This Is Kangding Ray

Black & Blue

Between Mountain Tops

@positivecentre
"This Live Set was recorded in the legendary Tresor club in Berlin on 30th January 2016. Tresor has had a huge influence on me since I first started listening to Techno and so this gave me a great opportunity to showcase that. I spent a few weeks crafting a batch of new elements and editing old ones specifically for this show. I hope you enjoy it." ~ Positive Centre

01.	Positive Centre - No Need For Narration (Our Circula Sound)
02.	Positive Centre - Direct Searching (SNTS) *edit*
03.	Positive Centre - ????
04.	Positive Centre - Out Was The Old In (Our Circula Sound) *edit*
05.	Positive Centre - Great Excavator (Stroboscopic Artefacts) *edit*
06.	Positive Centre - Body Molecule (Leyla) *edit*
07.	Positive Centre - Field of Tongues (Our Circula Sound) *edit*
08.	Positive Centre - Swell of Graviton (Our Circula Sound) *edit*
09.	Positive Centre - ????
10.	Positive Centre - Disappearing Trick (Stroboscopic Artefacts) *edit*
11.	Positive Centre - Angular Beautifault (Leyla) *edit*
12.	Positive Centre - The Proprioceptor (Our Circula Sound) *edit*
13.	Positive Centre - Prepared Platform (SNTS) *edit*
14.	Positive Centre - ????
15.	Positive Centre - ????
16.	Relapso - Northern Exposure (Positive Centre Remix) (Relapso) *edit*
17.	Positive Centre - Hiding Knives (Our Circula Sound) *edit*
18.	Positive Centre - ????
19.	Positive Centre - ????
20.	Positive Centre - ????
21.	Positive Centre - ????
22.	Positive Centre - Positive Centre - Microlith (SNTS) *edit*
23.	Positive Centre - ????
24.	Positive Centre - ????
25.	Positive Centre - The Arrival (SNTS) *edit*
26.	Positive Centre - ????
27.	Positive Centre - ????
28.	Positive Centre - ????
29.	Positive Centre - ????
30.	Positive Centre - ????
31.	Positive Centre - The Burin (Leyla) *edit*
32.	Positive Centre - Blank Hand (Leyla) *edit*

EE Page

Positive Centre LIVE @ Tresor - 417 - Electronic Explorations

Unbeknown02 - Pris

HYPER OPAL MANTIS . Forthcoming on Stroboscopic Artefacts
Release early 2017 

Triptych : 3x 12”
-------------------
# 12 “ HYPER 

A1 : RUBI
B1 : LONE PYRAMIDS
B2 : EPSILON

-------------------
#12” OPAL

C1 : PURPLE PHASE
C2 : DUNE
D1 : SOUL SURFING
D2 : OUTREMER

-------------------
12” MANTIS

E1 : ONDE MANTIS
E2 : SAUDADE
F1 : LANIAKEA

HYPER OPAL MANTIS (MASTER)

PURPLE PHASE

MDR 16

Buy at Hard Wax

MDR 016 - Answer Code Request - Corps De Ballet

exclusive mix for NovaFuture Blog by @ron-albrecht

Infos & Tracklist:
https://novafuture.blog/2018/11/22/ron-albrecht-novafuture-blog-mix-november-2018/

www.novafuture-blog.com
www.facebook.com/NovaFutureBlog
www.twitter.com/NovaFutureBlog

NovaFuture Blog: Mix Series

Ron Albrecht - NovaFuture Blog Mix November 2018

Predawn Qualia EP

Out on 17th May on ara
https://kangdingray.bandcamp.com
https://ara-aboutrecordingartists.bandcamp.com

ARA001 - B2 - Trade On Azul

R-N 123 . TRACK LIST :

1 . Athem
2 . Mojave
3 . Odd Sympathy
4 . Pruitt Igoe . ( or version )
5 . Or
6 . Mirrors
7 . Coracoid Process
8 . En Amaryllis Jour
9 . Lea vaila Scheme
10 . Monsters
11 . La Belle

CREDITS	

All tracks written and produced by Kangding Ray
Voices and lyrics on Pruitt Igoe, Coracoid Process and Odd Sympathy by Magne Mostue.
Voices on Athem and Monsters by Rose Tizane Merrill.
Words on Monsters freely pirated from « T.A.Z, the temporay autonomous zone, ontological anarchy, poetic terrorism » by Hakim Bey . ( anti-copyright, 1985, 1991 ) Available at www.autonomedia.org
Progressive keys on Or by Ben Frost
Drums on Coracoid Process and Or performed by Yacine Djeradi
Percussions on Odd Sympathy performed by Achille Farese
Salamander Modular synth for Monsters wired by Matia Simovich
Mastered by Andreas « Lupo » Lubich at Dubplates & Mastering Berlin
©2010 . raster-noton . r-n 123

Press text :	

After the Pruitt Igoe E.P, Kangding Ray returns with his third album for raster-noton, pushing further his explorations on the edge of digital and analog sounds. With OR, Kangding Ray continues to blur the borders between experimental and bass music, and brings his signature sound to another level, somewhere at the darkest fringe of club culture.
With the massive metallic beats of « athem », the frightening distorded waves of « Mojave », the elevated groove of « Odd Sympathy », the modulated guitar walls of « Leavaila Scheme », or the low-bitrate Everest of « La Belle », KR creates deep atmospheres, loaded with echoes of collapsing economies, dysfunctional political systems, and corporate alienation.In an abstract manner, OR depicts the desillusions of modern civilizations, while initiating a positive reflection on crisis as a creative state.
OR (« gold » in french), as the only chemical element that seems to keep its value for eternity, refers to the cult of endless consumption and the absurdity of fluctuating currency valuations, while in english, as a logical operator or grammatical conjunction, OR represents the possibility of another choice, an « inclusive disjunction » which suggests that there might be another answer, a different path to follow.
Noticeable inputs have been provided by Ben Frost, who composed a keyboard line for « Or », Rose Tizane Merrill who lend her voice to the anarchist poem « Monsters », and Magne Mostue who wrote the words and sang on « Coracoid Process » as well as the vocal version of the prophetic electronic mantra « Pruitt Igoe ».

01 Athem

Very thrilled to share this special recording from Norbergfestival 2019 - 2,5 hours of uncensored expressions and beats that I haven't dared to share in a dancefloor before, but which I pledge I will keep delivering.

Linn Elisabet @ Norbergfestival 2019

Inland B2B Rhyw Recorded at Circulation Fridays 11.09.20

www.sweatlodgeagency.com

Inland B2B Rhyw - Circulation Fridays #2

HOMECAST I: Mantra to Achieve Ignition

Booz - Phantom

From his early releases on the legendary german imprint raster-noton, to his more recent output aimed at the club, Kangding Ray managed to trace a singular trajectory, navigating the unexplored territories between experimental music and dance music.

Through his consistency as both Live performer and DJ, and a number of critically acclaimed releases, Kangding Ray showed his ability to keep a genuine artistic approach, while slowly crafting a unique universe, equally focused on emotional response and visceral impact.

Kangding Ray’s music tests boundaries, evolving constantly in its exploration of texture and rhythms, while talking equally to the body and the mind.
From his past as architect, Kangding Ray kept a multidisciplinary approach to art, applying his craft in diverse artistic fields such as visual arts, film scores, audiovisual installations and dance performances.

ARA001 - B2 - Trade On Azul

Kangding Ray

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Matrix#AUTHOR@ELECTRONIC GROOVE MAGAZINE

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