Ƒuήkψ Ⲙuήkψ Gr๏๏ve ..'10'..

Let Love Rumpel (Part 1)

Disco Kalkbreite

Fleischchäs (feat. Tillmann Ostendarp)

Unter Strom

Eight Bars

Let Love Rumpel (Part 2)

Healthy Again

Get Up and Try

Shika Shika is delighted to present a new LP by one of the bright talents that rode the downtempo wave. In New Dance Energy, Peter Power offers us rich soundscapes that blossom with pulsating grooves, deep meditative vocals, playful flutes, and glitched out beats. His global sound is immersed in a growing sensitivity of presence, where cultivating a deep awareness with one's surroundings is at the heart of the process. Finding perpetual inspiration in organic motion and the alchemical forces of nature.

After taking a much needed hiatus from the dance floor, taking the time and space to delve into slow living, deep listening, fatherhood and the simple joy of playing instruments. New Dance Energy marks something of a return, with Peter’s first dance orientated release in 5 years.

Falling in love again with Dancing and Dance Music. 
Reveling in the diverse freedom of conscious dance forms such as ecstatic, meditative & cacao dance ceremonies.
Dancing for the joy of dancing, and finding new ways to move the body.

On this release, Peter sways away from habitual four to the floor archetypes. Taking inspiration in lower chakra liberating, body shaking Afro-Brazilian & Dancehall rhythms. Playfully contrasting with soft and wholesome tones, uplifting mantras and traditional flute playing. 
With the intention to bridge the hard hitting modern urban sound with the gentle, holistic and folkloric realms. A striking departure from his usual drawn out, slow burning, meditative style… Exploring short and direct composition , with the average track length on the album teetering in around 4mins. Seven bite sized beauties to sink your teeth into.

20 % of all royalties will go towards Projeto Sapucaia.
A regenerative agro-reforestation project in the valley of Raposa, Chapada Diamantina, Bahia, Brazil. A community initiative that Peter is involved in since 2016. The money collected will go towards maintenance of the agro-forest, to the recently established cultural centre and to the continual reforestation of new areas of the land. Revitalising the conditions for it to flourish how it once was as part of the Mata-Atlantica rainforest.

Bon appetite !

New Dance Energy

Order 12" Vinyl

Peter Power - Rubble Dance

RICHARD PARKER-SAME WAY TOO

lo͝ok (remaster).wav

Australian-Canadian cult label release their third and final instalment of SUN GAZE, featuring solar worship from Holland’s UMOJA, Irish Voodoohop import PETER POWER, French newcomers A1ST and Aussie outback legend CCOLO.

Umoja’s Umboweti is a cheerful jungle jaunt, sounding like Francis Bebey stripped and mixed for the club. Guaranteed smiles and vibe elevation.

Next up, Peter Power pulls up the post peyote summer sunrise anthem, a sweet sing-a-long perfect for cult heart-opening exercises and shamanic morning rituals.

A1st turn in the soaring, beautiful Theme of Sun Memory, an ecstatic journey inward to the radiant heart of the universe. 

Finally, Ccolo sends us off with F33lings, a curious mix of lush ambient electronics and funky downtempo acid. 


A1ST - Theme of Sun Memory

Bongo Entp. - Lujón (Carrot Green Remix)

Those who experienced listening to the original Maria Rita version of "Cântico Brasileiro Nº3 (Kamaiurá)" on the dancefloor know it's such a thrilling experience that could only be better if the song was a bit longer. At the same time, it didn't make much sense to mess with the original. Having these thoughts on their minds, the Selvagem boys' Augusto Olivani and Millos Kaiser (the minds behind Selva Discos) had an insight while discussing the reissue of the "Brasileira" material with singer Maria Rita Stumpf: why not hit the studio and remake the track? Also, why not ask someone like Joakim, known for his exquisite taste and brilliant production skills, to remix "Lamento Africano/Rictus"? It would be the perfect package. And that's what happened. 

In order to properly remake "Kamaiurá", they recruited Paulo Sergio Santos from Uakti, one of the musicians that took part of the original "Brasileira" recording sessions, a supertalented multi-instrumentist who still possesses a version of the plastic tubes responsible for the particular bass sound of the track and also a couple of flutes reminiscent of the ones first used (not to mention a lot of crazy instruments he brought alongside him; on a side note for those not familiar with Uakti, it was an instrumental music group from Brazil famous for creating their own instruments whose godfather was Milton Nascimento and peaked in the 1990's playing with Philip Glass). Carlos Gualda aka Carrot Green, who's been collaborating with Selvagem for the past 3 years, was also summoned for the mission. 

The project of remaking "Kamaiurá" also needed a proper recording studio, so Augusto and Millos pulled a couple of strings to rent the legendary Vice-Versa studio in São Paulo (now owned by the Brazilian label Trama), which was founded by Rogério Duprat (yes, the Tropicalia maestro), Luiz Arruda Botelho, Sá & Guarabyra in the early 1970's – a beautiful, spacious acoustically-treated wooden room fully equipped and controlled by a Neve console. There, Paulo Sergio Santos recorded 12 different instruments (none of them electric or electronic) and Maria Rita Stumpf sang in a studio after more than 20 years, on a different arrangement than the original, with a new intro and an outro, also extending the song (including a breakdow) for a better dancefloor experience. Later, Selvagem & Carrot Green worked on the post-production, adding a kick drum, a hi-hat and some Rolando SH-101 punctuation, all very minimal, so the feeling of a jungle excursion of the new session would be preserved. 

Concerning the "Lamento Africano/Rictus" remix, it's a great feeling when you present your first choice an idea and the person is just hooked by the power of the music. Joakim was just very interested about the singer, the instruments used, the lyrics and jumped aboard this project quickly. He didn't had the same opportunity as Selvagem & Carrot Green had, being offered to work with just the original song, but did an amazing job inverting the elements of this suite, using the kalimba-sounding instrument in the introduction and the African lyrics in the breakdown, turning this subtle, sensitive chant in a dancefloor monster. 
credits
released October 27, 2017

Written by Maria Rita Stumpf
& Produced by Augusto Olivani, Carlos Gualda and Millos Kaiser
 
Recorded at Trama Estudios, São Paulo
Mixed at Carrot's Studio, Rio de Janeiro, 2017

Maria Rita Stumpf - vocals
Paulo Sergio Santos - bowed guitar, flutes, caxixi, derbak, handclaps, body percussion, shell rattle, chajchas, pvc tubes in D
Selvagem & Carrot Green - handclaps, body percussion, backing vocals, drum programming and additional keyboards

Mastered by James Savage 
Cover picture by Márcia Costa Dias
Artwork by Colletivo Design LTDA
Back cover picture by Gil Lopes

Maria Rita Stumpf - Cântico Brasileiro Nº3 (Kamaiurá) (Selvagem & Carrot Green Remix)

Song Title: Alsema Dub
Artist: Jah Wobble, Bill Laswell 
Album: Radioaziom A Dub Transmission
Year: 2001

Alsema Dub - Jah Wobble_ Bill Laswell

M.RUX: Vermonische Melodien
LP / digital
Pingipung 069
MAR 6 2020
https://soundcloud.com/pingipung

Press contact: Andrea Wienck andrea@pingipung.de

Vermonische Melodien is a collection of compositions by DJ-producer M.RUX, made with old VERMONA machines from Eastern Germany. The nine Electronica tracks can’t conceal their influences from Exotica records of the 1960s as well as their fondness for vintage music technology. We hear voices singing lullabies (“Magische Time”), mumbling chopped up syllables (“Seelnatrax”) or reciting a Shakespeare quote (“Bakelit”) - are they real? Yes! But they are mostly generated by the world’s first speech synthesis hardware, the IBM 704 from 1954, and processed into off-key melodic beauty with vocoders.

"I’ve always been especially curious about musical visions from the 1970s", says M.RUX about his inspiration for Vermonische Melodien. "Those nifty Vermona machines can today be seen as future machines from the 1970s. They seem almost mystical to me. Like relics from an epoch long ago… and I wanted to find out, how music from that time could have sounded." On the album M.RUX uses, above all, equipment by Vermona, a brand from Eastern Germany manufacturing electronic musical instruments in the "Klingenthaler Harmonikawerke“ until 1990. The company was founded as VEB Klingenthaler Harmonikawerke in the 1950s, who also produced home-organs under the Weltmeister tag before the name Vermona was finally established in 1972. The drum machine VERMONA ER-9 (1976) was not only the first instrument which M.RUX ever possessed (or does it possess him?), it also forms the rhythmical backbone of M.RUX’s studio on this record. The melodies on the other hand have mainly been played on a Vermona Formation-1, a suitcase synthesizer from 1980. Although these two machines are joined by countless other instruments and effect units from all over the planet, their particular soft sound is present in every single moment of this soothing album. "I also take a deep bow to ‘Lacky’ Reinhard Lakomy who passed away 6 years ago", M.RUX adds. "His releases were the first electronic instrumental records on the Amiga label which has been a huge influence for my work in general and this record in particular."

M.RUX has appeared as a solo producer with his „In the Hold“ (2016) on his own YNFND imprint. Before that he had become famous for his edits which gently transform songs by Nina Simone, Townes Van Zandt, Tom Zé and many more into slow, dancefloor-ready gems. Pingipung is proud to present this first full-length album by M.RUX. He is not only a talented multi-instrumentalist and original producer but also a skillful remixer - as he has shown twice to the Pingipung audience in the last two years with his touches on Umeko Ando’s Ainu folklore songs.

Vinyl / Download

Seelnatrax

We’ve been bunkered down in silence this pandemic but have had our ears, hearts and minds tuned to the world. Submerged in reflection, we decided to cook up a compilation in solidarity with Bandcamp’s initiative to support the Black Lives Matter movement via the NAACP Legal Defence Fund.

Donate-what-you-can for dub renditions of Multi Culti classics - Phase 1. Head over to our Bandcamp for more vibes.

Drugface - Inna Di Clouds (Cult Dub)

DONATE & DOWNLOAD:
https://lautluise.bandcamp.com/album/music-lovers-club-002

First things first: Please consider donating, all earnings will go to humanitarian help.

Feliz navidad again. It's Music Lovers Club numero dos. After last year's edition and a lot of donations we decided to make the transition from a quick idea to a hopefully lasting and recurring glimpse of better days. All proceedings of all MLCs will be collected and forwarded to projects with a humanitarian focus every 6 months. There will be no earnings or hidden costs, it's basically one to one after bandcamp's fee. We'll keep you posted and updated regularly.

Many, many thanks to all artists involved, Cornelius Vogel, Kompakt, DigDis and Salz Mastering for the noble support.


Last Donation July 2023:
.
615,34€ to Europe Cares e.V.
615,34€ to MOAS
747,02€ went to Cadus e.V.
747,02€ went to ROSA e.V.
681,94€ went to Welt Hunger Hilfe for East Africa
681,94€ went to Fusion Festival Kulturkosmos e.V.
611,55€ went to Blindspots e.V.
611,55€ went to Wir packen‘s an e.V.
455,25€ went to Action Medeor for aid in Yemen
455,25€ went to SyrienHilfe e.V. for aid in Syria
874,75€ went to Doctors Without Borders
577,84€ went to Indian Covid Emergency Help
577,84€ went to Yemen Help: Save the Children
---
8.252,64€ in total

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@avemsdream
@constantijnlange
@coss
@duererstuben
@dwig
@johannesTon
@leeu88
@lokke
@lucamusto
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@secret_act
@twit-one
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DONATE & DOWNLOAD

Secret Act - Fulfill my Own (MLC002)

🕷️..FUNKY~MUNKY~DEEPHOUSE JUNKY ..🕷️

germany rumpeltour with rumpelorchester:::
27.april, gebäude 9, köln
28.april säälchen, berlin
29.april neues schauspiel, leipzig
30.april bahnhof st.pauli, hamburg

Get Up and Try

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