This track is part of @osare-editions (NE) V​.​A. - Donne Che Corrono Coi Lupi. So many thanks to @elenacolombi for the invitation and @mari-herzer for the mix.
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"Kakubo’s ‘Aboyá’ derives from the Brazilian Portuguese word “Aboiar” – a chant utilised by farmers to herd cattle. The sloping beat is interlaid with synthetic horns and Brazilian folk songs, traditional compositions made by marginalised rural communities."

OE 012 - V.A. - Donne Che Corrono Coi Lupi

KAKUBO - Aboyá

Tape Loops Vol.2 [DOM020]

Paula Rebellato - Tape Loops Vol II (KAKUBO Remix)

Released in 2022 on " V.A. Calmaria" of Acta Recordings (Brazil)

Calmaria

2022

Mari Herzer & Kakubo - Cat Tongue

Mix for @nplgnn from Barcelona on Noods Radio.  14th June 2023
Full tracklist https://www.instagram.com/p/Ct_2iqgLRsB/ 
Broadcasting from Bristol, UK

Noods (14.06.23) NPLGNN w/ KAKUBO

"Through grainy samples, abrasive frequencies and a frantic assault of snares and kicks, Kakubo delivers her first record as a quick and lethal sonic strike." Cassette preorder: bit.ly/33RbTP9
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Label: @meia-vida / Master: @norusmusic / Cover: K. Kakubo + @g-paim

Dolphin Dance

Hindu

Objetos Qualificados

"Through grainy samples, abrasive frequencies and a frantic assault of snares and kicks, Kakubo delivers her first record as a quick and lethal sonic strike." 

All tracks produced by Kakubo / Label: @meia-vida / Master: @norusmusic
Cover: K. Kakubo + @g-paim
August 2019, Brazil

Geisha Modular Speech

1h live playing samples and drum solos in MPC battle style for Novas Frequencias Festival Radio Show.  3 days recording and extract. September, 2020 : https://www.mixcloud.com/NovasFrequ%C3%AAnciasRadioShow/ 
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"This set is the first of a series covering piracy and sample culture that will run for a few more months. With Brazil as one of the world's largest centers for consumption and reproduction of pirated material, the idea is to observe the musical identity in emerging countries in the digital age and its results. From this perspective, I proposed a process experience and created a session exploring sampling techniques using a MPC 1000. The sampled material was an excerpt from the qualifiers of a 2008 MPC World Championship available on Youtube, which was cut and reconfigured several times and played together with live beats. The idea was to have a lean sound palette to arrive in new timbres from these looped and manipulated sound cuts in different stretch, tone change, trigger and played in finger drumming, which is very characteristic of MPC sessions. The result is a drum solo of unquantified beats and textures with pedals."

KAKUBO

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