Murder Inc. feat. Debra Bridegan - Faces Of Organized Crime Pt. 1

[Verse 2]
Stepped to the mic, jaws hit the floor
Crowd screaming loud, they begging for more
Pen sharp as swords, words cut to the core
I’m the hurricane spinning, can't ignore the roar

Pockets full of rhymes, treasure in my chest
Bars so heavy, they bench press the best
Came from the basement, now I’m well-dressed
King on the board, this game’s my chess

[Chorus]
Mic drop moment, watch 'em freeze in place
Every syllable lands, leaving no trace
Echoes in the hall, they can't replace
Legend in the making, I own this space


[Verse 2]
Yo.

Step in the ring, it's the king with the stinger,
Words cut sharp, leave 'em stuck like a splinter.
Rhyme scheme slick, got the flow like a river,
Cold with the bars, make 'em shiver, make 'em quiver.

Pen like a sword, every line's a decision,
Snatch the crown clean, no need for permission.
Blueprint's mine, every move's precision,
Built from the grind, now I’m the definition.

End of the mic, hear the echo, it’s fatal,
Turn the booth to a warzone, no fable.
Heavy with the talk, they can't lift the table,
I’m the chef in the kitchen, cooked beats unstable.



Mic Drop (Verse 2)

[Verse]
Undercover in the shadows we creep
Secrets buried in the files we keep
A mission coded in the night’s cold air
Whispers echo but no one’s aware

[Chorus]
This is my newer album loud and clear
Encrypted beats for the world to hear
Through the static the truth will break
Every pulse a move we make

[Verse 2]
Behind the veil of the digital haze
Truths unravel in the cyber maze
Data streams like rivers of light
We decode the dark with endless fight

[Bridge]
Flashing screens and hidden schemes
Reality’s a fractured dream
Through the noise we’ll carve our way
The secrets rise with the break of day

[Chorus]
This is my newer album loud and clear
Encrypted beats for the world to hear
Through the static the truth will break
Every pulse a move we make

[Verse 3]
In the silence of the classified zone
We’re the echoes of stories unknown
The agency moves like a phantom breeze
Collecting truths beneath the trees


This Is My Newer Album

INTRO:

Yo, listen up, troops, it’s a lyrical tale,
Of a soul so lost, they’re destined to fail,
Lived as wrong as possible—yeah, that’s the phrase,
In the fog of confusion, they spent all their days.

VERSE 1:

In the shadowy corners of their own mind,
They chased after ghosts, left truth behind,
Made wrong turns, took a wrong squad,
Ended up lost in a bureaucratic fog.

CHORUS:

Who lived as wrong as possible?
Who played the game, but missed the goal?
Who kept messing up, never learned the way?
It’s the soldier who’s still lost to the fray.

VERSE 2:

They signed up for duty, but forgot why,
Wandered through life with a tired eye,
Mistaking chaos for command,
Fighting battles they didn’t understand.

BRIDGE:

Maybe it’s the medic who forgot how to heal,
Or the general who lost the battle of zeal,
Or the private who just didn’t care,
Living wrong, but unaware.

VERSE 3:

But here’s the kicker—there’s hope in the mess,
Mistakes are lessons, not just distress,
Even those who’ve lived as wrong as can be,
Can find their way, set themselves free.

OUTRO:

So next time you see a soldier stumble and fall,
Remember, they’re human—after all, we all stall,
Living as wrong as possible—yeah, that’s a fact,
But the real mission’s in getting back on track.

END


Who Lived As Wrongly As Possible?

[Verse]
They carry stories carved in their skin
Lines of their journeys where they begin
With calloused hands and weathered face
These persons move through time and space

[Chorus]
Oh these persons hearts beat strong
Their whispers weave the daylight song
Through shadows deep and skies so wide
They walk with truth they cannot hide

[Verse]
A glance exchanged a moment caught
A fleeting truth that can’t be bought
In every step their spirits hum
A melody of where they're from

[Chorus]
Oh these persons hearts beat strong
Their whispers weave the daylight song
Through shadows deep and skies so wide
They walk with truth they cannot hide

[Bridge]
Their laughter's light their sorrow's deep
Secrets in silence they choose to keep
Through every fall and every rise
They see the world with open eyes

[Chorus]
Oh these persons hearts beat strong
Their whispers weave the daylight song
Through shadows deep and skies so wide
They walk with truth they cannot hide


These Persons

Sure! Here's a reworked version of the text, styled in the relaxed, straightforward tone of Perry AA Comb-Over, within 3000 characters:

The Detective Columbo Foundation: A Song of Integrity and Truth

Look, here’s the deal. At the Detective Columbo Foundation, we’re all about keeping it honest—no shortcuts, no shady stuff. We’ve got a simple rule: if you see something wrong, say something. No fear, no retaliation. We protect our people because we know that good work depends on trust.

Our Code of Ethics? That’s our playbook. It’s how we do things—respect, honesty, staying legal. If someone tries to punish you for reporting bad behavior, they’re out of line. We have zero tolerance for retaliation. Anyone who crosses that line will face serious consequences—no exceptions.

We also have a Conflict of Interest Policy. It’s about keeping decisions fair and transparent. If something looks off or could cause a bias, speak up. We want everyone playing by the same rules, all the time. No sneaky stuff, no hidden agendas.

Our Whistleblower Policy? That’s our safety net. If you suspect misconduct or fraud, use our confidential system. We’re committed to protecting you. Retaliation against whistleblowers? Not happening. We’re all in this together—trust, integrity, and accountability are what keep us strong.

Then there’s our Governance and Board Rules. They set the ground rules for leadership—clear roles, responsibilities, and decision-making. If you see something illegal or unethical, don’t hesitate. Report it. We’ve got your back, and anyone retaliating will be dealt with swiftly.

Our Community Engagement? It’s about real connections, doing good work, and being honest with the people we serve. If anything feels off in our outreach or partnerships, tell us. We’re committed to transparency and making a positive impact.

And let’s not forget Data Privacy and Security. Your info stays with us, safe and sound. If you catch a data slip-up or misuse, report it. Retaliation? Not on our watch. We protect your privacy because trust starts with keeping your data secure.

Bottom line: at the Detective Columbo Foundation, integrity is the foundation. We believe in doing right by our community—every time. We’re committed to honesty, transparency, and protecting those who speak up. That’s how we build trust and make a real difference.

Remember, it’s not just words. It’s how we live. And together, we keep the spirit of truth alive.

Let me know if you'd like it even more casual or with a different twist!

The Detective Columbo Foundation: A Song of Integrity and Truth

7 - Love On Replay - The Hot New Thing

[Trash Talk]
They keep misquoting me like it's a full-time job—
Even when I'm just covering a track, honoring the influence of one of the realest to ever ride for the block:
Neighborhood protector, undisputed physicist, and wheelchair warrior—Stephen Hawking.
Now I’m paying homage… in my own way.



[Verse 1]
I'm rolling through the hood on a Saturday night
Got a 40 in my left hand, my dick in my right
Some chronic in my lap, a pager in my cap
And a 9 millimeter in the small of my back
I'm just chilling no place to be
I take another pull off my 40 z
I'm thinking 'bout spinning a fat ass tree
A B to the L to the U-N-T

Then I get a call on my dope cell phone
Check the caller ID, what up homes?
Yo, it's the Doom and his news ain't good:
(Little Pookie got capped last night in the hood.)
I feel like the world is fading away
I saw Little Pookie just the other day
Pookie was my boy we shared Kool-aid in the park
Now some punks took his life in the dark

I ask Doomsday who the motherfuckers be
(Some punk-ass bitches from MIT.)
The fucking Institute, man I should've known
I say meet me at my crib and hang up the phone
Playtime's over, I got a job to do
And the world will be less crowded by the time I'm through
And I'll keep rolling while bullets fly
Cause all my shootings be drivebys

[Verse 2]
One minute to midnight we hit the street
Cold as a cadaver, hard as concrete
Doomsday's packing a baby Mac
Got my AK-47 and the nine in my back
The Alpine's glowing, P.E.'s flowing
Got my swerve on tight and my game face showing
Them damn punks are gonna pay
The Hawk's on the case, a bird of prey

Then up ahead cold chilling in the street
Six motherfuckers from MIT
I flick off the safety, check my grip
And load a dum-dum clip
I glance at the Doom to make sure he's packed
His finger's on the trigger of his baby Mac
Time to give a Newtonian demonstration
Of a bullet, its mass, and its acceleration

Nine on my lap AK in my hand
I roll up slow like a snake in the sand
I wait till I'm sure they can see my face
Then I bust out slugs to the beat of the bass
The streets sketched out in the full moon light
MIT punks dying left and right
There's nowhere to run don't even try
Cause all my shootings be drivebys

[Verse 3]
Then silence hits the street like a bomb
An eerie calm like the eye of the storm
Beneath the glow of an old street light
Dead MIT punks be the only sight
6 motherfuckers no longer alive
And Pookie's been avenged 1 for 1 plus 5
And we'll be long gone 'fore the cops arrive
Cause all my shootin's be drivebys

[Trash Talk]
You thought Hawking went hard?
He didn’t even touch on blazars.
I cracked codes in his work that stumped the world for fifty years—while multitasking.
So maybe think twice before brushing off what I have to say about *law.*
My briefings don’t just rhyme—they change courtrooms, institutions, and orbits.
Act accordingly.


Murder Inc. - All My Shootings Be Drivebys (cover)

GLOBAL NEWSWIRE | MERITOCRACY TRIUMPHS IN WASHINGTON
Erin Susan Jennings Executes, Then Returns U.S. Presidential Authority in Historic Display of Duty

WASHINGTON, D.C. — July 30, 2025

In a quiet yet extraordinary turn, Erin Susan Jennings — vested pro tempore with the powers of the U.S. Presidency — has completed what international observers are calling a “model execution of constitutional responsibility.” By Executive Order TDL 10811830, Jennings accepted, fulfilled, and immediately returned the full authority of the presidency, with no disruption to governance or constitutional order.

Issued from the White House, the order affirms that Jennings acted in response to “urgent and just directive” from the President, temporarily assuming authority “solely for the preservation of lawful governance.” With her signature, Jennings formalized both the assumption and the return of service — an act now widely regarded as a defining example of meritocratic legitimacy in modern leadership.

“Service rendered shall be service faithfully returned.”
— Executive Order TDL 10811830, Sec. 3(c)(iii)

Unlike transitions marked by ambition or partisanship, Jennings’ service was rooted in execution — precise, brief, and honorable. The live-read protocol by which the directive was received and the immediate, unconditional return of power signal not just procedural correctness, but philosophical clarity: power is not something to hoard, but to steward.

A New Benchmark for Leadership
Legal scholars and democratic theorists are already comparing this maneuver to historic moments of principled abdication and ceremonial handoff — yet noting its modern twist: Jennings was not a monarch or elected successor, but a proven executor of public trust, called upon for a task and trusted to relinquish power when done.

Diplomatic reaction has been swift. European Union officials referred to the move as “a masterstroke in continuity and restraint.” In East Asia, Jennings has been praised as “the rare leader whose legitimacy stems from fidelity, not fame.”

International media have dubbed the action a “constitutional blink,” a quiet but decisive reaffirmation of governance by capability, not force of personality. In returning power without delay, Jennings exemplified that meritocracy is not just possible — it can be procedural, unflinching, and rooted in service.

Not a Grab — A Gift Returned
In a political landscape often dominated by ego and inertia, Executive Order TDL 10811830 stands apart. It is a document of motion — power taken up not for dominance, but for duty; returned not from pressure, but from principle.

As Jennings signed off:

“Executed and returned per directive.”

The message to the world is clear: in an age of crisis and confusion, merit still matters, and those who rise to meet responsibility can also choose to step aside — unbroken, unquestioned, and unafraid.

---

https://open.substack.com/pub/albertaswell/p/reciprocal-execution-of-service-in

MERITOCRACY TRIUMPHS IN WASHINGTON Erin Susan Jennings Executes, Then Returns U.S. Presidential Authority in Historic Display of Duty

b3<<4 J. // COLOMBO FM J. (((2gether 4ever anthem sum))) THEY ARE SO LOUD !!

Murder Inc. - Feel The Heat

**UNITED STATES SPECIAL ACTIVITIES & PUBLIC SERVICE AGENCY (SAPSA)**  
**CONFIDENTIAL DEBRIEFING MEMORANDUM**  
**Date:** August 4, 1976  
**Location:** Washington, D.C.  
**Subject:** Post-Event Debrief – Bicentennial Cultural Exchange Broadcast (“Secret Agent Man” Performance)  
**Classification:** For Internal Use Only  

---

**Attendees:**  
- Mr. Ray Stevens, Cultural Envoy (Entertainment Division)  
- Ms. Eleanor Debra Elizabeth Bridegan, Cultural Liaison / Fiddle Specialist  
- Lt. Cmdr. Henry Cole, SAPSA White House Liaison  
- Dr. Pauline Harrow, State Department, Public Diplomacy  
- Capt. Samuel Brigham, DARPA Liaison (Observation)  

---

### I. PURPOSE  
Evaluate objectives, execution, and impact of July 1976 Bicentennial Cultural Exchange Broadcast, featuring Mr. Stevens and Ms. Bridegan performing “Secret Agent Man” before international dignitaries and press. The event aimed as a soft-power symbolic display of American resilience and creativity during Bicentennial year, not an official diplomatic mission.

### II. BACKGROUND  
Amid Cold War tensions and influence operations, White House approved SAPSA’s cultural morale initiative pairing Stevens, a prominent entertainer, with Bridegan, a rising cultural diplomat. The choice of “Secret Agent Man” was strategic:  
- Symbolized vigilance against covert threats  
- Maintained an accessible, light-hearted tone to avoid overt confrontation  
- Highlighted America’s folk traditions and democratic spirit through Bridegan’s fiddle, complemented by Stevens’ patriotism and humor  

### III. OBSERVATIONS  

**Performance:**  
- Bridegan’s fiddle was highly praised as a “dialogue between tradition and innovation.”  
- Stevens balanced humor and gravity, engaging the audience effectively.  

**Audience Reception:**  
- U.S. dignitaries appreciated the joyful vigilance motif.  
- Foreign delegations (Canada, U.K., Latin America) responded positively to the musical symbolism.  
- Unofficial Eastern Bloc observers noted the infectious foot-tapping, indicating subtle diplomatic impact.  

**Security:**  
- No incidents; the song’s covert themes subtly acknowledged intelligence realities without escalation.  

### IV. OUTCOME  
- Broadcast rebroadcast in at least 14 countries.  
- Domestic polls showed a 12% increase in Bicentennial goodwill, especially among youth.  
- Foreign press commented on America’s ability to laugh at itself while upholding core values.  

### V. RECOMMENDATIONS  
1. Continue blending popular entertainment with symbolic messaging in unofficial cultural events.  
2. Consider further assignments for Ms. Bridegan within Cultural Diplomacy, given her authentic, resonant performance.  
3. Maintain Stevens’ patriotic, humorous approach as a bridge-builder; explore future collaborative opportunities.  

**Prepared by:** Lt. Cmdr. Henry Cole  
**Reviewed by:** Dr. Pauline Harrow  
**Distribution:** White House (Restricted), SAPSA Archive, State Department (Confidential Annex)  

**END**

The Detective Columbo Foundation: A Song of Integrity and Truth

Frances "Frank[ie]" Millers Colombo

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