I must leave here a comment because this track is very very interesting.

Our next guest mix comes from Mexico's Lokier !!! 

She has been a favourite of ours in the last year with her spaced out and haunting Disco/Techno releases on labels such as La Dame Noir and Viaal_Rec !! 

She has releases coming out on Days of Being Wild and Nein Records so stay tuned !!! 

ENJOY !!! 

Guest Mix 35 - Lokier

Memoria damnum

Dark, twisted and down right fucking weird. 

Ghosts in the Kitchen

14/365 walled

Pact Infernal's debut release 'The Descent [Chapter I] arrived in early 2015 on Samurai Horo. A slow flock of unexpected, but very welcomed, fans from outside of the labels normal market began to build. One of the more exciting admirers of the Pact Infernal EP was Berlin based Lucy who offered to rework 'Chapter I' into his own stylistic interpretations. The resultant 2 remixes incorporate elements from all 4 tracks on the first EP into 2 long pulsing, hypnotic grooves. If subtlety was the main instrument of the originals, Lucy's versions refine that instrument into a new form and sprinkle carefully plucked references delicately around his sinuous rhythms. Over 25 minutes of delightful audio hypnosis from one of the electronic worlds favourite individual voices.

http://www.samuraimusicgroup.com/products/pact-infernal-the-descent-chapter-1-lucy-remixes-vinyl

Pact Infernal 'The Descent' (Lucy Subterranean Remix) [Samurai Horo]

MRT005 - Assalti Industriali - Sei Minuti E Ventitre Secondi

Сомнамбула 01 - Мамба

For its 303rd release, Tresor Records is glad to present a commissioned work by Donato Dozzy.

Rome based production maestro and DJ extraordinaire Donato Dozzy is unanimously considered as an illustrious leading light in all techno artforms.

Along his long career and extensive discography, Dozzy has proven to use his instruments most interesting ways, always re-inventing his music, always presenting new approaches to both the deeper and the more rhythmic forms of electronic music. It was self-evident to Tresor Records to enroll Donato Dozzy’s talents for this assignment, a nod to the seminal Roland TB-303 bass synthesizer.

The result is a relentless collection of radical, propulsive and bleeding-heart acid tracks. In Dozzy’s words.

Donato Dozzy wishes to dedicate this work to his lifelong friend Filo.

Tresor.303 released July 13th on 2x12” vinyl and digital.

Filo Loves The Acid

BANDCAMP

Donato Dozzy - Filo

We are extremely happy to premiere Dadub's  "Nusuth" from their upcoming release,  on Daniele Antezza's record label, HOLOTONE. 
Release date: 21/01/2019.

Daniele Antezza and his Dadub partner in crime, Marco Donnarumma are launching a kind of  miniseries, inspired by the reggae-dub tradition, through Daniele's imprint Holotone.
These series will  be limited editions, without any reissues.

Dadub's "Nusuth" (plus Ena Version) is the 2nd chapter of the Holotone Limited Series, invented for the purpose to create a place free from preconceived notions and format boundaries, changing from release to release with varying forms of content.


And with their own words: ... "there is  actually no concept behind that, just our love for Dub music. We will invite several artists, and this time we asked Ena, one of the music producers we respect the most. The name "Nusuth" comes from Ursula Le Guin's "The Left Hand Of Darkness", and it was a word used by the cult of Handdarata...a bit difficult to translate..it might be expressed as 'no matter".

Premiere:  Dadub- Nusuth (Holotone)

Automne Fold

World Within Words

The Distance

From his early releases on the legendary german imprint raster-noton, to his more recent output aimed at the club, Kangding Ray managed to trace a singular trajectory, navigating the unexplored territories between experimental music and dance music.

Through his consistency as both Live performer and DJ, and a number of critically acclaimed releases, Kangding Ray showed his ability to keep a genuine artistic approach, while slowly crafting a unique universe, equally focused on emotional response and visceral impact.

Kangding Ray’s music tests boundaries, evolving constantly in its exploration of texture and rhythms, while talking equally to the body and the mind.
From his past as architect, Kangding Ray kept a multidisciplinary approach to art, applying his craft in diverse artistic fields such as visual arts, film scores, audiovisual installations and dance performances.

The Distance

Kangding Ray

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