Ambivalence

Wild Tigers I Have Known: Original Soundtrack Recording

Chikhai Bardo

Subtle Thoughts

Coco Beach

N-Plants

Monju - 1

Inland Delta

Franklin´s Dream

Nec Spero

Chill tune with piano, strings and downtempo beat. Great for studying or for background music.

Eternal Echoes

Not every machine was built to kill — some were built to remember.

Cinematic piano and 8-string guitar bleed into each other, carrying the weight of years. 

cinematic piano  melancholic  emotional epic soundtrack  dark cinematic  tragic post-apocalyptic  doom atmosphere ambient soundtrack

All My Joy, All My Pain.

Comperi & Locre - Shell Spirit [EPX1]

The collaboration between Comperi & Locre began after both artists released on the same label. Though they never met in person, everything happened online, their visions instantly aligned. What started as a simple connection turned into a deep creative flow driven by shared passion, freedom, and dedication to music. Together, they've made a lot of music, and this release captures the essence of that journey. Blending elements of trance, ambient, and trap, the EP moves between emotional depth and raw energy, a reflection of two artists united by sound, not distance. This EP features remixes from Brodinski, Estoc, and Nonzerosum.

Written + Produced - Léonard Madoulaud Baumann & Ivan Shabanov

Brodinski Remix - Louis Rogé

Estoc Remix - Estoc

Nonzerosum Remix - Dustyn Astbury

Mastering Engineer - Ioannis Nafpliotis

Cover Art - Dustyn Astbury, Léonard Madoulaud Baumann, and AJ Wilson

Origin - EU

Available on all streaming platforms

Estoc Remix only available on Soundcloud, Bandcamp, and Nina Protocol

Connect with Artists
https://soundcloud.com/compericomperi
https://soundcloud.com/locr3
https://soundcloud.com/brodinskiofficial
https://soundcloud.com/splintered
https://soundcloud.com/non0sum


Shell Spirit (Nonzerosum Remix)

Exploded View

One Too Many

'Crush', out now on Ninja Tune: https://floatingpoints.lnk.to/crushSo

Follow Floating Points -
Spotify: https://found.ee/floatingpoints-sp
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Crush

Falaise

Grafts (Expanded Reissue)

Angel Tears in Sunlight

The Pulsation

In the 2000’s Chee Shimizu helmed an untouchable Tokyo DJ collective called Discossession alongside Dr Nishimura (House music buyer for Cisco Records at the time). Balancing out this unit were a young Scotsman-abroad named Jonny Nash (who’d later form Sombrero Galaxy [ESP001] and Gaussian Curve as well as the Melody As Truth imprint), and the late guitar virtuoso and tattoo artist Zecky. Formidable DJs and multi-talents on the Tokyo scene, Discossession released two EPs on Kenji Takimi’s Crue-L imprint and various mixes individually on www.lovefingers.org, all holding well-deserved eternal cult status. Chee’s 'Denshi Meisou' [2006] and 'Follow My Dream' [2007] for Lovefingers as well as his legendary “listening sessions” at HiFi lounge SHeLTeR in the Tokyo suburb of Hachioji, laid foundation for what would become known to his followers as “Organic Music” or “Obscure Sound”, the former extending as the name of his record shop and the latter as the title of his 2013 book. 'Obscure Sound' chronicled his tastes in detail and has since become a sort of diggers bible for peers and younger generations.

At the ESP Institute’s inception in 2009, Shimizu contributed two tracks to Lovefingers’ 'Concentration Vol 1' compilation as apéritifs to a later release. “Later” eventually became “forever” and the mythical piano track (appearing only as a demo on 'Golden Age' and 'Dekmantel 061') is still, to this day, not ready for formal release. Skip a dozen years, musical interests and major life changes, and Chee has now unveiled something quite special in accordance with his Obscure Sound — rather than making new out of old rope, he presents a collaboration with Tokyo guitarist miku-mari a.k.a. Takahiro Matsumura. The artists frequently collaborate at the experimental audio/visual event, 'Sacrifice', held irregularly at Tokyo’s ForestLimit, and in 2018 when Chee was invited to DJ at Japan’s only Ambient festival 'Camp Off-Tone', he and miku-mari endeavored to expand these works into a 2-hour improvised performance. Chee collaged various percussion samples and personal field recordings utilizing four CDJs, supplementing with live windchimes and Andean chajchas, while miku-mari coupled a guitar-controlled synthesizer, 'Sound Tube' software (developed by Japanese Ambient composer Hiroshi Yoshimura) and more live elements such as Tibetan bells and pyramid crystals. Rehearsals for this performance were held prior to the festival at ForestLimit, recorded as multi-tracks and edited into these two cerebral Reconstructions.

[ESP030] Reconstructions

Buy from ESP

[ESP030] CHEE SHIMIZU + MIKU-MARI - B - Reconstruction 2 - SNIPPET

𝙛𝙤𝙧 𝙖𝙡𝙡 𝙩𝙝𝙚 𝙡𝙤𝙫𝙚 𝙖𝙣𝙙 𝙝𝙖𝙥𝙥𝙞𝙣𝙚𝙨𝙨

𝘊𝘰𝘮𝘱𝘰𝘴𝘦𝘥 𝘣𝘺 𝘚𝘢𝘭𝘢𝘮𝘢𝘯𝘥𝘢
𝘈𝘳𝘵𝘸𝘰𝘳𝘬 𝘣𝘺 𝘚𝘢𝘭𝘢 𝘰𝘧 𝘴𝘢𝘭𝘢𝘮𝘢𝘯𝘥𝘢

Kali

2c

Kara-Lis Coverdale

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