Et utdrag fra en radioserie kalt Concrete Void hvor pionerer innen elektronisk musikk diskuteres i en queer-feministisk kontekst. 

Hva betyr det å lytte til hverandre? Hvordan skape rom for å lytte og hva betyr det når lytting blir politisk? Er det kun en måte å lytte på eller kan man blande det å lytte til seg selv og det å lytte til andre for å forstå den innadvendte og den utadvendte metoden for å kunne forstå hverandre bedre?

Utdrag "Listening Is Activism": En sidestilling av Audre Lorde og Pauline Oliveros"

my mixtape for draft radio on @thfradio 
thank you for the invite @slimgirlfat <3

thundy86 for Draft Radio #20 // 2021.09.24

harf

For listening at a site-specific location, December 2020–January 2021.

Please email drawings of your transformation to thesmokiestbalogna@gmail.com <3

La Chair

"Looks like you're all on the nasty list as Santa Chomes has brought a surprise Christmas present: International Chromies Vol. 6!

For the last International Chrome release of this insane year we have an insane line-up of tracks and edits from some of our friends who happen to also be our favourite artists:

Jensen Interceptor
False Persona
Luz1e
Shcuro
Selfhood
5ZYL & 666uba

We've been blown away by the response to this series, and together we've raised over €3,000 for great causes. 

This time around we're giving ultimate respect to the originators, with 100% of funds raised going to the Underground Music Academy in Detroit (https://ioby.org/project/underground-music-academy). 

It shouldn't need saying but without Motown, Underground Resistance and so many more from the city of Detroit, music history would be immeasurably different, and so we can't think of a better way of paying back than by helping the next generation of Detroit's musicians. We can't wait to find out what comes out of the academy. 

Hopefully 2021 will see us all able to get together and enjoy music together but until then, take care, stay safe & happy holidays"

Utdrag "Listening Is Activism": En sidestilling av Audre Lorde og Pauline Oliveros"

Karina Sletten

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