I know this may seem rude or sacrilegious... but would you consider letting me remix/overdub some percussion/instrumentation to this? I love it as it is, but it inspired some further noise ideas.

Painting an expanse of remote wilderness and open space (hopefully one that's not on fire.)

Tech notes: Makes heavy use of E520 FX: Spectral Drones - long drawn notes, Spectral Drone Hires - breathing sounds, and Granular Pitch for percussion. Some drone elements are layered, or paired with Ableton pitch shifted versions with additional DAW FX added. 'Howls' originated from setting a high filter resonance and slowly manipulating the frequency as a Zadar pattern regulates the input to the E520

Where There Are Wolves

Labyrinth2

NEWS: Thrilled to announce that 'In A Strange Land' has ben accepted for presentation at the 2023 New York City Electroacoustic Musical Festival taking place this June. Will post details when they become available. 

Offering both excitement and menace, an unfamiliar place. Makes extensive use of Synthesis Technology's E520, the Xaoc Kamieniec & Dr Sketchy's Freak Shift.

Much of my sonic idea of a "new soundscape" has been significantly influenced by our move to a more countrified location in Upstate New York, where we are constantly hearing birds, tree frogs, crickets and other insects, a sound environment made possible by our new closeness to nature.

Mastered by Shawn Hatfield @ AudibleOddities

In A Strange Land

Track from my split with Dissecting Table.
Label: Domestic Violence Recordings.

The Flesh Of Insextosaurus (Feat. Útero Bitch)

Mood Exhibit - Taxonomic [1-3]

Some examples of Intellijel Flurry in rainbow mode with looping random choosing the noise models.

Intellijel Flurry Demo

Standard and extended guitar techniques, the Sonic Couture Kim and Bowed Piano instruments.

Border Crossing

Novo Seven

Extracted

The LepLoop
I've used a lot of synths over the years but this one is something different…&nbsp;&nbsp;it's a strange instrument. It's small, much smaller than it appears in photos: it is part synth, part drum machine, part multi-track sequencer. I'm still&nbsp;figuring it all out but initial impressions are that it's very unpredictable and slightly unstable… but in a good way. I had a few issues with it sometimes refusing to work and also it has a tendency to pick up stray&nbsp;signals from my iPhone and iPad if they are anywhere near it. But&nbsp;when it works&nbsp;it is quite rewarding to use and is capable of some amazing sounds - if mildly frustrating trying get it to do what I think it 'should' be able to do - but I will persevere. If you like wonderful experimental noises - accompanied by a simple rhythm (although I'm sure it's very capable of a lot more) then this little unit could be for you.
The LepLoop will definitely become part of my CCCL&nbsp;experimental&nbsp;arsenal and will most likely get seconded into the upcoming Throbbing Gristle experimental sets in October/November 2010.
The short sound example here was performed without a keyboard, just using the internal sequencer and some real-time tweakery. The outputs were processed with a couple of Eventide pedals for some 'tape delay' &amp; reverb.
Photo on my Flikr pages: http://www.flickr.com/photos/chris_carter_/4933901603/

UPDATE:
Apparently my LepLoop is a prototype, which accounts some of the 'issues' I had with it - the production version should run fine.


Extracted

Kaleidic

Recent comments

M.I.T.D.

Crawlform

Related tracks