Ангел - Исход

Осадный Голем - Под старою крышей

Trên Con Ðuòng Danh Vong

Outro

taken from the "Initiation To Obscure Mysteries" Demo-Tape.

Abyssic Occult Black Metal from Greece

"Summoning the Incarnations of the Worm"

Abysmal sacrilegious rites to invoke those with no eyes
starring deep through the eyes of the dead
invoking the grave, dwellers from the outer lands
spiritually bound in occult search for cosmic wisdom

Passing steps of dangerous rituals from the book of dead names
and the cursed writings of the worm mysteries

Longing for the forbidden knowledge from beyond
ancient power from the darkest path
hidden in the unfathomed depths and wells
of an obscure unknown world

The thick fog rises drowning the room
in obscure demonomanic ecstasy
a luscious maid naked lies
in the ankles of the Kadath star

As the forbidden names are hailed
the boiling maids menstrual blood
made as an offering, to awake(those who eternally sleep)
the residents of distant cold stars
the formless Yog-Sothoth
the evil Tsathogua
the merciless Azathoth
Appear to the mystical  call

Chaos gods of a living void
buried in the accursed emptiness
the lords of ALYACH, KEROSH N'KAI
dwelling behind the lines of ZENRIT MAYOSH
(horribly appear to the call)



Ithaqua - Summoning The Incarnations Of The Worm

Morgarath - Return of the Blasphemer

"We’re the storm in shadows — Rooks run the night."
“Rooks Run the Night” is a high-voltage industrial rock anthem forged in the backstreets of Victorian London. Channeling the bold swagger and chaotic charm of Jacob Frye, this track storms through smoke, steel, and street justice with explosive energy.
From Whitechapel to the Isle of Wight, the song captures the heartbeat of rebellion — where fists rise, shadows strike, and the crown trembles before the will of the people.
No lords. No gods.
Only the Rooks.

Rooks Run the Night

 Founded by J. Read 15 years ago, Revenge has since delivered some of the most severe and violent music the metal underground has ever produced.  Simply put: they are one of the most extreme black metal bands in existence. 'Behold.Total.Rejection' is arguably the most fervent release and a manifesto of rejection – rejection of the groundswell of mediocrity within the scene, rejection of compromise as a means of embracing of a wider audience, rejection of the dogma and strictures of religion and the trappings of the feeble social slave. 'Behold.Total.Rejection' is a torrential barrage of relentless animosity. No scene. No brotherhood. No remorse.

Order here

Revenge - Wolf Slave Protocol (Choose Your Side)

3. Ritualistic Vomit

While not Lycanthropy's Spell's best release, that would be reserved for Glorification of the Night, but it is a fascinating and rewarding release. Lycanthropy's Spell was comprised of Sarmak on guitars and vocals and Inferis on drums. On this recording we find them playing a form of depressive yet magical black metal, music that really takes you to another place, a dark morbid winter forest perhaps, fogged in and cold, and then doesn't let you out until the end of the tape.

Sarmak was one of the most original black metal guitarists you'll ever hear. He played in a fluid way that seems to be moving at its own desires and whims, always moving and leading you onward deeper down its dark misty paths. There is a strong folk element to his writing, yet it is not an obvious influence, more of something that is there as a basis to his writing style.

Inferis' drum work is fluid to match Sarmak's playing, he uses a number of beats on here, but in general his work on here is more standard black metal then his work on Glorification of the Night, on that release he does some amazing drum work that is integral to the very feeling and mood of the album. On here it fits and is often interesting.

This is a intense depressive journey, Lycanthropy's Spell was talented at taking you to another world with almost magical music that seems to speak volumes with very little. Like going to a dark frigid winter forest, this album transports you out of the pain of life. Though this album does feel a little more experimental, with a lot of ideas, not all of which work all the time, the fact that there are so many ideas and so much inspiration is one of the best things about this. LS had more ideas and more musical feeling then 90% of the current "scene."

This is one of my favorites and I suggest if you can find it to pick it up if you like raw atmospheric black metal.

https://www.metal-archives.com/reviews/Lycanthropy%27s_Spell/Misanthropic_Visions/64214/Taliesin/49667

Morgarath - Return of the Blasphemer

Warcry Production

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