Deconstruction.14-2-1-1-1-1

Released under the iiP moniker, ‘SEN’ is the latest work by sound designer Setsuya KUROTAKI - a three-part composition shaped by field recordings, live instrumentation, and finely calibrated programming.

Constructed as a musical self-dialogue involving his alter-egos "Sebastian Kline" and "Nicolie Binara", the work examines the fluidity of sound materials and the emergence of emotion through the conceptual frames of “Sequence,” “Environment,” and “Neutral.”

Balancing restraint and organic layering, it can be read as a subtle disturbance of the boundary between interiority and environment.

Piano / Sebastian Kline
generative sounds / Nicolie Binara
all instruments, program,
produce and mastered by Setsuya KUROTAKI

artwork / Seth Black
www.instagram.com/seth6lack/

Environment

Red Bull Music Academy have launched their online Mixing Board in collaboration with Folder Studio, featuring original tracks from seven producers including Polar Inertia.

http://daily.redbullmusicacademy.com/specials/2015-mixing-board/

Putting you in control of the BPM and volume of separate parts of the seven different tracks, there's original material to play.
You scroll to increase or decrease the BPM, and move your cursor around the page to alter the mix. As you play with each song, the selected videos correspond to the change in mood and tempo, offering an A/V web experience that's aimed at highlighting the link between music and human emotion.

INLAND RETURNS

HYPER OPAL MANTIS . Forthcoming on Stroboscopic Artefacts
Release early 2017 

Triptych : 3x 12”
-------------------
# 12 “ HYPER 

A1 : RUBI
B1 : LONE PYRAMIDS
B2 : EPSILON

-------------------
#12” OPAL

C1 : PURPLE PHASE
C2 : DUNE
D1 : SOUL SURFING
D2 : OUTREMER

-------------------
12” MANTIS

E1 : ONDE MANTIS
E2 : SAUDADE
F1 : LANIAKEA

HYPER OPAL MANTIS (MASTER)

PURPLE PHASE

https://www.discogs.com/Prince-Of-Denmark-8/release/9401170

Prince of Denmark - GS

Percolating Acid from Dripping Acid. Dripping Acid is a series of 6 separate 12"s.
Digital is also available on Bandcamp.

Percolating Acid

I share tracks that I don't find on Soundcloud but I do not own any right for these. I'm just uploading them in low quality. So Labels & Music owners : please just send me a message if you want me to remove your music.

Luko.

Turn to Gaia EP

nthng - Oralage (Original Mix)

Out now: “New Atlantis”, the epic, psychedelic title track off of @Efdemin’s upcoming album out February 15, 2019 via Ostgut Ton.

Across 15 minutes, Efdemin’s experimental spirit is in full swing, with morphing drones/chords generated by a mix of Efdemin’s hurdy-gurdy and drum machines, Konrad Sprenger’s MIDI-controlled Stratocaster, Joachim Schütz’s electric guitar and Nika Son’s synthesizer – recorded live during the quartet’s Tony Conrad tribute concert in Hamburg. 

Album-wise, ‘New Atlantis’ oscillates between fast, kaleidoscopic techno, multilayered drones and acoustic instrumentation, fusing for the first time Sollmann’s deep dancefloor productions as Efdemin with his sound art and avant-garde music projects. The latter include 2017’s Harry Partch-inspired ‘Monophonie’ performance and 2018’s ‘Panama / Suez’ EP with Oren Ambarchi and Konrad Sprenger.

Sollmann took inspiration for ‘New Atlantis’ from Francis Bacon’s unfinished 17th century novel of the same name, which describes a fictional island devoted to social progress through the synthesis of art, science, technology and fashion. 

Listen at
Apple Music: https://itunes.apple.com/album/new-atlantis/1446617084
Bandcamp: https://ostgut.bandcamp.com/album/new-atlantis
Deezer: https://www.deezer.com/album/84349402
Spotify: https://open.spotify.com/album/0DvULRThTYtegc9nMTxkTx?si=tmOYwipxTt-Coq7XJGyc5A
YouTube: https://www.youtube.com/watch?v=dIBQEH6TH1Y

Taken from the Album: Efdemin | New Atlantis [OSTGUTCD45/LP31], out February 15, 2019.
Buy ‘New Atlantis’ as 2xLP, digipak CD or in digital formats: http://ostgut.de/shop/music/efdemin-new-atlantis-ostgutlp31.html / http://ostgut.de/shop/music/efdemin-new-atlantis-ostgutcd45.html / https://ostgut.bandcamp.com/album/new-atlantis

All info: http://ostgut.de/ton/record/234
Layout: Yusuf Etiman

New Atlantis

Buy Album

Efdemin | New Atlantis

Polar Inertia - Parallel Transport

The tale of the mythic pentaki mountain has been engraved on a two-sided circular piece of wax.

the north face of the peak is steep, abrasive, and has been the subject of many legends in the region. it is said that whoever would manage to climb it would find a plateau, leading to a place called “the single source of truth”.

considered as the ultimate goal by both psychedelic gurus and database o
ptimization corporations, and as an ideal retirement destination for a couple of lost souls in search for coherence and objectivity, the source diffuses endless loops of haunted voices, apparently sampled from a discarded call center, running low on power, encouraging listeners to shorten cycles, deliver requests and improve user experience.

it is also said that anyone climbing from the south side would never reach the summit or find his way to the plateau, and would always end up on a lower altitude than where he started.

this topographical anomaly is probably the reason why the south face of the pentaki has always been favorited by locals, with its sunny weather and its luxurious vegetation flourishing along the soft downward slope, leading to a slow and peaceful end.

Kangding Ray . The Pentaki Slopes . 12" E.P
r-n 145 . raster-noton

A1 : North
A2 : Plateau ( a single source of truth )
B1 : South

North

Marionette

From his early releases on the legendary german imprint raster-noton, to his more recent output aimed at the club, Kangding Ray managed to trace a singular trajectory, navigating the unexplored territories between experimental music and dance music.

Through his consistency as both Live performer and DJ, and a number of critically acclaimed releases, Kangding Ray showed his ability to keep a genuine artistic approach, while slowly crafting a unique universe, equally focused on emotional response and visceral impact.

Kangding Ray’s music tests boundaries, evolving constantly in its exploration of texture and rhythms, while talking equally to the body and the mind.
From his past as architect, Kangding Ray kept a multidisciplinary approach to art, applying his craft in diverse artistic fields such as visual arts, film scores, audiovisual installations and dance performances.

PURPLE PHASE

Kangding Ray

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