Lost Blade

Noenum - Fiery Path

Vampirecunt: Promethazine Throat Fuck

Black Grind (Full Ep)

taken from the "The History of Death & Burial Rituals part I." 

Death is as young as humanity itself. It accompanies mankind from the very beginning and it is an integral part of life.
As the cultural differences in society have been evolving throughout the centuries, different ways of burying the deceased as well as their worship and access to the dead were incurring. In particular, the emergence of different religions in the world had a crucial influence on funerary rituals, historical and current, as well as on the perception of death. Many cults of death were born...

I have always been fascinated by this topic and that was the reason behind the conception of this work. The LP "The History of Death & Burial Rituals pt1" is the first part of the musicalization of posthumous rituals and the perception of death in different cultures and countries around the world. This is my tribute to death and its great value and importance to man.

In the first part of this musical book we will deal with rituals in the following countries:

Slovakia - ancient burial customs of superstitious and deeply religious villagers still exist in certain areas till today.

Madagascar - dance with Death, in the name of Famadihana.

Mexico - the most famous dead town which once lived though death. Enter the mouth of the ChichenItza well - where people were buried in blood.

Czech republic- "Umrlčí prkna" provide a place for Death through the long and harsh winters, so the earth could accept the bodies in spring.

India – The Towers of Silence. Here one can feel and hear death the most.

China - Hanging coffins on high rocks so nobody disturbs the peace of the dead.


Death Karma - Slovakia- Journey of the Soul

HOLE BLOWN IN THE BACK OF MY SKULL

Old Nick - The Demon Of The 25th

Kaelthen – Dagger, Fire and the Bleeding Moon (2025)

Release Date: March 24, 2025  
Publication Date: April 2, 2025  
Label: Black Metal Artists  

Dagger, Fire and the Bleeding Moon is the debut solo album by Kaelthen, marking his first full-length release as a one-man project. After years of involvement in various musical endeavors, the artist now unveils his personal vision, crafting an eclectic and atmospheric record.  

The album is defined by its genre fusion, though its core remains deeply rooted in raw and haunting Black Metal. Dungeon Synth elements play a significant role, enriching the atmosphere with a mystical, almost fantastical aura. The album also ventures into experimental territory, featuring two Tanzelcore tracks that introduce unexpected tempo shifts and unconventional harmonies, along with dark ambient compositions that create a hypnotic and oppressive soundscape.  

Dagger, Fire and the Bleeding Moon is a journey through darkness, mysticism, and sonic landscapes that blend both traditional and innovative approaches to extreme music. As a solo creator, Kaelthen proves his ability to weave diverse genres into a cohesive whole, delivering an intense and unique listening experience.

Guest contributions add further depth to the album. The guitars in "12. SEANCE HOUR" and "11. Let Them Never See" were performed by Harthon Wizard, while 𝕰. 𝕾-𝖂. was responsible for the entire instrumental arrangement of "Time Forgets Us All."

Bandcamp

11.Let Them Never See

Sterile Nails And Thunderbowels

Cemetery Rapist with "Straight Faced Grangrape"
taken from the Album "The Smut Circus" (RRR028)
order at: www.rottenroll.de

Cemetery Rapist - "Straight Faced Grangrape"

Nihilistic Estrangement

RBMK

11.Let Them Never See

Kaelthen

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