Cafeteria anthem with real classroom utility. Chicago trap drums, bell sparkle, and a chanty hook that turns tray balance, spacing, and please and thank you into a bounce routine. Kind swaps, clean tables, lunch crew strong.

LUNCH LINE FLEX

Trap-powered SEL anthem. Bell motif and clean 808s under a chant that teaches kids to name a feeling and shrink it. Verse story follows a “bubble backpack” getting lighter as the singer labels emotions and uses simple tools like breathe slow, sip, and stretch. Teacher friendly, parent approved, easy to loop.

Mini-lyrics (Hook)
Name it, tame it, big feelings bounce,
Say what it is, count that count.
Angry, worried, sad or tight,
Speak the word, make it light.
Name it, tame it, big feelings bounce,
Word in the open, ounce by ounce.
Hands on heart, voice steady sound,
I got me now, rooted to ground.

BIG FEELINGS BOUNCE

Quiet-power trap for the library. Bell motif, tight 808, and a whisper-ready hook about shelves, labels, and return slots. The story follows a friendly “hush dragon” librarian with glasses who nods when voices stay low. Kids find their number, track the line with a finger, scan and return, then head back with book-pride. Teacher friendly, easy to loop.

Mini Lyrics:
Library level-up, pages flip light,
Whisper words only, brains take flight.
Library level-up, feet say hush,
Find your number, pick that plush.
Library level-up, stack that read,
Scan, return, plant a seed.
Library level-up, mind grows wide,
Book world open, come inside.

Library Level Up

Playground anthem with true ATL trap bounce: hard 808s, bell-lead motif, and dense triplet flows that tour dodgeball, hopscotch, monkey bars, kickball, and the last-bell dap. Sung crowd stacks on the hook, rap verses in the pocket, and a short water-break bridge to breathe then blast back in. Clean, kid-safe, parent-approved; made to loop.

Recess Royale

Pinned At The Top is trap RnB about being the favorite secret but never the real choice. You are the thread that stays pinned at the top of their phone, the photos they save, the messages they reread when the room is dark, but you never make it into the group photos or the close friends list.

The lyrics live inside the notification bar. Muted calls, saved pics, blue text threads that hold your whole heart. It is frustration, clarity and finally a quiet decision to unpin yourself and walk away. Smooth vocals ride over guitar and 808s, keeping it moody and melodic while the story does the damage.

This one belongs with the rest of the ViceLane catalog as the digital heartbreak chapter, sitting between late night flex records and full on noir scenes.

Pinned at the Top

Last Exit Call is dark RnB for the moment you finally take the exit instead of doing another lap through the same story. Empty highway, sodium lights, phone lighting up on the dash and one decision that changes everything.

The track follows a quiet escape from a toxic pull. Blue lights in the rearview, a name still flashing on the screen, and that scoreboard line in your head: me one, you zero. It is not about crashing for someone else anymore. It is about leaving their storyline and living your own.

Guitars, pads and 808s sit under a controlled vocal that feels more like an internal monologue than a flex. Built for late nights, long roads and people who finally chose themselves.

Last Exit Call

Pinned at the Top (Throwback) takes the same story but runs it through a 90s RnB filter. Warm keys, live-feeling bass and that slow bounce swing under a vocal that is trying to stay calm while jealousy eats the edges.

The song is still about being the favorite secret. Pinned at the top of their phone, saved in their photos, always there when the room is dark but never really chosen when the lights come on. Lines about lock screens, screenshots and red dots pull the story into the present, while the harmonies and groove feel like the golden era.

If the original version lives in the trap RnB lane, this one is the late night radio mix. Same frustration, same metaphor, different decade.

Pinned at the Top (Throwback)

Bad Reception is Trap RnB about somebody who always has four bars on their phone and zero bars for you. The calls only come from the back of the club, the excuses are always “no service,” and every serious conversation mysteriously starts breaking up.

The verses live in all the little lies. Lock screens, stories still going, new crowds, “tower must be down” when the DMs show otherwise. The hook flips it into a mantra: you got bad reception when it come to my heart, full bars for the world but you drop my calls. By the last chorus it turns into a clean cutoff, airplane mode and silence instead of chasing signal.

This one sits next to Pinned At The Top and Last Exit Call as part of the phone games arc. Three ways to realize the problem is not the service, it is the person holding the phone. Built for late night listening, scrolling through old messages and finally letting them go.

Bad Reception

Final chapter of the Phone Games arc. This is the moment after the missed calls, after the pinned thread, after the last highway exit. No more signal issues, no more second chances. Just a clean swipe and a quiet mind.

“I Deleted Your Number” is Dark RnB / Trap from the ViceLane universe. Heavy 808s, late night pads, and a vocal that sits right between cold and relieved. If Bad Reception was the warning and Last Exit Call was the getaway, this is the paperwork that makes it official.

Written and guided by KANTIBUS. Mastered for night drive volume and headphone replay. Run it in sequence with Bad Reception, Pinned at the Top and Last Exit Call to hear the full story.

I Deleted Your Number

“Signal Flooded” is the first response record to the Phone Games R&B arc.
Where the earlier songs followed a guy getting tired of mixed signals and missed calls, this one steps into the woman’s perspective. She is surrounded by attention, calls, DMs and invites, trying to keep her peace and make real decisions for her future while everyone assumes she lives for the spotlight.

Dark RnB and Trap drums, smooth but tired vocals and a cracked-screen phone image all echo the same truth: she is not ignoring him, she is overwhelmed. One quiet voice still matters more than the crowd, but by the time she can breathe again, the damage might already be done. This is chapter one of the Toxic Lust arc that lives alongside the Phone Games story in the ViceLane R&B universe.

Signal Flooded

KANTIBUS is an American producer/songwriter who has been creating songs since 1990.

It is a portmanteau of his first initial and last name. 

KANTIBUS started creating what would eventually become known as Drill or Trap Music, demonstrating expertise in both genres. 

As such, he is a pioneer of the "violent real life criminal" styles that exist still in the underground today. 

Last Exit Call

KANTIBUS

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