Name: Aiy Dill Bageer - Farid Ayaz, Abu Muhammad by Kalaam e Arifaan in Sufi
Duration: 4 min 1 s
Description: A Kalaam-e-Aarifaan from compiler's personal collection of music sample. Complete music available on www.kalaameaarifaan.com

Sufi

Dil Dhoondta Hai Phir Wahi

Saami Brothers are a group of accomplished vocalists, well-versed in several eastern classical genres, currently performing as a Riwayati Qawali group.

Saami Brothers grew up in a family with rich musical heritage, referred to as Qawal Bachcha Delhi Gharana. The lineage of this gharana leads back around 800 years, all the way back to Saamat Bin Ibrahim, a principal student of Hazrat Ameer Khusro.

From an early age, they were blessed to have been taught the intricacies of classical music by late Ustad Munshi Raziuddin Khan, late Ustad Nizamuddin Saami, and Ustad Naseeruddin Saami.

PEER NIZAMUDDIN

Kangna | Fareed Ayaz & Abu Muhammad | Season 4

Kangna

Ja Khuda Khan Na Thi- Shaikh Ayaz

Info from http://qawwal.blogspot.in/2009/03/ishq-mein-tere-koh-e-gham.html (the audio there is a shorter version, best avoided.)

Ishq Mein Tere Koh-e-Gham - عشق میں تیرے كوہ غم
Qawwali at Noor Cultural Centre, Toronto

عشق میں تیرے كوہ غم سر پہ لیا جو ہو سو ہو
عیش و نشاط زندگی چھوڑ دیا جو ھو سو ھو


لاگ كی آگ لگتے ھی بمبا نمد یہ جل گیا
رخت وجود و جان و تن كچھ نہ بچا جو ھو سو ھو

عقل كے مدرسے سے اٹھ، عشق كے مدرسے میں آ
جام فنا و بیخودی اب تو پیا جو ھو سو ھو




Hazrat Shah Niyaz (1742-1834).

Posted again after the comment from Asif Hasnain from Vienna.

"Just beautiful, both the kalaam and the rendition. Transports the listener. The power of love of music, of the creator, of life, of the eternal. Thank you for this wonderful post, which I came across just now. " Asif Hasnain.

There was a beautiful mood created that night which can be felt through this particular ghazal. Both the qawwals and the audience were in heaven and feeding off each other. The style (andaaz-e-bayan) takes me back to other recitals I heard during my childhood.
______________________________________
Qawwali Recital at The Noor Cultural Centre, Toronto - 2008
Kalam: Hazrat Shah Niyaz (1742-1834).

Ishq mein tere koh-e-gham sar pe liya jo ho so ho
aesh-o-nishaat-e-zindagi chhord diya jo ho so ho

Laag ki aag lagte hi, Bamba namad yeh jal gaya
Rakht-e-wojood-e-jaano tak kuchh na bacha jo ho so ho

Aql ke Madrase se uth, Ishq ke Maikade mein aa
Jaame Fanaa-o-Bekhudi ab to Piya jo ho so ho

Hijr ki jo museebatein, arz kiin uske rubaru
Naazo adaa se muskura, kehne lagaa jo ho so ho

Hasti ke is saraab mein, Raat ki Raat bas rahe
Subhe Adam Huaa Numoo, Paaon Uthaa jo ho so ho
________________________________________


Translation: Saqib Mumtaz
Mountains of agony, i bear in your love now, come what may.
The luxuries of life, i forsake now, come what may.

In the fervor of love, the threads of being seared,
the fabric of body, form, self; all charred now, come what may.

Rise from the seminary of reason, enter the tavern of love
From chalice of annihilation and selflessness, drink now, come what may.

The pangs of seperation, I bared before the beloved
With an airy smile said, "now, come what may."

In the mirage of this body, I seek the night only
And if Adam appears with the morning, I could raise the feet, come what may!

Thanks to Zahid Khan & Atique Azad and last but least the
Noor Cultural Centre

Qawwali: Ishq Mein Teray Koh-e-Gham by Fareed Ayaz and Abu Mohammad

می دانم کہ آخر چوں دمِ دیدار می رقصم
مگر نازم بایں ذوق کہ پیشِِ یار می رقصم
(How is it that at mere sight I am enraptured?
But it is only proper; it is for love I dance)

تو آں قاتل کہ از بہرِ تماشہ خون من ریزی
منم بسمل کہ زیرِ خنجرِ خونخوار می رقصم
(Such display may cause my killer to lust for my blood
And meek under the thirsty blade, I dance)

بیا جاناں تماشا کن کہ درانبوہ جانبازاں
بصد سامانِ رسوائی سرِ بازار می رقصمکہ 
(O life, see me amidst hordes of your fearless lovers
Shouldering my shame before their eyes, I dance)

منم عثمان مروندیؔ كہ یارِ شیخ منصورم
ملامت می کُند خلقِ و من بردار می رقصم
(For I am Usman of Marwand, apostle of Mansoor the Wise
Creation chides and condemns, and on the gallows, I dance.)

Nami Danam Keh Akhir Choon By Abu Muhammad And Farid Ayaz

Discreetly, Discreetly - Sabri Brothers

"Mori Bangri Murak Gayi Ae Re Chhail, Woh Toh Aawat Jaawat Roke Gail" simply means "My Bangle Got Bent O My Lover, He Stops Me On My Way As I Come And Go" in brij or braj language. It is a beautiful representation of playful love in qawwali by brothers Fareed Ayaz and Abu Mohammad, who are direct descendants of legendary poet Amir Khusrow. They have a 700+ years of qawwali legacy, which can be felt effortlessly in their unbelievable skill of playing with the notations and the wide scales of their vocal ability. Fused with mild groovy techno music, this qawwali experience would enthrall you whether you are an avid qawwali fan or a novice.       

Mori Bangri - Fareed Ayaz & Abu Muhammad

Tore Bina Mohe Chaen (Bhajan) - Ustaad Manzoor Niazi

A Kalaam-e-Aarifaan from compiler's personal collection of music sample. Complete music available on www.kalaameaarifaan.com

Aiy Dill Bageer - Farid Ayaz, Abu Muhammad

A poem from Naqsh-e-Faryadi produced by Abid Mehmood 

Mozu-e-Sukhan. (Faiz Ahmed Faiz)

Kaise chhupaun raaz e gham - Mehdi Hassan

Pathanay Khan - Ghoom Charakhra

Rung | Fareed Ayaz & Abu Muhammad | Season 5

Rung

Sachal Sarmast(Ranjhu Khera Donhe Mai Haan)by Risham Syed. Composition: Najm Hosain Syed
Sung at. Alhamra Cultural Complex, Lahore for Lahore Arts Forum (LEAF)c 2013

Aiy Dill Bageer - Farid Ayaz, Abu Muhammad

Kalaam e Arifaan

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