Roe Deers presents his fascinating debut full-length Salt Town Boy, a leftfield collection of wild sonic tales filled with dusky moods and punk attitude. The first LP to be released on Good Skills, the label Roe Deers runs with BDHBTS co-conspirator Titas Motuzas, the album brings together tracks produced in his Vilnius studio over the past six years. It also features a series of unique storytelling vocal contributions from an international list of friends and colleagues.
Roe Deers is a Lithuanian-based project led by Liudas Lazauskas. A regular at Vilnius institution Opium and a key member of the city’s fertile scene, he’s long been breaking the rules of genre in his explorations of the uncharted territories of murky electronic music, releasing on labels like Omnidisc, Turbo, Nein Records and Throne Of Blood.
The Salt Town of the album’s title is Druskininkai, the Lithuanian spa resort where Roe Deers grew up and first began DJing at a venue run by his parents. The breadth of styles and moods he was exposed to from an early age can be heard across these 12 intriguing tracks, which blend elements of beat science, electroclash, post punk, italo, krautrock and EBM into a deliciously intoxicating brew.
The skewed motorik pulse of opener and lead single ‘Trident’, featuring apocalyptic intonations by French-Canadian lyricist C.A.R., sets an offbeat, ominous tone that prevails for the rest of the album. Vocal contributions from Israeli producer Niv Ast (‘Late Night Tale’), Norwegian troublemaker Sex Judas (‘Rodeo King’) and Berlin-based singer Aquarius Heaven (‘Walking Down The Streets’) each bring out the moods – vampish, febrile, industrial – that permeate Roe Deers’s textured, percussive productions. At the album’s centre are two tracks that point to the past and possible future of the Roe Deers project: first, ‘Thème’ features French post punk band Order89 in a compelling disco-noir moment that recalls his earlier club EPs; then, regular collaborator Palmės Žiedas provides Lithuanian vocals for ‘Tarp Raudonų Šviesų’ (‘Between Red Lights’), a frenzied howl of a track that fits an entire film score into its short three minutes.
The instrumental pieces on the album have their own stories to tell, from the dusty dive bar meditation of ‘Flying Carpets’ to the paranoid proto-techno pulse of ‘Celebrity Theme’ and the 11-minute cyclical epic ‘Never - Ending -’. As the last moments of cinematic closer ‘Fin’ play out, we realise that our trip down the twisted paths of Roe Deers’s beguiling sound world is coming to an end; but we also know that to go back in again all we have to do is press play.
Roe Deers will be launching the Salt Town Boy LP with a live performance and DJ set in Vilnius. The album will be followed by a remixes EP.

Music written & produced - Roe Deers
Vocals - C.A.R., Niv Ast, Sex Judas, Order 89, Palmės Žiedas, Aquarius Heaven
Record Label - Good Skills
Artwork - Art Belikov
Photos - Alina Pasiuk
Master - The Wall

Theme (feat. Order89)

Please support here:  https://tete-noise.bandcamp.com/track/sabani-feat-vazhmarr

Sabani (feat. VazhMarr)

punk funk unreal (NOT A.I ! ) only weed! 

Unreal Funk

ur/mum

sample : Melissa Manchester - Your Place Or Mine

drop on DSPs on sep 17th

Your/Mine

The path to success is not an easy route to follow. Guidance and mentorship is key to the accomplishment of a venture. It may take time, patience, charisma and strength but once it has been achieved there is no feeling quite like it. This is much like an adventure, a theory of life which must be taught and learnt with both supervision and guidance. Let us be your guide, let us be your supervisor, the door is unlocked, step forward, sigh deeply and proceed. 

Here is the latest release on the ever exciting Malka Tuti record label. Dreems remixes Jakam's track titled 'Guidance'.

PREMIERE: Jakam - Guidance (Dreems Remix) [Malka Tuti]

Wareika - Song Of Wareika

Vinyl/CD/Digital - https://lengrecords.bandcamp.com/album/out-of-the-blue-compiled-by-phil-mison

Over the years, Phil Mison has become the go-to selector for those looking for Ibiza-themed compilations. None of his previous collections, though, have been quite as personal as Out Of The Blue, a compilation inspired by his first spell behind the decks at the Café Del Mar in 1993 – and the remarkable chain of events leading up to it.

Mison made his first trip to Ibiza in the summer of 1991 and quickly fell in love with the magical music being played by Café Del Mar resident DJ, Jose Padilla. On his return to the UK, Mison began to cultivate his own take on the laidback, open-minded style, recording mix-tapes of “Ibiza style chill out” tunes to give to friends.

In November 1992, Mison was hanging out in Tag Records, Soho, when Padilla walked in. He plucked up the courage to speak to the Spaniard because earlier that summer Mison had given one of his friends some tapes to take out to Jose in Ibiza so he wanted to see if he had got them. During the conversation Mison invited him down to his next DJ set at Nicky Holloway’s club, the Milk Bar and less than three months later, and clearly impressed by what he’d heard on the tapes, Padilla invited Mison to fill in for him at the Café Del Mar, beginning in April ’93.

It’s that first trip to DJ in Ibiza – a crazy six-weeks spent dividing his time between spinning records at Café Del Mar, hanging out in Jose Padilla’s house in the hills, and meeting some particularly eccentric White Isle residents – that proved the inspiration for Out Of The Blue.

The compilation contains a mixture of records that Mison played in his earliest Ibiza sets, those that remind him of that period, and recent discoveries that boast a similarly warm, loved-up vibe. Mison is at pains to point out that it’s not a track-for-track representation of his first sets, but rather a collection inspired by this most momentous of experiences.

As you’d expect from a selector of Phil Mison’s standing, Out Of The Blue is an outstanding collection. Some will no doubt hear the influence of his mentor – the man he credits with effectively turning his DJing career around – in the undulating rhythms and new age melodies of Kamasutra’s “Sugar Step”, the meandering synthesizer solos and Spanish language vocals of Congarilla’s sublime “Sacred Tree”, and the lilting flamenco guitars of “Gambarra”, an unreleased mix from Mison’s popular Cantoma project.

Elsewhere, listeners can marvel at the starry ambient bliss of Belgian legend Frank De Wulf’s “The End”, recline to the saucer-eyed fusion jazz of the Christoph Spendel Group, shuffle along to tactile, hard-to-find period deep house from Language, Moodswings and Don Carlos, and marvel at The Cactus Rose Project’s ridiculously rare “Jelly”, a sparkling, disco-era jazz-rock outing partly inspired by the Doobie Brothers’ “Long Train Running”.

Out Of The Blue may well be a very personal selection of tracks celebrating a moment in time, but it’s happily one that we can all enjoy.

Out of The Blue

LENG SHOP

The Cactus Rose Project - Jelly

Updated version of the Odyssey remix. Hope you like it. Will start paying for soundcloud very soon which will mean downloads and loads more tracks.

MAU vs Odyssey - Who (MAU's Facelift) v1

Preorder here: https://bit.ly/2ZhOUKv
Discogs: https://bit.ly/2UFV6gT

Out early June on Kalahari Oyster Cult

Munich. 1994. A group buck current trends with a ground-breaking release. Tikitaka by Tamburá left aside the techno of the time to focus on a the lesser known styles of afrobeat and tribal music. The result was three tracks that sail and soar on a primal energy, three works that whisk listeners away to exotic lands of wooden wind instruments, ritualistic vocals and, even, bag pipe majesty. For twenty five years this record has been an unattainable mystery, until now that is. Kalahari Oyster Cult have lovingly restored all three of the trailblazing original tracks alongside two very special remixes. Melbourne’s Tornado Wallace adds new layers of intensity as he cuts and reshapes melodies and beats to set any floor alight with this visionary remake. Dazion offers a very different interpretation. Focusing on vocals, this new talent accentuates the shamanic-like chants of Tikitaka, using them as a base from which throbbing synth lines grow as new depths are explored. An EP every bit as daring in 2019 as it was in 1994.

Tamburá - Tikitaka w/ Tornado Wallace & Dazion Remixes (OYSTERTRIBE2 - Snippets)

VIDEO : https://youtu.be/Kuvb_G3MdOA

Le 27 Janvier 2014 sortait le premier disque de Flavien Berger “Glitter Gaze” sur Pan European Recordings. 
Pour fêter les 7 ans de cet EP,  @ColinJohnco présente un remix nocturne du morceau “Gilded Glaze”. 

Entre les vagues du Golfe du Morbihan, le chant des oiseaux sur le sentier de Rorota et la moiteur nocturne des sirènes urbaines. Laissant se dissiper de nombreux souvenirs comme autant d’esprits magiques. Jeux de reflets qui mélangent différents paysages sonores à des nappes vaporeuses sur la basse syncopée du morceau original. 

En Septembre 2010, le Collectif Sin ~, composé alors de Flavien Berger, Erwan Evin, Quentin Caille et Paul Boudeau, sortait l’album “Sous Contrôle TV” sur le label éponyme de Colin. S’ensuivit une série de concerts et de performances à la limite du noise, écumant salles alternatives et sous-sols parisiens, parfois accompagné de Colin Johnco, présence bienveillante pour le Collectif Sin ~. Aujourd’hui le Collectif s’est agrandi regroupant plus d’une dizaine de membres. Quentin et Colin ont fondé Johnkôôl Records. Ce remix contient toute cette longue histoire, c'est un hommage à la rencontre de tous ces aventuriers qui traversent la nuit.

Video & Artwork by Juliette Gelli
Mixed by Paulie Jan
Mastered by Mathieu Berthet

Gilded Glaze (Colin Johnco Nocturne Remix)

FLAVIEN BERGER - Gilded Glaze (COLIN JOHNCO Remix Nocturne)

Her mouth was as dry as a bone, and she could feel a lump beginning to form at the back of her throat. This wasn't how she'd planned it out in her head; it became clear there were plenty of situations she hadn't prepared for. Of all of them, running out of water should have been much further down the list. She squinted up at the sun for just a moment, before continuing to scour new ground.

Last year saw the release of @koshinmoon's third album 'Leïla Nova' on French label Akuphone, and now, in an effort to inspire new dialogue and collaborations with other like-minded producers, they've invited several artists to remix the original tracks. Feller, Cheb Runner, Marwan Hawash and Cornelius Doctor all take a turn at morphing the psychedelic cosmic synths and traditional Eastern instrumentation into new, hypnotic forms.

PREMIERE: Ko Shin Moon - Lambaya Püf De (Cornelius Doctor Remix) [Total Totem]

Run by @reycolino
Brussels - Amsterdam
info@kalaharioystercult.com
Distributed by @oneyewitness
Bookings & label showcases: peter@klsbookings.com // +44 (0) 7742 600894

Tamburá - Tikitaka w/ Tornado Wallace & Dazion Remixes (OYSTERTRIBE2 - Snippets)

Kalahari Oyster Cult

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