ELECTRONIC GROOVE MAGAZINE' CREW waiting for his show at Sònar Barcelona 2019! Go! Kangding Ray++

001/Twenty 20 is a Tracks

Shared under the November full moon of 2022.

@feral_music

Written and produced by Alessandro Barchitta.
Artwork by Gabriella Holmström.
Mastered by Mattias Fridell.

A1. Mambo
A2. LWA
B1. Medium
B2. Dimension D

Love and light

Crossroads

Feral - Crossroads

Taken from: Claudio PRC - Self Surrender - Delsin Records - 161dsr

buy digital: https://claudioprc.bandcamp.com/album/self-surrender
buy vinyl: https://www.delsinrecords.com/release/9125/claudio-prc/self-surrender

Claudio PRC’s (@claudioprc) fifth album, Self Surrender, unfolds as a reflective journey of self-acceptance, a story embracing reality in its purest and most unfiltered form. Released via Delsin Records, this marks his first full-length album on the label, following the EP’s Rites of Passage (2021), Challenger Deep (2022) and Golden Scales (2024).

The album explores different and more leftfield sonic corners, while remaining true to Claudio’s cavernous, deep, and spiritual essence. It’s a journey through different styles, with echoes of the past and contemporary influences merging.

Self Surrender begins with ambient and dub echoes, moving through dark, minimal rhythms and deep techno. It blends techno and house elements, exploring themes of sin and redemption with cutting synths and tight grooves. This first half of the longplayer closes introspectively with a reflective ambient piece.

In the second part, the sound shifts to more energetic techno. It’s driven by heavy kicks and dreamy atmospheres, with acid-laden textures and haunting strings. To conclude, Self Surrender closes with an ethereal track, fully embodying the theme of surrender and acceptance.

Born in Sardinia and now based in Berlin, Claudio PRC has been a key figure in the deep techno scene since 2006. His music is deeply rooted in a philosophical approach, drawing from Detroit techno, electroacoustics, and his academic background in Music and New Technologies. Over the years, he has released on labels such as Prologue Music, Semantica Records, while also establishing his label 012 as a platform for art and sound research.

Buy @ Delsin Shop

Claudio PRC - Cenere (taken from 'Self Surrender' 161DSR)

Claudio PRC - Ebony Feathers (taken from 'Self Surrender' 161DSR)

A simple mess around with drums and bass.

No Consideration

Anamonìs

Red Bull Music Academy have launched their online Mixing Board in collaboration with Folder Studio, featuring original tracks from seven producers including Polar Inertia.

http://daily.redbullmusicacademy.com/specials/2015-mixing-board/

Putting you in control of the BPM and volume of separate parts of the seven different tracks, there's original material to play.
You scroll to increase or decrease the BPM, and move your cursor around the page to alter the mix. As you play with each song, the selected videos correspond to the change in mood and tempo, offering an A/V web experience that's aimed at highlighting the link between music and human emotion.

INLAND RETURNS

Digital: 
https://voicesfromthelake.bandcamp.com/album/secondo-tempo

Vinyl: 
https://clone.nl/item38583.html

Acclaimed techno, dub and atmospheric craftsmen Voices From the Lake, aka Italians Donato Dozzy and Neel, are starting their own new label, Spazio Disponible. 

The label will start with a release from Voices From The Lake in March 2016, then a solo EP from Dozzy in May, but will be about much more than just putting out 12"s: it is a conceptual idea that will see friends of the duo release music, but will also be accompanied by a quarterly party at Goa in Rome. The first one will be March 18th where Donato and Giuseppe will play all night long with a close musical friend. 

More than that, though, the artists playing will be in the studio the whole week running up to the night, jamming and preparing music for the night and potentially producing a record that will later be put out on the label. The setup at Goa will be a hybrid of machines, live gear and DJ equipment that will allow for fluid transitions between each as the party unfolds. Essentially each event will be one big jam that features artists joining in and dipping out at will. Line-ups won't be announced for any of the nights, with the whole thing paying heed of the title, Spazio Disponibile. 

As for the first release, it features three tracks of absorbing and hypnotic deep techno that sucks you deep down into an organic world of super smooth sound. Subtly filled in with pixel thin synths, trance inducing bleeps or spaced out pads, it offers a fine taster of what to expect from Spazio Disponibile both on record and in the club.

A1.	Voices From The Lake - Ibrida
A2.	Voices From The Lake - 258 B
B1.	Voices From The Lake - Secondo Tempo

Spazio001 - Voices From The Lake - Secondo Tempo

"Yere Faga Remixes" available here 
https://IDOL.lnk.to/YereFagaRemixes

New Album "Mogoya" by Oumou Sangaré 
Release Date: 19th May 2017
https://idol.lnk.to/Mogoya

Mogoya Remixes

Yere Faga (Natureboy Flako Remix)

Oumou Sangaré - Yere Faga feat. Tony Allen (Natureboy Flako Remix)

After playing at one of my favorite festivals in the world, I received the sad news that there was a problem with the recording of my set... So I decided to share with you an edit of Laurie Spiegel I made for https://soundcloud.com/terraforma which I think represents quite well the energy of that day and was a pretty special moment of my set. 

Thank you so much to Terraforma for having me and to all the music lovers that came to this wonderful place from all around the world ❤️

Laurie Spiegel - Drums (Valentino Mora Terraforma Rephase)

Amandra - Caftan out on Edit Select Records, sept. 11th on 12" vinyls.
VA incl. remixes by Amotik, Claudio PRC and an original track by Antonio Ruscito.
@edit-select
https://editselect909.bandcamp.com/album/various-artists-part-1

Amandra - Caftan [EDIT SELECT RECORDS 36]

02 Conspiracy

Six years on since his latest appearance on the label’s main series, Stroboscopic Artefacts boss Luca Mortellaro, aka Lucy, returns with ‘Dyscamupia’ – an introspective, multisensory techno triptych revolving around the core sequence of Albert Camus’ classic existentialist novel, ‘The Stranger’. Also known as the ‘killing of an arab’, this pivotal moment in Camus’ seminal book – which also inspired The Cure their song ‘Killing An Arab’ back in the day, is here evoked through three variedly intense, deep and hypnotic techno variations – flexing from 120 to 130, onto 140 BPM – each of them translating a particular step in the author’s minute, focal-shifting depiction of the unknown man’s murder on the beach.   

Embodying Meursault for a minute, Jason Snell lends his voice to the narrator and his inner demons, casting a strange, ominous spell on the club and its crowd. Willing to explore and dig up further into the textural wealth and crucial warmth of organic sounds and synthetic treatments, Lucy made wise use of the binaural microphones technology during the vocals recording process, greatly enhancing the immersive force of his compositions to create thoughtful, dystopic narrative bubbles that stand in their own right.

The first number, ‘ Dyscamupia (Forward)’, happens before and right until the actual killing – hence time flowing at a metronomic, heartbeat-like tempo; the second cut ‘Dyscamupia (Pause)’ takes place right after the nameless man’s death, when the narrator enters a kind of existential ‘pause’ and a whole new flow of consciousness begins; the third sequence, ‘Dyscamupia (Backward)’, plumbs the depths of the action itself as played backwards, like an equally hazed-out and dizzying reminiscence of the sad encounter’s mechanism. Don’t let its seemingly conceptual framework fool you though, like most of his past output ‘Dyscamupia’ also aims to bring dancefloors to a steady simmer, whilst maintaining Lucy’s ascending momentum towards an all-round genre-busting, thought-provoking apex.

 

All tracks (w) & (p) by Lucy AKA Luca Mortellaro
Voice on all tracks by Jason Snell
words by Albert Camus’ “ The Stranger”
mastered @ Artefacts Mastering Studio, Berlin
graphic concept by Ignazio Mortellaro [OA]
Ⓟ & © Stroboscopic Artefacts 2019
Cat. No. SA034 – all rights reserved
www.stroboscopicartefacts.com

A - Lucy - Dyscamupia (Forward) [SA034]

ARA001 - B1 - Orcan Tears

(2019) "You Can Call Me Crazy" by DUB ENGINE.

➡️ WAV on Bandcamp
https://dubengine.bandcamp.com/track/you-can-call-me-crazy

➡️ Youtube
https://www.youtube.com/watch?v=Jq1SZYlncQI

You Can Call Me Crazy

troisième et dernier Ep de Bass Trooperz 
FORCE 

Ashkabad meets Mahom

// May the dub be with us //

force

Big light

"Warrior In The FIght" by Dub Engine.

DOWNLOAD FREE ALBUM HERE:

http://www.thedubengine.com/releases/IRIE002_2010_DUB_ENGINE.zip

http://www.irieonair.com/home/release/irie002-dub-engine/

(ABOUT)

Live and studio project created in September 2009 by musicians Nicolò Tucci and Sabrina Ferro from Bologna (ITA), Dub Engine is part of the last generation of dub producers who know how to feed their work with various music genres.

While keeping the uniqueness of reggae/dub music unimpaired, they tinge their sound according to the contemporary punk and dubstep movement which surrounds them.

With a great complicity, the couple develops a powerful music, supported by winds, strings and percussions leaning on a massive sub bass, kick drum and wobbles synths.

Deeply influenced by UK & French new millenium dub era (Iration Steppas, Bush Chemists, Kanka, Dub Machinist, Dubkasm, Skream) they started to evolve their live show towards a new "psycho-dubstep" way, merging the hypnotic energy of dub music with militant-warrior style typical of dubstep music.

Revealed in 2010 with a 8-track release under free Creative Commons licence on "Irie On Air" net-label , they appeared on several european compilations before signing "Rude Boy" in 2011 on Dubatriation Records, their first 7" vinyl release.

(ITA)

Duo nato a Bologna (ITA) nel settembre del 2009, composto da Nicolò Tucci e Sabrina Ferro, Dub Engine fa parte di quella nuova generazione di dub producers che contamina la propria musica con diversi stili e generi.

Pur mantenendo l'indiscussa unicità della musica reggae/dub, Dub Engine ridipingono i propri suoni influenzati dalla scena punk e dubstep che li circonda.

Con grande complicità miscelano archi, fiati e percussioni supportati da profonde linee di basso, kick drum e wobble synths.

Profondamente influenzati dalla scena dub inglese e francese del nuovo millennio (Iration Steppas, Bush Chemists, Kanka, Dub Machinist, Dubkasm, Skream), uniscono nel live-set l'energia ipnotica della musica dub con lo stile militant-warrior della musica dubstep.

Rilasciano nel 2010 la loro prima net-release di 8 tracce per "Irie On Air" net-label sotto licenza gratuita Creative Commons, ed in seguito partecipano a diverse compilations europee prima di pubblicare nel 2011 "Rude Boy" il loro primo 7" in vinile per Dubatriation Records, label con sede a Dijon(FR).

http://www.thedubengine.com

info@thedubengine.com

dubengine@hotmail.it

DUB ENGINE - WARRIOR IN THE FIGHT

From his early releases on the legendary german imprint raster-noton, to his more recent output aimed at the club, Kangding Ray managed to trace a singular trajectory, navigating the unexplored territories between experimental music and dance music.

Through his consistency as both Live performer and DJ, and a number of critically acclaimed releases, Kangding Ray showed his ability to keep a genuine artistic approach, while slowly crafting a unique universe, equally focused on emotional response and visceral impact.

Kangding Ray’s music tests boundaries, evolving constantly in its exploration of texture and rhythms, while talking equally to the body and the mind.
From his past as architect, Kangding Ray kept a multidisciplinary approach to art, applying his craft in diverse artistic fields such as visual arts, film scores, audiovisual installations and dance performances.

ARA001 - B1 - Orcan Tears

Kangding Ray

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