This was our 1st Boxfresh mix. John came over to play for us in California and produced this mix. 

I havent heard this in decades. Since it cene iut in the late 90’s. Im super stoked i found it again👍

Very much a great build up to a Rockin Promo... I wanna down load it!

@librashelly: I'll be your friend; Robert Owens

KARDEŞİM PARÇAYI  Çok beğendik!!!! tebrikler!!!! ufuk pelin 

This sounds awesome. Headphones on and hopefully nod off to it. Heavy night. :)

TESTFM on Bandcamp

TESTFM x Cruise w/ Sasha Chadaev — 1/08/2021

WINTERWRONG - ANNEX 004

Up and Down, On and On

Finally we are happy to present the long awaited podcast series curated by our resident DJs.

ELEVATE: Time to rise

First on the line, our talented Moob, with his fresh and accurate set.

𝗘𝗟𝗘𝗩𝗔𝗧𝗘  | ㄒ讠爪🝗  七ㄖ 尺讠丂🝗  🇸​​​​​🇪​​​​​🇷​​​​​🇮​​​​​🇪​​​​​🇸​​​​​ - #ep1 w/ Moob

www.openlab.fm | 106.4FM in Ibiza & Formentera

Techno pioneer Jeff Mills recently spoke to OpenLab’s Marcus Barnes to explain the history of his iconic label, Axis Records. Over the course of 30 years, Axis has been at the forefront of techno’s evolution, exploring a more minimal aesthetic in its early stages, and giving Jeff a space to express his often innovative and progressive creativity.

He takes us right back to the beginning, when he lived in New York while holding down a residency at legendary venue Limelight. In the Big Apple he divided his time between DJing and setting up the label, which was an instant success. That was in 1992. Over the three decades that have followed, Jeff’s commitment to pushing the boundaries of what is considered “techno” has seen the label go through several rebirths. In its current phase, Axis has become a platform where Jeff collaborates with a range of artists, while also utilising the label’s influential capabilities to offer a space to artists who want to express themselves freely. Spanning a variety of styles, from jazz to deep house and more expansive electronic compositions, Axis continues to offer a channel that is sometimes radical, and always pushing forwards with its ideology.

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Electronic Roots 01: The Story Of Axis, with Jeff Mills

Exclusive Hardtechno Djset 165 Bpm 
Schranzschwester aKa Marina Pap
Zagreb, Croatia
https://soundcloud.com/schranzschwester
Full supports for this beautyfull girl on fire 
Merci Marina , U R so great

Miss Schranzschwester @ DCP & FAKOM UNITED  " ON FIRE """""

"Hardy started his career in 1974 in Chicago gay club Den One. Here, with a set-up of two turntables, a mixer and a reel-to-reel tape-deck, he played long nights of underground black dance music. Around 1977, he went to work in Los Angeles. At the end of 1982, when DJ Frankie Knuckles left the Warehouse to open the Power Plant, Ron Hardy DJed at the Warehouse's new location until Robert Williams renamed it "The Muzic Box." While Frankie Knuckles at the Warehouse (and later the Power Plant) had a very smooth style of playing, Hardy was very different. He had less regard for sound quality and would play with a manic energy, mixing everything from classic Philadelphia Disco classics, Italo disco imports to new wave, disco and rock tracks. Hardy also pitched records up way more than Knuckles (pitch being the difference between normal speed and the speed at which the record is currently playing. Usually expressed as + or -, with 8 being maximum/minimum). Techno artist Derrick May remembers hearing Ron playing a Stevie Wonder cut with the speed at +8. Hardy played a lot of reel-to-reel edits and was always tweaking the soundsystem and playing with the EQ. A Ron Hardy trademark was playing a track backwards. Theo Parrish and several others have said that he did this by turning the needle upside down and putting the record on a cylinder so the needle played the underside of the record, although Stacey Collins says that he did this by using a reel-to-reel. Hardy's residence-club The Muzic Box was also known for its very loud sound volume. Hardy opened his nights with "Welcome to the Pleasuredome" by Frankie Goes to Hollywood. Among the classic disco that was a staple in Chicago clubs at the time, typical tracks one could also hear him play were Visage - "Frequency 7", Klein & MBO - "Dirty Talk", ESG - "Moody", Patrick Adams - "Big Phreek", Liquid Liquid - "Optimo", First Choice - "Let No Man Put Asunder", a lot of Philly soul Classics and even pop hits like Eurythmics - "Sweet Dreams" and Talk Talk - "It's My Life". Hardy also played electronic body music acts like Nitzer Ebb. Such eclecticism and the technical wizardy described were highlights of a unique style that separated Hardy from others like Knuckles and Levan. The main ingredient, however, was the soulful black disco tracks. Producer Chip E. introduced Hardy to recording music in 1986 when the two mixed "Donnie" by The It (featuring Chip E., Larry Heard, Robert Owens, and Harri Dennis). In early 1987, Chicago passed an ordinance forcing after-hours clubs to close at the same time as bars, and The Muzic Box was one of many casualties. After the closure of the Muzik Box, Hardy continued to DJ at various events around Chicago. However he battled with heroin addiction and did not manage to overcome this. He died on March 2, 1992. From humble beginnings, Hardy's contributions to house music are considered incredibly influential."
Bill Brewster, Frank Broughton (2000) "Last Night a DJ Saved My Life: The History of the Disc Jockey" (Grove Press)
Extra special thx to Jamie 326 

SKYLAX

Ron Hardy Live at the Muzik Box (1988)

6 years ago  i did this mix for the 18th anniversary of the first Techno Club in cologne "Warehouse". The tracks i have chosen are the top classic tunes from the nineties. This mix will bring back memories.

The Early House & Techno Years "Warehouse Cologne" Mixed By Jens Lissat

This is a vinyl excursion from the faster Hardcore of 93, through Jungle’s heyday of 94 and 95 and just edging up to the beginnings of drum & bass. Plenty of amens, lots of darkness, obligatory big bass and a ton of my heroes. 

Bad ass music from the likes of Dillinja, Ed Rush, Face Records, Remarc, Juice Records, Lemon D, Krome & Time, D Bridge, No U Turn, FBD Project, Legend Records, Pascal & Sponge, Metalheadz, M.T.S, Krust, Technical Itch, Marvellous Kane and more.

Mix is downloadable.

Warlock - Jungle 93-96 Mix

https://www.discogs.com/John-Digweed-Sights-And-Sounds/release/1541608
https://youtu.be/g8T_sYZ1sEQ

01. Robert Owens - I'll Be Your Friend (Dekkard's Satellite Vocal) [Unreleased Intro Mix] 00:00
02. Aria - Ascension (Original Mix) 09:48
03. Danny Campbell - Answer My Prayer (Evolution DSG Dub) [Unreleased] 17:11
04. Jayn Hanna - Lost Without You (Edge Factor Journey) 27:11
05. Jayn Hanna - Lost Without You (Edge Factor Dub) 36:07
06. Tanq - Nostrum 42:44
07. B.B.E. - Flash (Club Mix) 51:48

John Digweed - Sights And Sounds

Vinyl mix / recording :: Andrei Morant :: Producer :: Dj of Djs... Hero to many and an unknown to others, Morant delivers a sonic landscape of Techno Future past circa 1995 - 1997. This is a re-master of one of Morant's greatest mixes, "FORCE" which was originally released in 1997 on compact disc. TAGGED .aif FILE DOWNLOADABLE.

Andrei Morant - Force 1997 Master  MMM

Techno & Electronic Music 
Music Art Science History Philosophy

過激 "kageki" is extreme or intense in Japanese.

John Digweed - Sights And Sounds

Kageki

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