gentle, soft and nuanced - i love the low sweeping of the bass, it's hard to get that level of balance and you really got it =)

What Dreams May Come has entered the @re-ex Underground chart at no.2! Such a beautiful, dreamy atmosphere... Very relaxing & highly evocative, great work! 🙂

Me encanto la ambientacion de la cancion muy tranquila y calmada tiene buen sonido de sintetizadores en la introduccion de la pista tambien bonita portada musical que refleja la naturaleza y armonia que transmite la cancion, me gusto bastante la melodia muy fantastica e inspiradora.

Lovely ambience and has great meditational purpose!

A few ambient tracks that I’ve loved in 2025. Will be expanded upon.

Selected ambient works 2025

What Dreams May Come

This song tells the story of how I found out my on again, off again girlfriend was off the market.

Changed Your Religion

Changed Your Religion by Dave Hanrahan 🌎 Music

Éliane Radigue – Naldjorlak (SLT-008)

Saltern presents a thrilling new live recording of Naldjorlak for solo cello, composer Éliane Radigue’s first piece for an acoustic instrument, paired with a remastered version of the long out-of-print, original 2006 recording. Composed in 2005 in close collaboration with cellist Charles Curtis, Naldjorlak marked a striking shift in the music of Radigue, who has since composed exclusively for instrumentalists with her celebrated Occam series. This double-CD album brings together two complete performances by Curtis, recorded nearly 15 years apart (Paris in 2006 and Los Angeles in 2020), drawing attention to the evolution of the piece and to its inherent mutability. The sound and spirit of Naldjorlak are centered around the re-tuning of the entire cello to the wolf tone, a uniquely unstable frequency, creating a haunting, almost feedback-like resonance within the instrument itself. Mastered by Stephan Mathieu with custom packaging and screen printing by Alan Sherry. Includes extensive liner notes by Gascia Ouzounian, Radigue, and Curtis, and a reproduction of Radigue's never-before-published original drawing of Naldjorlak.

From Gascia Ouzounian’s liner notes: “Even as it expands conceptions of what sound is, and thus what music can be, to understand Naldjorlak only as music would be to limit its scope. It is music, but it is also physics and philosophy. Naldjorlak is a detailed investigation of the physical properties of resonating bodies and dynamic systems; it is a meditation on the condition of instability; it is a metaphysics of chaos and uncertainty.”

Éliane Radigue – Naldjorlak (Los Angeles, 2020) (excerpt)

FJ (Chef), Music Producer, LP collector.
I produce different genres of music. My interest in music dates back to my childhood, but only started producing music actively from this year. Year of 2023.

I hope you find my music to a perfect partner for your daily routines.

Be,Live,Create

Regards,
:: MaloM :..

...all right reserved©2023...

The Beauty Of Life

Buy NOW!!!

Klangmoebel-Soundtracks, Vol. 4: Harry

Colorize Selected

If We Reach Rialto

Overlooking Vashon

The Third Broadcast (Empty Words Ambient Mix)

It took me so long to finally meet you, now we are becoming as one.

Mirror Soul

Enter Night

Inspirational new age music by Constant New Horizons. Recorded 2025.

© 2025 Aeon Records
℗ 2025 Ditto Music LTD
Music may not be reproduced anywhere in any f

Free Download

Mountain Sunrise

What They Deserve .wav

This song is a reimagination of the wonderful instrumental song 'Wherever We End Up Next' - taken from the 'Cranebrook' EP by Australia's Solkyri - released February 2025: solkyri.bandcamp.com/album/cranebrook

The original song which inspired this reimagination - Wherever We End Up Next - was written, recorded and performed by: Ryan Fitz-Henry, Andrew Pearsall, Nicholas Hall and Adam Mostek.

Written, recorded and produced by: Tom Squires (rhubiqs) and Hollie Kenniff.

Mixed by: Tim G Carr @ Gnomelabs, Sydney, Australia (www.discogs.com/artist/685559-Tim-Carr)

Mastered by: Stephan Mathieu, Bonn, Germany (www.schwebung-mastering.com)

Cover photograph taken by Simon Byrne (www.simonbyrnephotography.com/about).

This Is Where We Ended Up

En la catedral

Voy entrando por la Puerta del Perdón
y mis ojos buscan el gran rosetón
pues sé que me asombrará.

Piedra y silencio con un haz de luz
pausa que invita a reflexionar
y el tiempo se la quiere tomar.

Estribillo

Dejo afuera el bullicio
que se convierte en suplicio
cuando no se puede controlar.

Dentro encuentro la calma
que acaricia mi alma
y que me da infinita paz.

-----------------------

El sol poco a poco deja de alumbrar
dando un destello como celestial
no viene de un dios... es algo igual.

Estribillo

In the cathedral

I enter through the Gate of Forgiveness
and my eyes search for the great rose window
because I know it will amaze me.

Stone and silence with a beam of light
a pause that invites reflection
and time wants to take it.

Chorus

I leave outside the bustle
that becomes torture
when it can't be controlled.

Inside I find the calm
that caresses my soul
and gives me infinite peace.

-----------------------

The sun slowly stops shining
giving off a celestial flash
it doesn't come from a god... it's something similar.

Chorus

En la catedral

After few bit sharper songs I'm here back with easy listening one. Kind of world music based on acoustic guitar, erhu and clarinet.

"Twenty" was lying for some time on my desk. Some weeks ago I made about first 1 minute and then I lost the inspiration. It was total lack of inspiration and I spent my attention with other tracks. But then suddenly, during one nice easy going summer evening, the inspiration was back and Twenty was tuned and done.

And what about name? Why 20? "Twenty" is just because it's 20th song I have made... It is kind of anniversary, isn't it?

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In the Box

Twenty

Intensive ambient explorations and other stories.

Competitions are for horses, not artists. --- Béla Bartók

https://kalakodt333.bandcamp.com/track/a-time-of-touch

What Dreams May Come

KalaKodt

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Alain de Maximy

Mellow Minded

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