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AUTOMNE FOLD
2008 . RASTER-NOTON

R-N 094 . TRACK LIST :

01. konstruktiv . 1:44
02. automne fold . 4:51
03. downshifters . 2:40
04. the distance . 4:26
05. a protest song . 3:56
06. apnée . 2:27
07. idle . 5:13
08. quarante . 3:40
09. altiz . 5:48
10. parallel . 2:06
11. world within words . 4:50
12. époque . 3:57
13. apnée . part II . 3:09
14. palisades . 5:42

CREDITS

All tracks written and produced by
Kangding Ray / David Letellier

Vocals on a protest song and quarante by Lene Toje
Words on apnée taken from "the man, the hospital and the helicopter"
written and spoken by Andrew Cannon

Additional musicians :

Olaf Casimir ( contrabass on palisades )
Vincent Feuillet ( detuned piano on downshifters and the distance )
Loïc Lebouteiller ( bowed guitar on apnée )
Judith Stichtenoth ( violins on parallel and quarante )
All other instruments and vocals by KR

Produced in Berlin and Paris in 2007
Artwork by KR

Additional studio recordings at Southstar Recorder (Berlin )
Steim ( Amsterdam ) and RML ( San Francisco )

Mastered by Bo Kondren at Calyx, Berlin

©2008 . raster-noton . r-n 094 

Automne Fold

From his early releases on the legendary german imprint raster-noton, to his more recent output aimed at the club, Kangding Ray managed to trace a singular trajectory, navigating the unexplored territories between experimental music and dance music.

Through his consistency as both Live performer and DJ, and a number of critically acclaimed releases, Kangding Ray showed his ability to keep a genuine artistic approach, while slowly crafting a unique universe, equally focused on emotional response and visceral impact.

Kangding Ray’s music tests boundaries, evolving constantly in its exploration of texture and rhythms, while talking equally to the body and the mind.
From his past as architect, Kangding Ray kept a multidisciplinary approach to art, applying his craft in diverse artistic fields such as visual arts, film scores, audiovisual installations and dance performances.

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