Hyper Opal Mantis . 2017 ( Stroboscopic Artefacts )

NEW RELEASE
Kaito 
The Invisible and Irreplaceable   

1. The Invisible and Irreplaceable 06:43
2. Where the Silence Stays 06:08
3. The Invisible and Irreplaceable (beatless version) 06:43

This marks first Kaito release on my own label since the spring of 2024. 
These two tracks unfold as a meditative soundscape — an exploration of where the Kaito sound is heading, and a quiet inquiry into what it truly means to live as a human being. 
Not simply music, but a reflection: on time, on presence, and on the unseen forces that shape our inner lives. 

Cosmic Signatures
released August 1, 2025 


https://hiroshiwatanabe.bandcamp.com/album/the-invisible-and-irreplaceable


The Invisible and Irreplaceable

Ten utwór to nie taniec.  To pytanie czy dla człowieka zostało jeszcze miejsce w nieskończoności?

This song isn't a dance. It's a question: is there still room for humanity in infinity?

No Heaven for People

Beatport

Artefacts

HYPER OPAL MANTIS . Forthcoming on Stroboscopic Artefacts
Release early 2017 

Triptych : 3x 12”
-------------------
# 12 “ HYPER 

A1 : RUBI
B1 : LONE PYRAMIDS
B2 : EPSILON

-------------------
#12” OPAL

C1 : PURPLE PHASE
C2 : DUNE
D1 : SOUL SURFING
D2 : OUTREMER

-------------------
12” MANTIS

E1 : ONDE MANTIS
E2 : SAUDADE
F1 : LANIAKEA

HYPER OPAL MANTIS (MASTER)

PURPLE PHASE

EPSILON

LONE PYRAMIDS

RUBI

Hyper Opal Mantis

Dune

Laniakea

For its 303rd release, Tresor Records is glad to present a commissioned work by Donato Dozzy.

Rome based production maestro and DJ extraordinaire Donato Dozzy is unanimously considered as an illustrious leading light in all techno artforms.

Along his long career and extensive discography, Dozzy has proven to use his instruments most interesting ways, always re-inventing his music, always presenting new approaches to both the deeper and the more rhythmic forms of electronic music. It was self-evident to Tresor Records to enroll Donato Dozzy’s talents for this assignment, a nod to the seminal Roland TB-303 bass synthesizer.

The result is a relentless collection of radical, propulsive and bleeding-heart acid tracks. In Dozzy’s words.

Donato Dozzy wishes to dedicate this work to his lifelong friend Filo.

Tresor.303 released July 13th on 2x12” vinyl and digital.

Filo Loves The Acid

BANDCAMP

Donato Dozzy - Filo

From the EP 'Hammers'
Release date: 18th January

Future Boogie is a Bristol agency and club night which blossomed into a label. Their first release was Julio Bashmore's 'Father Father'.

Artist : @soundcloud.com/jameswelsh
www.facebook.com/jameswelshofficial/
www.instagram.com/jameswelshmusic/

@soundcloud.com/hodgebristol
www.facebook.com/Hodgebristol/
twitter.com/hodgebristol

Label : @soundcloud.com/futureboogie
www.facebook.com/futureboogierecordings
https://futureboogie-recordings.bandcamp.com/

Hammers

Premiere : James Welsh - Hammers (Hodge Remix)[Futureboogie]

Immersive EP

Loki Starfish est Musicien, Dj, organisateur de nombreuses soirées parisiennes (Gang Bambi, Coquina, Zizi Cabaret, Beautiful Skin) et fondateur du collectif nocturne Bragi Pufferfish. Après 2 albums 4 EP et plusieurs bandes son de films et spectacle, le voici de nouveau au travail sur un EP en préparation, il nous délivre ici sa toute première cover, track mythique de l'album "Head on the Door" sorti en 1985.

Sa première cover DIY portée par un clip en Super 8 composé d’images d’une de ses premières teufs dans sa crèche tourné en 1982 dans lequel il apparaît auprès d'une bonne partie des membres de sa famille.
Un climat electro-synth wave et rétro gaming plein de nostalgie.
Dans cette fête insouciante en clair obscur, son effusion de costumes et de
paillettes, le clip semble nous dire sa nostalgie pour un clubbing qu'il nous tarde de retrouver.
Clip : https://www.youtube.com/watch?v=j9uv2_N7Jz0

Enregistré et produit par Jérémie Lapeyre
Written and composed by Robert Smith / The Cure
Edit et traitement voix by Ilan Sberro @ Auditorium de Saint Ouen
Mastering Benjamin Joubert
Photo : Goldstein & Ramirez

follow @loki-starfish

Free Download

Loki Starfish - A Night Like This (The Cure Cover) [Les Disques du Lobby]

Oni Ayhun - OAR004a

TO DOWNLOAD THESE TRACKS AND FOR MORE EXCLUSIVE TURBO CONTENT, SUBSCRIBE TO TURBO AT: www.drip.fm/turbo-recordings

Tiga's Top 6 (deal with it):

1) FPU - Crockett's Theme / Seven Of Nine:

already a decade old, but these tracks still have not really been bettered when it comes to the 80's electro-techno revival of the early 00s. At the time, i was so in love with them, and they really helped Turbo grow at a critical time. Peter Benisch was a thoughtful, talented producer, and i loved all his music.

2) Martini Bros - The Biggest Fan (Blackstrobe Remix)

i remember this being one of my favorites, and a record that really marked Turbo "coming out" internationally. The original was amazing, but Blackstrobe just nailed a remix that perfectly summed up the feelings and the mood of the time. Fun, playful, vocal..... and got Ivan Smagghe on our label!!! A definitive Turbo record.

3) ZZT - Lower State of Consciousness

i tried to avoid my own records, but the fact is that this is just a ridiculously dope record: genuinely weird, undeniably powerful, and not easy to duplicate (i know, ive tried). I also like records that capture a new feeling or a new relationship, and this was the SOUND of me and Zombie Nation getting in studio for the first time. I think its one of the best we have released. yes, i am biased.

4) Panash - Jack 2 Jack (Jesper Dahlback Remix)

this is a classic Turbo formula: find an old record that you felt was underated from your personal collection, aquire the rights, and get a master like Dahlback to remix it to perfection. The early years of Turbo would never have been the same without Jesper, and this was one of the first tracks that got us global cred.

5) Moby - I Like To Move In Here (Proxy Remix)

first off, having a big international name like Moby on the label felt legit, but thats not why i chose this. I picked it cuz for many years Proxy was THE go-to guy for total nu-jack-rave mastery. Yes, "Raven" was bigger, but i always felt this remix was incredible, with a deep and unique understanding of techno-funk. still sick. always dope. he still has never been beat.

6) Clouds - Consciousness

of the techno renaissance era tracks of the past few years, this one stands out for two reasons: first, because its a truly special techno anthem, and i think arguably the best techno record we ever released. second, because it marked a continued commitment to an artist and their development: Clouds were my fave from day one, but they just got better and better, and worked closely with me and my brother......and that feels like REAL label progress.

Consciousness EP

Clouds - Consciousness

From his early releases on the legendary german imprint raster-noton, to his more recent output aimed at the club, Kangding Ray managed to trace a singular trajectory, navigating the unexplored territories between experimental music and dance music.

Through his consistency as both Live performer and DJ, and a number of critically acclaimed releases, Kangding Ray showed his ability to keep a genuine artistic approach, while slowly crafting a unique universe, equally focused on emotional response and visceral impact.

Kangding Ray’s music tests boundaries, evolving constantly in its exploration of texture and rhythms, while talking equally to the body and the mind.
From his past as architect, Kangding Ray kept a multidisciplinary approach to art, applying his craft in diverse artistic fields such as visual arts, film scores, audiovisual installations and dance performances.

Laniakea

Kangding Ray

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Bert Randolf

Ghost To Host Records

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