TLM / Object

Object

Lök - First Blood

Closing out Mass Collision is a special one for us. MISFIT reached out to us with this demo and we grabbed it - only to realise he lives 9 miles from ITL's homebase. Putting on such a local producer brings us quite full circle, from Canada to Japan to South Africa and now to our own backyard, we have flown our flag in more places than we ever thought possible.

https://hypeddit.com/misfit/bemine
https://inthelabrecordings.bandcamp.com/album/mass-collision

@misfit_uk
https://www.instagram.com/misfit_dnb/

Mass Collision

Be Mine

FREE DOWNLOAD

MISFIT - Be Mine

I Need More

Big Data

Zombie Cats are a multi national D&B power house. One half German, one half Australian. Formally known as RRegula & Dementia, Ross & Rouven recalibrated in 2014 and transformed themselves into Zombie Cats, for you.
 
With releases under their belts for EatBrain, Dutty Audio & Bad Taste amongst others its Commercial Suicide’s turn to spray you with their ultra tech scent.

Zombie Cats - Draw Blood - released 21/08/15

The main event!!!!!🤑🤑🤑🤗🤗🤗

🤖 “SYSTEM UPRISING” – The New Robot Jump Up Drum & Bass Album by Phoebe Simmons 🤖

The machines have taken over the rave.
System Uprising is a high-voltage fusion of robotic basslines, metallic wobblers, and futuristic Jump Up chaos. Built for the underground, every track hits like a mechanical weapon — sharp, relentless, and engineered for maximum dancefloor destruction.

From RoboRiddim.wav to Voltage Droid.wav, this album blends cyberpunk energy, industrial DnB textures, and filthy Jump Up drops that feel like a robot army charging the system. Perfect for ravers who love aggressive bass, glitchy FX, and futuristic rave vibes.

🎧 Reboot the system. Join the uprising. Feel the machines come alive.


#PhoebeSimmons #SystemUprising #JumpUp #JumpUpDnB #DrumAndBass #DnB #RobotDnB #CyberDnB #BassMusic #MechanicalBass #WobbleBass #IndustrialDnB #RaveCulture #DnBFamily #BasslineAddict #CyberpunkMusic #HeavyDrop #UndergroundSound #FestivalVibes #ElectronicWarfare #FuturisticDnB #SoundSystemReady #BassHeads #RaveEnergy #SubwooferSlayer #DancefloorDestroyer #NewMusic #BeatportReleases #DnBNation #DJSet

Mechanical Mayhem

Hex Void - VIKI WIKKA

Bad Taste Recordings

• WebSite → http://www.badtasterecordings.com/ 
• SoundCloud → https://soundcloud.com/bad-taste-recordings
• Spotify → https://open.spotify.com/collection/playlists
• FaceBook → https://www.facebook.com/badtasterecordings/
• YouTube → https://www.youtube.com/user/badtasterecordings 
• Instagram → https://www.instagram.com/bad_taste_recordings/
• MixCloud → https://www.mixcloud.com/BadTasteRecordings/

We Are The Night (Part One)

Champ

Matys & Trilo - Champ

Panic EP

Zeratul

Splash Heads - Zeratul

First track taken from ‘Perceptions LP’

Cause4Concern
C4CDIGUKLP006
BEATPORT EXC: 10th June 2019 
RELEASE DATE: 24th June 2019 Press Release

A self-described ‘messed up rhythmist’, the
dark and dense musical world and frequencies
of Impak is something which many drum & bass
fans will be familiar with. The individual wave
forms he created always get their own time to
talk. His high levels of bass modulation, as well
as his weird digital textures have drawn in a
global audience which will be waiting for this next release with a keen ear. The international DJ/producer, born out of Spain, explores his digital evolution within each one of his tracks. Technology is the key and his conceptual miscegenation is the tool in which he does this. It’s a way in which he’s explored clubs and festivals in over ten different countries, playing in as many as fifty cities around Europe. His residency in Spain’s Industrial Copera gained him international attention and after releasing on a wide range of record labels, he’s had over twenty releases on the market.
All these numbers are dizzying for an artist, even for one who’s been in the game of production since he was seventeen years old. So, it comes as little surprise that he’d come under the radar of C4C, a genre changing imprint which has been running for over two decades. Having already collaborated with one of its head honchos Optiv, he’s about to unleash his ‘Perceptions’ LP on the C4C imprint.
Featuring ten colossal tracks, from the crashing drum work of ‘Global’, right through to the tech-driven madness of ‘Unhappy End’, Impak goes for the jugular. Collaborations such as Impak and Kung’s ‘Anywhere’, Impak, Optiv and CZA’s ‘Neurons’ and Impact and The Clamps ‘Passengers’ bring a host of other mainstay names into the mix. Whilst standalone records ‘Tremor’ and ‘Mastodon’ continue the harmonic highs and slamming breakdowns which Impak has become renowned for. All-in, the ‘Perceptions’ album is a massive catalogue of work. For it to be made welcome in the home of C4C makes total sense. With their commitment to changing the musical landscape and high-arching production, the combination of C4C and Impak music was a match which they knew would send shockwaves throughout the wider scene.

Global

Object

Kaizen Flow

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