Kassian have drifted leftwards into heavier, more abstract territory, harnessing their individual skills for working in the small pockets and painting the whole cloth of the canvas. In their first outing for !K7, Phase Two EP, the Roland System 1 synth is the throughline as they painstakingly piece together sketches, turning high hats into kick drums, capturing the resonance of percussion and drift further into each other’s heavy-hitting sonic realms.

“X-303” recontextualises the sci-fi inspiration of its name, forging a new style of interstellar acid. A driving kick drum holds steady through a track which oscillates between contrasts: from eerie, suspenseful pads and distorted string sounds, to a minimalistic groove accented with double-time drums and mechanistic pulses. “Tabla” reduces a distinct latin rhythm down to its essence, and is propelled by a thick and distended bass loop. Its hypnotic groove combines the human and the virtual with a glitching vocal sample and the juddering of strummed guitar strings, highlighted by the percussive hits of its namesake instrument.

The pair characterise “Prelude” as “a Frankenstein kind of monster.” Constructed around a radio sample of a legend of the scene, it is a sleek and incremental gradation of shades, with micro layers from their palette of sounds rising and falling, blending and twisting with no obvious lead or bass. Repurposing the same drums as “X-303”, the EP’s final track “Patterns” was inspired by Kassian’s earliest incarnations of live performances, and it unashamedly captures the peaks of communal moments, rounding out the EP with an epic take on deep and techy house.

Buy https://k7.lnk.to/PhaseTwo

https://soundcloud.com/kassiansound
https://soundcloud.com/k7-records

PREMIERE: Kassian - Prelude [!K7 Records]

https://soundcloud.com/kassiansound
https://soundcloud.com/k7-records
🛒 https://k7.lnk.to/PhaseTwo
🔊 https://youtu.be/EWzZkE7zC5g

Within the transformations of their meticulous processes, London duo Kassian become a vessel for alchemy: filtering and distilling scores of stems, samples and layers until something richer and more complex than the sum of its parts emerges. Uncomfortable in any solitary genre, and at the midpoint of somewhere unexpected and uncharted, the pair describe their sound as “almost techno.”

Since their debut release in 2018, Kassian have drifted leftwards into heavier, more abstract territory, harnessing their individual skills for working in the small pockets and painting the whole cloth of the canvas. In their first outing for !K7, Phase Two EP, the Roland System 1 synth is the throughline as they painstakingly piece together sketches, turning high hats into kick drums, capturing the resonance of percussion and drift further into each other’s heavy-hitting sonic realms.

“X-303” recontextualises the sci-fi inspiration of its name, forging a new style of interstellar acid. A driving kick drum holds steady through a track which oscillates between contrasts: from eerie, suspenseful pads and distorted string sounds, to a minimalistic groove accented with double-time drums and mechanistic pulses. “Tabla” reduces a distinct latin rhythm down to its essence, and is propelled by a thick and distended bass loop. Its hypnotic groove combines the human and the virtual with a glitching vocal sample and the juddering of strummed guitar strings, highlighted by the percussive hits of its namesake instrument.

The pair characterise “Prelude” as “a Frankenstein kind of monster.” Constructed around a radio sample of a legend of the scene, it is a sleek and incremental gradation of shades, with micro layers from their palette of sounds rising and falling, blending and twisting with no obvious lead or bass. Repurposing the same drums as “X-303”, the EP’s final track “Patterns” was inspired by Kassian’s earliest incarnations of live performances, and it unashamedly captures the peaks of communal moments, rounding out the EP with an epic take on deep and techy house.

PREMIERE: Kassian - Tabla (!K7 Records)

Petrify (Airynore Remix)

Eddington Again - Petrify (Airynore Remix)

!K7 Records: Gone Fishing - !K7 & Eddington Again - 20 Feb 2024

Core 22 (Sjayy Remix)

Eddington Again and Sjayy - Core 22 (Sjayy Remix)

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* Read more: https://boltingbits.com/kassian-yena-k7-records
* Listen on Youtube: https://youtu.be/Tnacee_9rW8
* Pre-order: https://kassiansound.bandcamp.com/album/supercontinent

London outfit Kassian continue their broadly-evolving yet highly detailed journey through and beyond sound towards something ever more expansive. Their second release for !K7 Records comes in the wake of creating a dedicated hardware-forward studio in a Northeast London container complex, where they have the freedom to interlink their machines. This renewed focus brought them to Supercontinent EP, named for the ancient geological era when Africa and South America were joined as Pangea.

A reformulation of rhythmic ideas inspired by South African Amapiano and South American Baile Funk governs the two hemispheres of the record. The pair examine and deconstruct dancefloor material, eschewing 4/4 for interlocking shaker patterns, searing acid lines, cracking breakbeats, and vocal samples in Zulu and Brazil Portuguese.

The immediacy of the restless rhythm and bass-led funk of “Yena” forms a sweet spot where double-time and half-time can coexist. The word Yena translates to ‘he / him / man’, and the punchy male vocal loop punctuates the track’s deep swing, enhanced by amapiano log drums sped-up to a glassy pitch.

“Yami” (‘mine’ in Zulu) is a slinkier proposition which sheds prominent percussion in favour of a weighty, fluid, acid-informed bassline undulating from below. Contrasted against its jutting female vocals and sharp synth pads, the track cultivates dancefloor anticipation, accented by skittering percussion and time-stretched acid disintegration.

An ascending percussive riff marks the arrival of “Pulgueiro Baile”, followed closely by break beats and the nostalgia of distinctly British acid electro. While pulguero translates as ‘flea market’ there is nothing random to be found; it is an intentionally future-forward retelling of a vintage sound, replete with a mind-melt breakdown of rave pads.

A dubbed-out groove dominates the bottom-heavy “Sistema Baile”, established by a leading Roland System 1 synth line. It is a groovy, steady roller that chugs and propels and chugs with head-nod hypnotism through an intricately minimalistic approach.

Supercontinent EP [!K7 Records]

PREMIERE: Kassian - Yena

Taken from the Mr. Machine Remixes EP, out early 2012 on !K7.  The EP also features remixes from Soul Clap & DollKraut.

MARC LECLAIR - HORROR INC.

"Remaining silent for many years, not releasing much music, Brandt Brauer Frick inspired me a great deal to compose and record again after hearing them perform and meeting them at Mutek. These kids have so much talent, I'm really proud and grateful to know them. And I'm saying this in all humility."

Two years down the line they joined forces.

"It was a piece of cake for me to do this remix, cause BBF's music is very much inspiring to me. It speaks to me, and triggers images in my mind, so I see this exchange as a conversation between them and me, instead of just another remix for someone I will probably never meet, which is the case most of the time." 

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Mr Machine - The Remixes

The Brandt Brauer Frick Ensemble - Mi Corazon (Horror Inc. Echoes of My Love Remix)

!K7 Records
                                Berlin

The Brandt Brauer Frick Ensemble - Mi Corazon (Horror Inc. Echoes of My Love Remix)

!K7 Records

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