chill out II

On his follow-up to ROOS10, French DJ and producer Adam BFD lets imagination thrive with five mesmerizing breaksy house cuts, best heard under a star-lit sky. Duality flows seamlessly throughout the whole record, Adam harnessing the power to connect everyday experiences with a higher state of consciousness.

The EP kicks off with ‘Digital Tales’ which layers wistful secrets over mood-altering pads; it’s hypnotic undertone grounding and continuous. ‘Cirrus Dreamz' ascends even further into the clouds, it’s steady pace expertly infused with cosmic melody and shuffling rhythms.

In a world driven by hyper-connectivity, Adam’s productions are a welcome reminder to stop and explore, none more so than in the immersive world of B side opener ‘1st sight’. Dynamic percussion provides the movement, while meditative sonics produce the feeling of being swept up in a magic carpet and taken along for the ride. Adam’s depth of field widens in title track ‘Rose’, a quasi-epic composition combining all the best elements of house and breakbeat.

The record comes to a contemplative halt with ‘Siniestro’ - an ambient bubble-bath with field recordings poignantly placed across developing pads yearning for connection; showcasing another side to a producer who knows how to tug at the heartstrings.

https://runningoutofsteam.bandcamp.com/album/rose-ep

>> @adam_bfd
https://soundcloud.com/runningoutofsteam

PREMIERE: Adam BFD - 1st Sight [ROOS012]

Xyleac

Cocoon Compilation T

Your Future Looks Different In The Light

Stream, Download & Pre-Save the Album:
https://youngethics.lnk.to/YEM009PS

YUNG PRADO - Chill Out

Edition of 300 vinyl:
https://rickwade.bandcamp.com/album/late-right-ep

Detroit legend Rick Wade returns with his fourth Shall Not Fade release: a four track EP packed with timeless deep house.

On Late Right EP, Wade delivers the classic Detroit-sounding deep house with which his name is synonymous, at times experimenting with stylistic elements borrowed from tribal house, acid and ghettotech. The title track is a punchy deep house track with a funk-infused bassline and jazzy ambience which carries through to the next two tracks where it’s accompanied by the rattle of conga drums (‘Kabukicho’) and a gentle acid melody (‘Acid Creep’). Finally, ‘Quantum Jit’ brings things to a giddy close: a stripped-back club tune with skitterish claps and the syncopated breakbeat of drum and bass.

Late Right EP drops 26th August via Shall Not Fade.

Late Right EP

BUY RELEASE

SNF072 // Rick Wade - Late Right EP

Almost Dead

Almost Dead (feat. D3AD6OY)

Support it here: https://eudemonia.bandcamp.com/album/no-more-waiting
Next up on eudemonia is the Frankfurt-based duo ‚not even noticed‘. With only a couple of vinyl releases during the last years the two artists are relatively new to the scene. However their sound is perfectly produced and meets the tooth of time. The ‚No More Waiting‘ EP consists of five outstanding futuristic electro and breaks-influenced tracks each going into their own direction. Watch out for more to come in the near future, these guys are on a roll! @eudemoniarecords @not-even-noticed

YouTube

PREMIERE: not even noticed - Leftover Dreams [eudemonia]

Ireland’s Polytunnel evokes a celestial electro rave with latest single Outer Earth, back up with an exceptional package of remixes from Denham Audio, Lighght and Jellypelt.
Hailing from Kilkenny, Ireland, Polytunnel is a meeting point of sounds and interests, not bound by genre or scene. His style of melodic electro mixed with breakbeat influenced acid has seen his music gain acclaim from the likes of Mixmag, DJ Mag, Inverted Audio, XLR8R and supported by the late great Andrew Weatherall on his much-missed NTS show, Music’s Not for Everyone.
Released on his own Made Magnetic imprint along with a trio of sublime remixes, latest single Outer Earth see Polytunnel at the top of his game. Blending euphoric ravey stabs with celestial synths, clattering drum fills and punchy drums, Outer Earth sits at the borders of electro and techno, with plaintive melodies and crisp production creating a uniquely unearthly atmosphere.
First up on remix duties in Denham Audio, an artist who has brought new urgency and vitality to the modern rave scene. The sound they’re pushing is rooted in the legacy of UK hardcore, but those foundational sounds and styles are given a thorough spruce up, feeding into the buoyant areas of exploration happening between 140 and 160 BPM. Their remix is characterised by broken beats and variable tempos which create a heady, disorientating vibe.
Irish producer Lighght takes Outer Earth into hyperpop-meets-hardcore territory, upping the BPM and employing deep bass throbs and cascading synths, while completing the package is Jellypelt – who previously released his debut album 2127 Tanya through Polytunnel’s Moot Tapes imprint – who adds layers of ethereal vocals and epic breakdowns to his broken beat rave exploration.
Since moving to Glasgow, Polytunnel has released on Placid’s We’re Going Deep imprint and released his full follow up to 2019’s Time 2 Time in the form of Bioacoustics on Glasgow institution, Seventh Sign Recordings, which received support from the likes of Laurent Garnier, Dan Curtin, Vladimir Ivkovic, nd_Baumecker, Ryan Elliot, Marcel Dettmann, Ame, Truncate, Chris Ssg and James Zabiela.

PREMIERE : Polytunnel - Outer Earth (Denham Audio Remix)

From the fertile ground that gave us X-Kalay comes a new initiative. Christened "Another Place", the inaugural release, courtesy of London’s Ocean Stirs (aka Tom Jarmey), sets the label’s stall out with a glorious volley of lush breakbeat ballistics. Future Retro founder Tim Reaper assumes remix duties, bringing a hefty dose of jungle acceleration 🔥

Pre order: https://bit.ly/3Whpfzm

Available 25/11/2022

@tom-jarmey
@tim-reaper

Buy 12"

ANP001 | Ocean Stirs - Luminescent (incl. Tim Reaper Remix)

Full stream of Fader Cap's "Temple Tone," taken from Club Telepathy EP on Craigie Knowes, out October 31.

More: www.orbmag.com/music

@craigie-knowes
@fadercap

Club Telepathy

Listen more

Premiere: Fader Cap - Temple Tone

‘To Illustrate’: a new collaborative album co-produced by a group of artists from the extended Wisdom Teeth family, spotlighting a scattered scene of producers making forward thinking electronic music of various hues around the 100 bpm mark.

It’s been impossible to miss the unparalleled levels of creativity taking place at lower tempos in recent years. Whether it’s the reggaeton-inspired club music coming out of the Americas, the resurgence of downtempo and trip-hop influences in ambient and electronica, or the chuggy UK bass variants coming out of cities like Bristol, London and Manchester, there has been an unprecedented creative buzz around these slower BPMs.

‘To Illustrate’ attempts to capture just a small slice of the action taking place here, and looks to an international pool of producers and interrelated sounds to do so. Nick León represents the booming Miami scene, where Latin American sounds are being reimagined and reframed to create something kindred with UK bass music. Salamanda and abentis - from South Korea and Japan respectively - contribute low-slung, tripped out takes on ambient and downtempo, finding close sonic counterparts in UK producers Iglew and Glances. Elements of hip-hop and RnB creep through in label-heads Facta & K-LONE’s ‘Kiss Me, Can’t Sleep’, while UK artists Henzo, Clemency, Yushh and Hussko pull things closer to the slow/fast stepping rhythms of dubstep and drum and bass. Taken together, we find a cross-pollinating global scene of producers making genuinely forward-thinking and no-name electronic music - interconnected, but only just.

Out 25th November

https://wisdomteethuk.bandcamp.com/album/to-illustrate

Facta & K-LONE - 'Kiss Me, Can't Sleep' (WSDMLP004)

The Great Old Ones are fictional creatures, originally from the literary work of the writer H.P Lovecraft.

The concept of "Great Old Ones" remains undefined since it designates several kinds of entities according to the more or less biased perception of the narrators. Lovecraft's most famous creation, sometimes venerated as deities by certain mortals, is Cthulhu, a gigantic, sprawling creature.

For this compilation, the artists were each inspired by one of the creatures from the Lovecraftian bestiary in order to create a personal musical definition. 

Soundcloud : https://soundcloud.com/psykedreammusic/sets/the-great-old-ones-by-ngwa

Bandcamp : http://psykedream-music.bandcamp.com/album/the-great-old-ones

Mastering By Kalvezer Ar Son

Artwork by Ad3quat

Glaaki

Download

Arure & V.B.E - Glaaki

SCRATCHATTIC - The wild scope [EP 2020]
# Expérience Tr'H'ip-hop #

The wild scope, c'est une machinerie musicale qui oscille entre deux mondes. Un téléporteur qui voyage entre réel et imaginaire ! 

Le duo lillois Scratchattic signe 6 titres originaux assurant ainsi la continuité du premier EP « Gears in Motion » avec des sinusoïdes auditives toutes plus intrigantes les unes que les autres.

Dans ce second projet, le duo propose un tour d'horizon aux ambiances davantage planantes embarquant ainsi les passagers à errer spirituellement au milieu de mondes parfois étranges (Strange World), parfois sauvages (Into the wild, Getaway), parfois mystiques (Mind exploration, Back to nature). 

The wild scope est une invitation à la méditation, un retour aux sources où les éléments de la nature se rencontrent et s'entremêlent.
 
TRACKLIST:
1.Outbreak
2.Back to nature
3.Into the wild
4.Strange world
5.Mind exploration
6.Getaway 

Un voyage musical ponctué par des sonorités de divers provenances : des beats hip-hop, des samples world d'instruments traditionnels, une touche de dub et toutes sortes de bruitages extrait du monde réel. 

Fermez les yeux et laissez-vous transportez !

Produit et enregistré par Scratchattic (Davio/Sharky).
Mixé par Davio (Scratchatttic).
Masterisé par Phil du Studio Audioblend.
Pochette > Bleeken

chill out II

Kai DARGEL