remix of https://soundcloud.com/pazhutan/movement-1-modulus-of-continuity 
(from the suite "Divertimento For CS-15")

:: Composer: Max Pazhutan
:: Remixed and Remodeled  By: Kamran Arashnia 
:: Mixing/Mastering: Babak Akhoondi 
:: Cover Artwork: Kamran Arashnia 

Created In An Interactive Online Workshop Held By Pazhutan Ateliers(www.pazhutan.com)

Tehran 2021

Modulus Of Continuity (Kamran Arashnia Remix)

Modulus of Continuity (Kamran Arashnia Remodelled)

"Behold, now let my heart confess to thee what it was seeking there when I was being gratuitously wanton, having no inducement to evil but the evil itself. It was foul, and I loved it. I loved my own undoing. I loved my error—not that for which I erred but the error itself. A depraved soul, falling away from security in thee to destruction in itself, seeking nothing from the shameful deed but shame itself"
-- Augustine of Hippo, Confessions.

From the ancient to the digital, Bounds Elimination examines the creative and emotive possibilities of errors. This is a mesmeric album of hypnotic returns, and glorious malfunctions, as Iranian composer Kamran Arashnia fixates on the mistake itself, and its machinic reproduction. In Arashnia's compositions the glitch is not reviled or even ironically celebrated, but passionately embraced for its riotous deviations, and rebellious departures.
A redemptive undoing for all of our depraved souls.

Released September 30, 2022

All tracks by Kamran Arashnia
Mastered by Porya Hatami
Art: Kate Carr and Kamran Arashnia

all rights reserved

Abnormal End

Zero to the Power of Zero

A K Panic

Machine Check

Guru Meditation

Black Screen of Death

on Spotify : https://open.spotify.com/album/71B2UE5NYg5BEpqo8NwD25?si=EGe3a7d0SgmRXKUZkAKk8Q

"Behold, now let my heart confess to thee what it was seeking there when I was being gratuitously wanton, having no inducement to evil but the evil itself. It was foul, and I loved it. I loved my own undoing. I loved my error—not that for which I erred but the error itself. A depraved soul, falling away from security in thee to destruction in itself, seeking nothing from the shameful deed but shame itself"
-- Augustine of Hippo, Confessions.

From the ancient to the digital, Bounds Elimination examines the creative and emotive possibilities of errors. This is a mesmeric album of hypnotic returns, and glorious malfunctions, as Iranian composer Kamran Arashnia fixates on the mistake itself, and its machinic reproduction. In Arashnia's compositions the glitch is not reviled or even ironically celebrated, but passionately embraced for its riotous deviations, and rebellious departures.
A redemptive undoing for all of our depraved souls.

Released September 30, 2022

All tracks by Kamran Arashnia
Mastered by Porya Hatami
Art: Kate Carr and Kamran Arashnia

all rights reserved

404 (not found)

On Spotify : https://open.spotify.com/album/00hH1D3o9QJbHsrola4Ah7?si=zFjEzfAVQOKxY_yT1zvlEw

Composed & Produced By : 
Kamran Arashnia
Tehran 2014
Remodeled 2019 
Mastered By Babak Akhoondi

Need

Full EP on Spotify : https://open.spotify.com/album/7bR4Lp21M58i9kVXTZWtiW?si=myFcIcyhTG6Hn61PTZg9JA

"Nobody" is a video installation, a collaboration between Vida Kashani, an Iranian-born artist, and Johan Delétang, a French-born artist, both currently residing in the Netherlands. 
The artwork explores their shared experience of loss of spatial and cultural references due to migration. Through the use of dance, poetry, and reconstructed spaces born of colorful and moody lights, the film effectively and physically delves into their mutual longing for a home. In doing so, the work reflects on the challenges to one’s sense of self when confronted with a new environment. The dance piece featured in the video, performed by the talented Maria Mavridou, seamlessly blends delicate mythical postures with evocative and restless movements,  evoking a profound sense of inner search. Complemented by the music composed by Iranian producer Kamran Arashnia, the viewer embarks on a textured and emotionally charged journey through a contemporary existential inquiry.
.
.
By:
Vida Kashani
Johan deletang
.
.
Performer:
Maria Mavridou
.
.
Music: Kamran Arashnia
.
.
Amsterdam 2023

Nobody on Spotify : https://open.spotify.com/album/7bR4Lp21M58i9kVXTZWtiW?go=1&sp_cid=c682692a3461d91044df2269d119778e&utm_source=embed_player_p&utm_medium=desktop&nd=1

Nobody

Lost

on Spotify : https://open.spotify.com/album/1Fs7CBR7oownnlucJPPAuM?si=fZuCDko7Qb2cQzr3tpyraQ

Composed&Produced By : 
Kamran Arashnia

2015 Tehran
Remastered 2018

BANISHED (Remastered)

I'LL MEET YOU THERE (Remastered)

THE FIELD (Remastered)

Composed&Produced By : 
Kamran Arashnia 

Lyrics&Vocal By : 
shooxi-1 

Cover Design By : 
Siavash Yazdanmehr

2016 Tehran

Singles

hermit

On Spotify : https://open.spotify.com/album/00hH1D3o9QJbHsrola4Ah7?si=zFjEzfAVQOKxY_yT1zvlEw

“ In Order To Survive, A Human Being Needs To Live In A Place Furnished With Hope “ Maya Angelou

::Composed And Produced by Kamran Arashnia
::Mixing & Mastering: Babak Akhoondi
::Cover Photo: Saeideh Akbari
::2019 Tehran

In Order

“ In Order To Survive, A Human Being Needs To Live In A Place Furnished With Hope “ Maya Angelou

::Composed And Produced by Kamran Arashnia
::Mixing & Mastering: Babak Akhoondi
::Cover Photo: Saeideh Akbari
::2019 Tehran

Survive

A Place

Furnished (With)

"Hope" on spotify : https://open.spotify.com/track/1oV4jBQK7xA55sFe9iDmc3?si=ffd2ccfc8ccb4498

“ In Order To Survive, A Human Being Needs To Live In A Place Furnished With Hope “ Maya Angelou

::Composed And Produced by Kamran Arashnia
::Mixing & Mastering: Babak Akhoondi
::Cover Photo: Saeideh Akbari
::2019 Tehran

Hope

"Gesture" Film Score (2017)

Written & Directed By: Pouya Parsamagham
Casts: Ali Mosafa , Nazanin Farahani , ...
Music: Kamran Arashnia

Closing Credits Music

Drugstore Theme

Theme For Pictures Sequence

Gideon 
Our Man In Kenya 

Directed By: Khalkhalian Sisters
Music: Kamran Arashnia 
2019 
Tehran

Theme For Children's Close UP

Gideon
Our Man In Kenya

Directed By: Khalkhalian Sisters
Music: Kamran Arashnia
2019
Tehran

Theme For Tribe Customs

Theme For Closing Credits

The PMS Project is based on the concept of Newsha Tavakolian's exhibition "FOR THE SAKE OF CALMNESS", and is going to be released on soundcloud.com and bandcamp.com on the first day of 2021 and on all major music platforms later on. a 6-track EP which is 21 minutes and 35 seconds long.
:: All The Music And Sounds Are Recorded And Composed  By Kamran Arashnia 
:: Voice Over: Newsha Tavakolian 
:: Mixing And Mastering : Babak Akhoondi
:: Cover Photo : Newsha Tavakolian 
:: Cover Design : Kamran Arashnia
:: Video : Kamran Arashnia

Disturbing Voices

Dazed

on Spotify : https://open.spotify.com/album/3c55SpBTWRY2BfBYs6OxSO?si=q5T1yLMgStG_PL_RkBxMFw

The PMS Project is based on the concept of Newsha Tavakolian's exhibition "FOR THE SAKE OF CALMNESS", and is going to be released on soundcloud.com and bandcamp.com on the first day of 2021 and on all major music platforms later on. a 6-track EP which is 21 minutes and 35 seconds long.
:: All The Music And Sounds Are Recorded And Composed  By Kamran Arashnia 
:: Voice Over: Newsha Tavakolian 
:: Mixing And Mastering : Babak Akhoondi
:: Cover Photo : Newsha Tavakolian 
:: Cover Design : Kamran Arashnia
:: Video : Kamran Arashnia

The Eighth Floor

Kamran Arashnia is a musician and sound designer based in Tehran. He works in his personal studio and is listed on IMDB as a film composer. He is also featured on reputable websites such as National Geographic, Magnum Agency, Hamburg Film Festival, and Rotterdam International Film Festival.

If you have any inquiries about music production or sound design, please contact me at :
kamranarashnia@gmail.com

Kamran Arashnia

Popular tracks