Glitch / Noise

INTENTÁNDOLO

Intentándolo

This track starts off chill and picks up in the second half when I bring in some bongos. Just a simple beat that I started for fun a while back and kind of forgot about. There is a major switch up in the vibe and im not quite sure what genre this would fall under. 
The beat kind of gets away from me at some points but I decided to keep those in the song to shake things up sounded unique to me. The cover art is a photo of an abstract painting I did. The painting is of a city skyline with the sun and the moon represented in the top right corner. I just added a cropped photo of my eyes ontop of it cause I thought it needed to be a little more interesting. The painting was on a piece of cardboard and I used a random stick to paint it. Anyways hope you enjoy! this is just a throw away track and also tested out some new mixing techniques so hopefully it sounds better. Thank you, Miles

founded

passion, desire, hope ,positive future and more..

Mode B - Wave 2 - by Farco

Selected Works 06-10 available at 
https://mrtidykid.bandcamp.com/album/selected-works-06-10

Selected Tracks 06-10

Vinyl

Pretty Girl

Laws of Nature

Buy ltd. LP/Digital

Kafuka 'Mustang' on BBC Radio 3 (Laws of Nature - Project: Mooncircle, 2017)

Radiance II (Edit)

Physical | Digital=> http://bit.ly/DeepchordAuratones
Deepchord | Auratones 
[SOMALP117] 

A foray into deep, organic, cinematic dance music. Subterranean bass, intercepted alien transmissions, and stripped down dance-beats meld with sheets of sounds that roll over the listener like waves lapping up on the shore. Shimmering, watery, brain hemisphere synchronization tones caress and melt stress away. Dance floor friendly tracks that work equally well in one’s private listening space. Immersive music with a distinctive aquatic quality. Inspired by Detroit & Berlin’s dance genres, but tempered by more ambience / atmosphere than one would expect from those genres. Music without harshness or rough edges. Fuzzy, out-of-focus, soft-sounds that slip in and out of the listener's consciousness. Uniquely melds current dance rhythms with lushness and spirituality. Synesthetic sounds that trigger sensory experiences in cognitive pathways other than hearing… smells of perfumes, thoughts of colours, and altered perception of time and space. Psychoacoustic, cerebral, electronic listening music for those wanting a different experience than the current harsher, darker dance trends are offering. Responsibly made gentle music designed from the ground-up to have a positive effect on the nervous system and leave the listener invigorated and recharged. Chi-building sonic balm. Timeless, exotic dance tracks for a new school of electronic music enthusiasts who are searching for beautiful sounds, crafted with a higher purpose in mind.

Auratones

Moving Lights

Deepchord - Moving Lights (SomaLP117)

Stabil

Visible

Dadaist

Cyan

‘New Atlantis’, @Efdemin aka Phillip Sollmann's 4th album, oscillates between fast, kaleidoscopic techno, multilayered drones and acoustic instrumentation, fusing for the first time Sollmann’s deep dancefloor productions as Efdemin with his sound art and avant-garde music projects. The latter include 2017’s Harry Partch-inspired ‘Monophonie’ performance and 2018’s ‘Panama / Suez’ EP with Oren Ambarchi and Konrad Sprenger.

Sollmann took inspiration for ‘New Atlantis’ from Francis Bacon’s unfinished 17th century novel of the same name, which describes a fictional island devoted to social progress through the synthesis of art, science, technology and fashion. 

Out now: “New Atlantis”, the epic, psychedelic title track off of Efdemin’s upcoming album out February 15 via Ostgut Ton. Across 15 minutes, Efdemin’s experimental spirit is in full swing, with morphing drones/chords generated by a mix of Efdemin’s hurdy-gurdy and drum machines, Konrad Sprenger’s MIDI-controlled Stratocaster, Joachim Schütz’s electric guitar and Nika Son’s synthesizer – recorded live during the quartet’s Tony Conrad tribute concert in Hamburg.

Listen at
Apple Music: https://itunes.apple.com/album/new-atlantis/1446617084
Bandcamp: https://ostgut.bandcamp.com/album/new-atlantis
Deezer: https://www.deezer.com/album/84349402
Spotify: https://open.spotify.com/album/0DvULRThTYtegc9nMTxkTx?si=tmOYwipxTt-Coq7XJGyc5A
YouTube: https://www.youtube.com/watch?v=dIBQEH6TH1Y

Efdemin | New Atalntis [OSTGUTCD45/LP31], out February 15, 2019.
Buy ‘New Atlantis’ as 2xLP, digipak CD or in digital formats: http://ostgut.de/shop/music/efdemin-new-atlantis-ostgutlp31.html / http://ostgut.de/shop/music/efdemin-new-atlantis-ostgutcd45.html https://ostgut.bandcamp.com/album/new-atlantis

All info: http://ostgut.de/ton/record/234
Artwork: The Centers Of The World, Brussels, https://centersoftheworld.wordpress.com | Layout: Yusuf Etiman

Efdemin | The Sound House

R-N 123 . TRACK LIST :

1 . Athem
2 . Mojave
3 . Odd Sympathy
4 . Pruitt Igoe . ( or version )
5 . Or
6 . Mirrors
7 . Coracoid Process
8 . En Amaryllis Jour
9 . Lea vaila Scheme
10 . Monsters
11 . La Belle

CREDITS	

All tracks written and produced by Kangding Ray
Voices and lyrics on Pruitt Igoe, Coracoid Process and Odd Sympathy by Magne Mostue.
Voices on Athem and Monsters by Rose Tizane Merrill.
Words on Monsters freely pirated from « T.A.Z, the temporay autonomous zone, ontological anarchy, poetic terrorism » by Hakim Bey . ( anti-copyright, 1985, 1991 ) Available at www.autonomedia.org
Progressive keys on Or by Ben Frost
Drums on Coracoid Process and Or performed by Yacine Djeradi
Percussions on Odd Sympathy performed by Achille Farese
Salamander Modular synth for Monsters wired by Matia Simovich
Mastered by Andreas « Lupo » Lubich at Dubplates & Mastering Berlin
©2010 . raster-noton . r-n 123

Press text :	

After the Pruitt Igoe E.P, Kangding Ray returns with his third album for raster-noton, pushing further his explorations on the edge of digital and analog sounds. With OR, Kangding Ray continues to blur the borders between experimental and bass music, and brings his signature sound to another level, somewhere at the darkest fringe of club culture.
With the massive metallic beats of « athem », the frightening distorded waves of « Mojave », the elevated groove of « Odd Sympathy », the modulated guitar walls of « Leavaila Scheme », or the low-bitrate Everest of « La Belle », KR creates deep atmospheres, loaded with echoes of collapsing economies, dysfunctional political systems, and corporate alienation.In an abstract manner, OR depicts the desillusions of modern civilizations, while initiating a positive reflection on crisis as a creative state.
OR (« gold » in french), as the only chemical element that seems to keep its value for eternity, refers to the cult of endless consumption and the absurdity of fluctuating currency valuations, while in english, as a logical operator or grammatical conjunction, OR represents the possibility of another choice, an « inclusive disjunction » which suggests that there might be another answer, a different path to follow.
Noticeable inputs have been provided by Ben Frost, who composed a keyboard line for « Or », Rose Tizane Merrill who lend her voice to the anarchist poem « Monsters », and Magne Mostue who wrote the words and sang on « Coracoid Process » as well as the vocal version of the prophetic electronic mantra « Pruitt Igoe ».

05 Or

New Barker [@Voltek] 12” out Friday, June 28. Vinyl only, hand-stamped, peaktime optimised.
New Barker album, ‘Utility’, out late summer on double-vinyl, digital formats, CD and LTD edition.

BARKER001

Neuron Collider

Buy 12"

Barker | Neuron Collider

Cannibal Homecoming is the first single from 'Kiri Variations', the new album by Clark.

Buy the album here: https://ClarkMusic.lnk.to/KiriVariations

"The track is like Japanese cuisine- it explores lots of textures but coheres as a song er..."meal". A song is finished when you get the sense it's being pulled along to an inevitable conclusion. It’s not literally about cannibals. It’s about paradox, despair, broken families, the fictional boundaries we cling to and the self destructive cognitive dissonance we suffer because of this.

Ooh listen to how naked and vulnerable I sound at the end! I like the synth arp that counters that. It’s like a shield. I’ve been gently poking fun at terrible preset Hollywood risers but doing them with my own customised sounds-the idea of a riser is amazing, it’s kind of timeless. The mounting of tension and release. It's been around since the Greeks.

But the palette needs to be unique, personal. I’m coming at it from quite a militantly purist angle. Some of the field recordings in those risers are over 20 years old, from dictaphone tapes I didn’t even know I had. All this texture needs to be married to a good' ol visceral composition though. This fusion of those two aspects of music is the ideal. Each one helping the other one out in mutual song craft welfare. You can't be a libertarian about this stuff." - Chris

Kiri Variations

Cannibal Homecoming

Crooked beats and live machine experiments from audio-visual live bass crew Up High Collective. 

Read more + tracklist: https://hyponik.com/mixes/hyp-399-up-high-collective/

@uphighcollective

Hyp 399: Up High Collective

resilent

From his early releases on the legendary german imprint raster-noton, to his more recent output aimed at the club, Kangding Ray managed to trace a singular trajectory, navigating the unexplored territories between experimental music and dance music.

Through his consistency as both Live performer and DJ, and a number of critically acclaimed releases, Kangding Ray showed his ability to keep a genuine artistic approach, while slowly crafting a unique universe, equally focused on emotional response and visceral impact.

Kangding Ray’s music tests boundaries, evolving constantly in its exploration of texture and rhythms, while talking equally to the body and the mind.
From his past as architect, Kangding Ray kept a multidisciplinary approach to art, applying his craft in diverse artistic fields such as visual arts, film scores, audiovisual installations and dance performances.

Cyan

Kangding Ray

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