Music from my SoundCloud friend composer.

Best of the Cloud 2022 12 06

All percussion is from soundsourcefundamentals.com Sample Pack 001: Rainstick, Shakers & Bells

Call Of The Wild

Jeremy J. Saks - Call Of The Wild

Chapter 107 of 266
A footnote to this submission...don't stare at the cover art too long.
Chapters released every weekend. All TAFFETA tracks are created within seven days. 

I use a complete hybrid of organic & electronic sounds within the scope of the Taffeta project. Nothing is out of the question and no limits are set on how things may evolve one way or another.

If you want to hear everything that has come before:
The TAFFETA Albums are available for free on Bandcamp.
Released in 15 part/chapter increments:

TAFFETA Vol. 7 coming will be available exclusively on Bandcamp on Oct. 19.

TAFFETA VOL. 6 is now available on Bandcamp:
https://belialpelegrim.bandcamp.com/album/taffeta-vol-6

TAFFETA VOL. 5
https://belialpelegrim.bandcamp.com/album/taffeta-vol-5

TAFFETA VOL. 4 
belialpelegrim.bandcamp.com/album/taffeta-vol-4

COVER YOUR TORSO WITH TAFFETA! Check out the official TAFFETA 2022 t-shirt!
https://belialpelegrim.bandcamp.com/merch/belial-pelegrim-official-taffeta-design

TAFFETA Volume 1:
belialpelegrim.bandcamp.com/album/taffeta-vol-1

TAFFETA Volume 2:
belialpelegrim.bandcamp.com/album/taffeta-vol-2

TAFFETA Volume 3:
belialpelegrim.bandcamp.com/album/taffeta-vol-3

The TAFFETA Playlist is always kept up to date:
soundcloud.com/belial-pelegrim/sets/taffeta-a-266-part-musical

TAFFETA | 107

MUSIC FOR AN EPILOGUE.

===============================

Composition started in July 2021.

Finished and edited in November 2022.

Last composition using KV331 and Synthmaster One, months before they deactivated the inter App function that I use on my ipad to use sounds.

It is fragmented into an intro, then a piano fragment to move on to another electronic symphonic section and end in an orchestral section.

It is one of my most complex music for which I have used:

30 tracks from Music Studio 2 with native and Xewton forum instruments.

2 tracks from Korg iM1

1 Prophet track (Arturia)

7 Synthmaster One Tracks

1 Track of Digital D1.

Made exclusively on ipad.

Mix in my car....perfectly parked.

Thanks for your comments and support. It is always a pleasure to read your messages and opinions.

Paco.

Music for an epilogue

"A cruel critic of Madam might say she was a dominating woman who enacting
role of a guru, consciously or unconsciously, lived in very comfortable circumstances with all her housework done on a grand scale by mostly sincere men and women who were under the spell of her magnetic and mystic personality. I don’t know whether she was genuine or a charlatan; or whether she was simply a commanding type of neurotic.
It is immaterial. 
I never really knew her well enough to be able to judge. I never fell under her spell. But I think she had great power over people whose imagination was captured by her."

From The Case of P. D. Ouspensky
by Marie Seton
Seton, a Russian translator, was Ouspensky’s secretary and confidante during the 1940s. Although convinced of his goodness and honesty, she writes pointedly about the corrupting influence of being a guru.

Chance Encounter

Bergwetter

Bergwetter (Mountain Weather)

Here's my track Big Rip that I made for Legacy of Thought's awesome new album Future of the Universe.

In physical cosmology, the Big Rip is a hypothetical cosmological model concerning the ultimate fate of the universe, in which the matter of the universe, from stars and galaxies to atoms and subatomic particles, and even spacetime itself, is progressively torn apart by the expansion of the universe at a certain time in the future, until distances between particles will become infinite.

Release date: 02-12-2022 on Legacy of Thought label.
Check us out on: linktr.ee/legacyofthought

Artwork & Mastering:
Chris Held

Future of the Universe

Big Rip

World Destroyer

Crossroad

Aeon Transmissions

"Trinity"

iTunes

Jeremy J. Saks - "Trinity"

The Ghost In The Machine

Jeremy J. Saks - The Ghost In The Machine

Edging Towards Oblivion

Jeremy J. Saks - Edging Towards Oblivion

Cracking The Code

Jeremy J. Saks - Cracking The Code

Berlin based cellist and composer Anne Müller shares a second piece, 'Drifting Circles', ahead of her long awaited debut solo album 'Heliopause'.

'Heliopause' follows several Erased Tapes releases featuring Anne, including her celebrated collaboration with Nils Frahm titled 7fingers, appearances on Ólafur Arnalds & Nils Frahm’s Collaborative Works, Nils Frahm’s All Melody and his acclaimed soundtrack for the film Victoria, Lubomyr Melnyk’s Fallen Trees, as well as the two bespoke solo pieces Walzer für Robert and Bel Tono for the label’s 5th and 10th anniversary box sets. In fact, a glance at Müller’s Discogs boasts credits on over 60 releases since she began recording in 2007.

Classically trained at Frankfurt University of Music and Performing Arts under the renowned cellist and conductor Michael Sanderling, Anne Müller performed as a cellist in many of Berlin’s symphonies for some time before choosing a different path with her music and focussing on novel approaches to classical instrumentation. A profound believer in the power of artistic collaboration, Anne’s skilled cello playing and instinctive composition became extremely sought after.

Following her work with Nils Frahm, an enduring partnership with singer-songwriter-composer Agnes Obel ensued, touring for five years together and featuring on two albums (Philharmonics and Aventine) and most recently, working with multi-instrumentalist Markus Sieber (aka Aukai) on his 2019 album Reminiscence. In between all this, Müller also co-founded the progressive live project Solo Collective along with violinist/singer Alex Stolze and pianist/conceptual artist Sebastian Reynolds, releasing Solo Collective Part One in 2017.

A solo record in every sense of the word, Müller wrote, recorded, arranged and produced Heliopause. The album is named after the boundary where the sun’s wind ceases to have influence. It is ultimately, the border of our solar system. The name struck a chord with Müller since the two voyagers sent on an exploratory mission 42 years ago, recently crossed the Heliopause, entering into interstellar space and losing power from our own sun. Müller recognised herself in this moment, not only approaching the same age, but also breaking new ground; having relied on collaborating with so many other stars and now venturing into the unknown with her first solo statement; “Heliopause marks the end of a long journey but also the start of voyages to explore strange new worlds”

Both as the closing title track and album as a whole, Heliopause crosses these physical and invisible borders throughout, sending the cello as a typically classical instrument to exciting new and uncharted territory.

· pre-order 'Heliopause' on LP/CD/DL:  idol.lnk.to/Heliopause

Heliopause

Drifting Circles

Buy LP/CD/DL

Anne Müller - Drifting Circles

Generalprobe | Rehearsal

Concerto for piano and orchestra number. 1 g minor | op. 1
Composed, arranged and "conducted" 😊 by Frank Mehl

Tr.	ROM-Pl. 	                      Library	               Sound
------------------------------------------------------------------------------------------------------------
1	  reFX Nexus 2	Hollywood 2 Core Library	"PN Steinway D Grand"
2	reFX Nexus 2	Hollywood 2 Core Library	"ST Suspense" (Strings) 
3	reFX Nexus 2	Hollywood 2 Core Library	"OC Tutti Orchestra MW"
4	reFX Nexus 2	Hollywood 2 Strings Comp.	"PL Tutti Pizzicato Dark" 
5	reFX Nexus 2	Hollywood                              "ST True Staccato! 1"
6	reFX Nexus 2	Hollywood 2 Winds & Brass	"WW Woodwind Tutti Orch" 
7	reFX Nexus 2	Hollywood 2 Winds & Brass	"WW Ens. Flutes Stacc 4 PI"
8	reFX Nexus 2	Hollywood Strings	                 "BA Superbass Spicc" 
9	Sonuscore „The Orchestra“                 	 "#23 Wood & Harp Stacc."
10	reFX Nexus 2	Hollywood 3 DrumK & Perc.  " DL War Dr 2 120 BPM"
11 - 16     Magix MM 2020	Exp. Packs	Additional Drums:
-	Timpani cresc.
-	Timpani 2
-	Bassdrum & Rolls Menue

Konzert für Klavier und Orchester Nummer. 1 g-moll | op. 1

I am so pleased and appreciative to have had this opportunity to collaborate with the very talented singer-songwriter Ren Faye on this track.  Her beautiful vocals and expressive melodic lines gave so much to this composition.  To hear more of Ren's gorgeous music:
https://soundcloud.com/renfaye-1
Pleased to report this track played on the After Eight radio show .

The Wayside (Classical Glass and Ren Faye)

http://francoispierremorin.com  Home of storytelling , 
 I do play Music for the love of it, playing guitar,  percussionist  ,composing  on a computer and Guitar, Piano, creator of mood and sound design

World Destroyer

Kaled Dabboussi

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