KeepCalm.

Fiskeda (Original Mix)

A free download of this track is available. 
Go grab your copy ! Much Love, and thank you for the support ! 

I’d like to present to you today with an immense pleasure my last track : Eternal. The title says it all, we all asked ourselves one day « Is the world going to remember me ? », well this is my answer to that question. As I wanted the track to be 100% Original, and not finding a proper speech to put my thoughts, I decided to do myself a treat and record my own speech of that track. 

Enjoy ! 

Aaron Scott - Eternal (Original Mix)

Original Sound: Of Monsters and Men - Little Talks
Cover: https://soundcloud.com/kingslake-music & Kai: https://soundcloud.com/kingslake-music/of-monsters-and-men-little

FREED on Facebook: https://www.facebook.com/FREEDWASGEEHT
Danke und Thank you et Merci beaucoup

Free(d) Download

FREED & Of Monsters and Men - Little Talks

Fata Morgana is a photomontage created by Hannah Höch in 1957. Its title refers to a specific form of optical illusion: a superior mirage in which atmospheric conditions cause images to appear as floating or inverted at the horizon. The mirage phenomenon known as a fata morgana occurs when layers of warm and cool air bend light in ways that distort distant objects, making them appear elevated, mirrored, or displaced.

As a photomontage, Fata Morgana is constructed from cut and assembled photographic reproductions. In the 1950s, Höch increasingly worked with color imagery, often using printed magazines and other contemporary sources. Britannica confirms that her postwar practice moved toward more abstract compositions and the use of color fragments. The palette in Fata Morgana reflects this shift, with tonal contrasts ranging from ochre grounds to pinks and blues.

The composition demonstrates Höch’s precise control of her medium. Fragments are not simply layered but carefully positioned so that edges and forms generate a sense of rhythm and tension across the small rectangular surface. Observers have noted that the fragments can evoke natural or geological associations, but these remain open to interpretation rather than definitive representation.

Although Fata Morgana is not overtly satirical or political in the manner of Höch’s Dada works from the 1910s and 1920s, it continues her exploration of transformation, fragmentation, and perception. Art historians describe her postwar works as more meditative, often shifting the focus from direct social critique to poetic and abstract visual construction. In this sense, the title Fata Morgana may be seen as reinforcing themes of illusion and instability, though such interpretations belong to critical readings of the work rather than documented statements by the artist.

By the time she produced Fata Morgana, Höch was nearly seventy years old, yet the work reflects her ongoing experimentation with collage. Its layered fragments and evocative title align with recurring concerns in her practice: the instability of vision, the recombination of images, and the transformation of familiar materials into new and ambiguous forms.

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Zsófi’s latest set for MuséeCast unfolds with a sleek and hypnotic energy, moving fluidly between acid house, minimal tech, and minimal house with a distinctly European edge. Precision and restraint shape her selections: sharp basslines pulse beneath crisp, uncluttered rhythms, while subtle melodic textures rise and recede like shifting light. The result is a set that feels both raw and refined, lean and stripped back, yet full of kinetic tension. Zsófi captures the essence of underground minimalism, where every detail matters and space itself become part of the groove. Built on clarity and control, the mix emphasizes structure, pacing, and atmosphere, presenting a clear exploration of minimal electronic sound.


Follow the artist:
@zsofi_mix
https://www.instagram.com/zsofi_mix/

MuséeCast 028 by Zsófi

as usual.music is focused on Techhouse and Minimal, with influences of multiform ranges in Techno and House music, such as Deeptech/Deephouse. Deeply groovin' cutting-edge sounds and crispy tight rhythms are basic to what makes it shakin' or bangin' – consequently, the demanding nature of our music is fundamentally made for having maximum aesthetics to please the dancefloors.

With no fear to break the rules at some point. It's represented by some of the most interesting artists in the underground music and club scene. We love to connect diverse aspects of creativity to having an intense excitement in projects and concepts. The result is a highly inspiring and perceptive state of quality dance music. Taking the challenge of the ongoing evolution in contemporary music industries and feeling the impulses of tomorrow are implanted genes of our beings.

@as-usual-music
@beelincoln

6:00 – 7:00pm
Monthly on the second Friday

www.blooplondon.com
www.facebook.com/blooplondon
www.youtube.com/blooplondon
www.twitch.tv/blooplondon
www.mixcloud.com/blooplondon
@blooplondon

as usual music w/ Bee Lincoln - 08.08.25

https://soundcloud.com/bertha_lysergid
https://www.instagram.com/mooninmypocket/
https://www.instagram.com/bertha.wav/
https://www.instagram.com/3000grad/
https://www.instagram.com/schrank_rosa_e.v/
https://www.instagram.com/nucular_kollektiv/

SCHRANK ROSA e.V.

Bertha b2b Moon In My Pocket ║ 3000 Grad Festival 2025 @ SCHRANK

Schatzinsel 3000 Grad Festival

26 Silvio Marquardt - Schatzinsel 3025 So 20-22

*recorded Saturday early morning at my Hammahalle debut. A big thank you to all the dancers and everyone who made this exciting morning a piece of cake for me (artist care, friends, sound + those lights!!!)

Mila Stern // Sisyphos Hammahalle Debut // 2025-08-30

https://soundcloud.com/ebigale-rott-612287413
https://www.instagram.com/dj_ebicake?igsh=MTJ2bDhlOWtsc2dhbg%3D%3D&utm_source=qr
https://www.instagram.com/peakfrequencies?igsh=NTZsMnZ1eXc2aWxi

Dein Genre/Sound?
Tech house/House/techno

Wo kommst du her?
Tschechien

Wie lange legst du schon auf?
Seit 2023

Wie war dein Weg bisher?
Ganz cool. 🦋
Meine ersten Schritte habe ich 2023 auf Geburtstags-Housepartys von Freunden gemacht – und diese Abende liebe ich bis heute. Mit der Zeit durfte ich dann auch auf kleinen Festivals spielen, zum Beispiel bei Endstation Sehnsucht und schon zweimal bei Mini Festivals im Schloss Schönow. Jede dieser Erfahrungen hat mir unglaublich viel bedeutet und mir gezeigt, wie besonders Musik Menschen verbinden kann. 

Dazu kamen wundervolle Momente bei Birgit & Bier Open Air, auf einer Boat Party und letzten Freitag im Beate Uwe – jeder dieser Auftritte hat seinen ganz eigenen Zauber gehabt.

Vor kurzem habe ich zusammen mit drei Freunden ein DJ-Collective gegründet: Peak Frequencies. (Gemeinsam wollen wir Vibes erschaffen, die berühren und verbinden.)

Was ist dir an einem Safespace wichtig?
Achtsamkeit, Respekt, Unterstützung, consent

Möchtest du gerne der Welt noch was sagen oder mitgeben?
„To do things right first you need love, then technique.” (My favourite quote from Gaudi)

FEMCAST 036 with Ebicake

as usual music w/ Bee Lincoln - 12.09.25

SOOF - Lololand 2025

Long time no see! Endlich mal wieder Dampfer-Abfahrt! 
Ich werfe den Anker für 3 - 6 Weißbier auf meinem liebsten Kutter und mache klar Schiff am Sonntagmorgen! Hoher Wellengang und steife Briese erwartet. Wir ernten den Sturm und gehen über Bord bis wir mit allen Wassern gewaschen sind! 

SISYPHOS - DAMPFER - 21.9.2025

junoia @ Mystic Creatures Festival 2025 // infinite drifts, revolving in time ∞

www.facebook.com/KaiTorres.dj
www.facebook.com/plushylive
www.facebook.com/melokind
www.soundcloud.com/kaitorres
www.soundcloud.com/plushy
www.soundcloud.com/melokind

Kai Torres & Oliver Flohr - Sincere (Plushy Remix)

This track is a preview to the mix I am currently working on.  In all honesty I didn't do much to this track other than slow it down, but it sounded so badass that I thought I would share.

No Turning Back(Quaidorhauser Downtempo Mix)-Gui Boratto

In 1978 a german mother and her puertorican man decided to give birth to a little boy called Kai Torres. His father's passion was music, especially experimental shit and mixing vinyl. Instead of telling stories or playing tapes of fairytales, the evening sessions were affected by feeling the beat and getting involved in the deep fervor of music. So Kai began to get familiar with electronic music in the early 90s and started to dub his first tapes for friends. Therefor he had to use his father's equipment even after he was able to buy his first own record player. The more he grew up the more he found friends in his neighborhood and his down to the present day partner and friend Oliver Flohr (a.k.a. Flizz). Oliver was also highly inspired by Hip Hop and electronic music. This was the birth of the collaboration between Kai and Flizz and they spent a lot of time in working with beats or rather cutting and dubbing them for friends. Both of them were known for innovative and emotional sets in their circle of friends but as time goes on other people got attentive to them. It was time to rock parties, first in small spheres but shortly after that in regional clubs as a real DJ. Kai could socialize with many folks and even national clubs and organizer were interested in him. Later he started to arrange his own parties in cooperation with Flizz and their friends while Oliver put his focus on producing substantial Hip Hop beats which he was able to take to various mixtapes in the US (DJ Soulless presents …). At that time both of them combined their Know How, whether flowing Hip Hop beats or electronic nightlife, and thus produced House & Techno with a touch of Soul and Black music. In 2004 they made it to the very popular festival „Phunkadelic Nites“ in Idar Oberstein. By now for about twenty years of being a team Kai & Flizz are still working on tracks and playing their sets at House parties known as „Radaubrause“ around Mainz (Germany), always fulfillig the crowd's needs and obsessions. 


Kai Torres & Oliver Flohr - Sincere (Plushy Remix)

Kai Torres & Oliver Flohr

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