Interplay btn the pieces is amazing.......clear:)

lovely smooth cool jazz vibes !!! loving especially the perc and the piano triplets !!! Big up !!!! <3<3<3

work II

🌐 Refuge Worldwide is a radio station and community space based in Berlin-Neukölln.

➡️ More info, more music: www.refugeworldwide.com

Support us by becoming a member on Patreon for just 3€ a month: www.patreon.com/refugeworldwide

!K7: Gone Fishing - nugget - 17 Dec 2024

!K7: Gone Fishing - MSJY - 21 Jan 2025

INTERVIEW + MIX > https://inverted-audio.com/mix/bjarki/ 

Bjarki Rúnar Sigurðarson is an artist in flux, slipping through definitions as easily as he does genres. His early output on трип suggested a clear trajectory—big-room techno, high-impact, and high-energy. But @bjarki has always been more interested in disruption. He loves veering off the beaten track.

Over the past decade, his identity has splintered across at least twenty documented personas (and perhaps some more hidden from the voyeur's view), each serving a vessel for the unpredictable. He functions in a space of humour and unease—shaping music that is erratic, raw, and wholly untamed.

And there is a lot of it—keyword: a lot. Bjarki doesn’t just release music; he floods the system. His latest album, 'A Guide to Hellthier Life', is a sharp, satirical dismantling of the wellness guru social media economy, where self-care is commodified and monetised at scale.

Stepping up to deliver IA MIX 389, the Icelandic producer extends that same critique—a surreal, self-aware meditation on the absurdity of performative well-being. Dark humour is nothing new for Bjarki, but here, his observations feel more honed, more biting, more necessary.

The mix itself is impossible to bracket, moving through states rather than styles—thoughtful, meditative, ridiculous, and deeply melancholic all at once. It’s a trip, in every sense. And, as always with Bjarki, it’s best not to ask where it’s going.

Read

IA MIX 389 Bjarki

Berlin-based DJ and Tresor Records label head, Thomas Hoffmann, brings a nearly 2 hour vinyl set of acid, electro, house and techno. Recorded live from the Globus floor at the Tresor Records 33rd anniversary night.

-----

Follow Thomas Hoffmann
Instagram: https://www.instagram.com/thomash0ff/
Resident Advisor: https://ra.co/dj/thomashoffmann
Soundcloud: https://soundcloud.com/thomas-hoffmann

Photo credit: Marie Staggat: https://www.marie-staggat.com/

Thomas Hoffmann | Live at Tresor - 05.10.24

Tracklist + Q&A: https://bit.ly/3FuAQXJ

London-hailing duo @kassiansound spin a "curveball" downtempo mix made for at-home listening.

"This has actually been a real curveball mix for us. We wanted to focus it around the album and curate a much more relaxed, home listening experience. Other than our own tracks, it’s mostly music from artists who have directly inspired the album like Leon Vynhall and Djrum, plus some more downtempo tracks from artists that we’d usually play in our club sets, like Klon Dump and K-Lone."

Tracklist + Q&A

The Mix 051: Kassian

🌐 Refuge Worldwide is a radio station and community space based in Berlin-Neukölln.
➡️ More info, more music: www.refugeworldwide.com

Support us by becoming a member on Patreon for just 3€ a month: www.patreon.com/refugeworldwide

!K7: Gone Fishing - Deleito - 15 Apr 2025

!K7: Gone Fishing - Arborra - 20 May 2025

"I want more risks." The French DJ and producer talks about groundbreaking musical practices, musique concrète and her forthcoming album, Juggling Dualities.

There's a history of groundbreaking musical practice that's lost in modern dance music, at least according to Hermione Frank, AKA rRoxymore. The French DJ and producer has been questioning the dominant modes of creativity for a long time. First, she learned from the world of free jazz and Afrofuturism as a child—her dad was close friends with pioneering spiritual jazz musician Sun Ra. She then went on to study musique concrète, the avant-garde school of sound collage pioneered by Pierre Schaeffer. 

Today, Frank makes music that's geared more towards the dance floor, and in this RA Exchange, she uncovers how she brings her background pushing musical boundaries into more "listenable" contexts. She also dives into working with the now-defunct collective Room 4 Resistance—an intersectional feminist party for Berlin's FLINTA community which also hosted workshops dedicated to fostering systems of care—and why she's moved on from Berlin, a city that she once viewed as a hub for creativity, accessibility and as the nucleus of political, risk-taking art. 

Frank has a new album, Juggling Dualities, out July 17th on !K7. It sits at the fringes of New Age and dub, taking a sideways look at wellness culture by meditating on the importance of self-care while simultaneously poking fun at it. Pre-order a copy here and listen to the episode in full. -Chloe Lula

EX.770 rRoxymore

🌐 Refuge Worldwide is a radio station and community space based in Berlin-Neukölln.
➡️ More info, more music: www.refugeworldwide.com

Help us stay on air by donating to our fundraiser: https://www.gofundme.com/f/help-refuge-worldwide-community-radio

!K7: Gone Fishing - Maddie - 15 Jul 2025

For RA.1000, DJ Sprinkles' first mix in over a decade is a powerful meditation on the genocide in Gaza.

Dance music often relies on simple narratives: release, escape, unity. But those narratives can often feel inadequate, and even at times, hollow. Or, as Terre Thaemlitz might bluntly put it, just "shitty."

For her first mix in around 15 years, Terre Thaemlitz AKA DJ Sprinkles, challenges us to think differently. "I felt this 1000th podcast should reflect the moment in which it was made," she told us in her Q&A.

And what is this moment? Every day since Israel's 2023 assault on Gaza began, an average of 28 children have been killed. That's an entire classroom, every day, for over 600 days (at the time of writing). It's a staggering figure that only captures a fragment of the listless cruelty imposed on the strip.

Faced with such a genocide, what can music really do? How political can it truly be?  For their RA.1000, Thaemlitz gives us an unflinching rebuke to the idea that music should provide escapism. The mix weaves ambient fragments and jazz passages, woven around samples from Israeli media and the voices of outspoken Jewish critics like Gabor Maté and Norman Finkelstein. 

The result is not just a protest, but a document of our time. For Terre Thaemlitz, music is never just music. Her RA.1000 serves as a reminder that in an age of relentless suffering, the most political act is to reject the illusion of escape, and search for something greater.

Read the interview and find the tracklist at ra.co/podcast/1013. Listen to all RA.1000 mixes, as well as the complete history of the RA Podcast, at https://1000.ra.co

RA.1000 Terre Thaemlitz / DJ Sprinkles

Over the last decade Jazzanova has grown a reputation for their studio productions, their remixes and their dj sets all over the world. 
After their second album the 5 dj's and producers decided that it was about time to perform their music on stage as well. Now.. three years later, Jazzanova have played together with their live band and Paul Randolph far over 100 shows around the globe.

Why not connect both sides: hosting a recording session of their live show at the legendary Funkhaus Studios, Berlin? The result is the studio live album "Funkhaus Studio Sessions" with new live versions of Jazzanova classics like "No Use", "Fedimes Flight" or "I Can See" and live reworks of some of their remixes for Fat Freddys Drop, Paul Randolph and Shaun Escofferey plus the very first recording of “I Human”, their fantastic soulful new theme-song – a statement with different meanings to different listeners.

The track features the mesmerizing vocal delivery by Detroit singer/musician Paul Randolph. In his words, "I Human" is a statement of the feeling you have when you create music and interact with people in an one-on-one and personal live situation, instead of ambivalent text messages and e-mails. And that's what you can hear in this wonderful piece of live recorded music. Uplifting, life affirming, soul soothing and yes, human!

12inch will be released end of February.

The album "Funkhaus Studio Sessions" will be released in May 2012.

Be the first and watch the video of Jazzanova with Paul Randolph and their band performing I Human:
https://www.youtube.com/watch?v=2UkHUcO2Itg


Watch out for new tour dates!

First part of I Human Tour 2012:
14.02.12: Amsterdam, Paradiso
15.02.12: Karlsruhe, Tollhaus
16.02.12: Jena, Kassa
17.02.12: Berlin, Gretchen
22.02.12: Leipzig, Werk 2
23.02.12: Prag, Palac Akropolis
24.02.12: Bratislava, Majestic Music Club
25.02.12: Budapest, A38

I Human

I Human feat. Paul Randolph

Jazzanova - I Human feat. Paul Randolph (Radio Version)

Taken from the Mr. Machine Remixes EP, out early 2012 on !K7.  The EP also features remixes from Soul Clap & DollKraut.

MARC LECLAIR - HORROR INC.

"Remaining silent for many years, not releasing much music, Brandt Brauer Frick inspired me a great deal to compose and record again after hearing them perform and meeting them at Mutek. These kids have so much talent, I'm really proud and grateful to know them. And I'm saying this in all humility."

Two years down the line they joined forces.

"It was a piece of cake for me to do this remix, cause BBF's music is very much inspiring to me. It speaks to me, and triggers images in my mind, so I see this exchange as a conversation between them and me, instead of just another remix for someone I will probably never meet, which is the case most of the time." 

Follow !K7:
https://www.facebook.com/K7Records/
https://www.twitter.com/K7records/
https://www.instagram.com/k7records/
https://www.k7records.com/

Mr Machine - The Remixes

Mi Corazon (Horror Inc. Echoes of My Love Remix)

ON 'N' ON EP INCLUDING REMIXES BY BRODINSKI, EROL ALKAN, RICK RUBIN, TIGA, AND VIDEO VILLAGE RELEASED ON JANUARY 30th

PRE ORDER : http://www.smarturl.it/justice.onanon.it

JUSTICE "ON'N'ON" RUINED BY RICK RUBIN

!K7 Records
                                Berlin

Mi Corazon (Horror Inc. Echoes of My Love Remix)

!K7 Records

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