Diode

Buy/stream: https://kompakt.fm/releases/boeser_herbst_lp_dl

For Böser Herbst, Thomas Fehlmann returns to the sediment of ages, drawing from a similar lexicon of sounds to that used on 2018’s ‘1929 – Das Jahr Babylon’. Like that album, Böser Herbst was produced as the soundtrack to a documentary made by Matthias Luthardt, ‘Herbst 1929, Schatten Über Babylon’, which offers historical insight to the third season of the television series Babylon Berlin. It adds yet another string to the bow of this most forward-thinking and creative artist, whose history takes in NDW (Palais Schaumburg), techno (3MB) and psychedelic ambience (The Orb), plus a clutch of gorgeous solo albums that explore wide terrain, from the dancefloor through supine home listening to compelling soundtrack work. Fehlmann’s approach here was to ‘capture’ samples of contemporaneous music, “picking up the dirt and dust of original 1920s archive sound and music excerpts and shaping the essence into this selection of tunes,” he recalls. After delivering the material to the editing room, Fehlmann “threw all the pieces up in the air, deliberately lost the overview in consequence, researched the atmospheric thread and assembled it for this album.” That explains the singular nature of the material here, and its ability to sit together so neatly and discretely, as its own entity. For Böser Herbst is a music box of possibilities, shadowed by its historical provenance, but never crudely beholden to it, rather “keeping the references only as a distant nod, a scent.”

It’s certainly an evocative listen, a cornucopia of textural pleasure and sensual, tactile assemblage. The spiralling, psychedelic cycle of “Karnickel” winds its way between the ears like thread to the needle; “Mit Ausblick” immerses the listener in deep, gaseous tones, only to be lifted into the air by the glassy drones of “Umarmt”. “Wunschwechsler” crackles with the unpredictability of weather systems while a guitar-like loop unspools across the horizon. Throughout, you can catch tiny tastes of the source material, but they’re pressed into greater service, Fehlmann using these sources for their evocative capacity and then saturating them with grain and rumble, abstracting outwards. It’s a music of temporal disjuncture and clairvoyant resonance, “speaking with the past – alert, distant and quixotic.”

Thomas Fehlmann - Karnickel

Time to Go

Bend

Flutter

Science And Industry Andy Stott

Night Journeys EP out March 25th. Preorder at kulorco.bandcamp.com

Courtesy - Night Journeys III  
Written and produced by Najaaraq Vestbirk 
Guitar by Luka Aron
Additional production by James Kelly
Additional composition by James Kelly
Mixed by James Kelly 
Mastered by Joel Krozer / Six Bit Deep
Artwork by Esben Weile Kjær

Courtesy - Night Journeys III (Kulør 011)

Dance Monkey Dance

Detective Chimp

Haunted Grooves

Ned Bennett - A2 [GRR001]

Firebreak

Firebreak (Chloé Caillet Remix)

“Sleep Deprivation” began in 2006, during a time when our sleep patterns were drastically altered by constant travel and late-night gigs. This relentless cycle of broken sleep became a persistent part of our lives, and over time, we noticed something remarkable: our music became more emotional, raw, and vulnerable.

Sleep, or the lack of it, affects every aspect of life, and its influence on our creative process was undeniable. For this album, we chose to embrace that emotional intensity, allowing it to take centre stage over traditional arrangements. Sleep deprivation blurs the lines of logic, and the part of the brain that usually handles structure and order begins to falter. In that haze, deeper feelings rise to the surface, unfiltered and honest.

With this album, we surrendered to that experience, letting the emotional chaos shape the music, and the result is an exploration of what happens when you’re pushed to your limits, both physically and creatively.

Sleep Dreprivation

Sleep Deprivation

[Dustv126] The Black Dog - Sleep Deprivation Preview

This track, “Good Luck Is On Its Way,” uses an ethereal, expansive cosmic ambient atmosphere to paint a starlit path that crosses a sea of clouds and leads toward dawn. The soundstage feels wide and breathable, while the melody and harmonies carry a gentle upward lift—like a quiet reminder that you don’t have to rush, because things are already getting better. It’s perfect for meditation, winding down before sleep, clearing mental noise, or softly steadying your heart during low moments, so hope and good fortune can return to you naturally.

Good Luck Is On Its Way

Ilfman+Sonitus Mortis - Susurrus

Beautiful positive track celebrating the birth of Jesus

When the Angels Sang

Stabil

Persan

http://shop.raster-noton.net/?pid=275

with kuopio, we release the second full length album by vladislav delay aka sasu ripatti. the record features eight new songs which allow the listener to dive into delay’s cosmos of deep and likewise organic sounds. subtle yet complex electronic manipulations are used, resulting in a high degree of variation within every single track and a nearly imperceptible intensification of their density.

progressive and energetic rhythms play an important role as already indicated in his recent release espoo (r-n141), the EP which forms a bridge between his former album vantaa (r-n136) and kuopio, best illustrated by the track “kulkee”, meaning “to move forward”.

kuopio clearly represents a further attempt to depict the finnish landscape as well as its isolated charm, which is also obvious from its design and conceptional approach by referring to the city of kuopio.


vladislav delay. hetkonen (excerpt). taken from vladislav delay. kuopio

Credits :
Cover design by nibo
mastered by - bo kondren
all tracks written and produced by david letellier
Tracks 5 & 7 contain keyboard samples
by Vincent Feuillet.

© 2006 Raster-Noton.
Archiv für Ton und Nichtton.


Nn-Peaks

From his early releases on the legendary german imprint raster-noton, to his more recent output aimed at the club, Kangding Ray managed to trace a singular trajectory, navigating the unexplored territories between experimental music and dance music.

Through his consistency as both Live performer and DJ, and a number of critically acclaimed releases, Kangding Ray showed his ability to keep a genuine artistic approach, while slowly crafting a unique universe, equally focused on emotional response and visceral impact.

Kangding Ray’s music tests boundaries, evolving constantly in its exploration of texture and rhythms, while talking equally to the body and the mind.
From his past as architect, Kangding Ray kept a multidisciplinary approach to art, applying his craft in diverse artistic fields such as visual arts, film scores, audiovisual installations and dance performances.

Persan

Kangding Ray

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