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# Ricercar a 3 
# C minor, Allegro (125 BPM)
# The Musical Offering, BWV 1079
# Johann Sebastian Bach (1685 - 1750)
# Casio PX-350 DP
# MuseScore 3
# Arranged for Harp, Mellow Grand Piano, and Acoustic Bass

Ricercar a 3

# I. Allegro
# Trio Sonata in E flat major, BWV 525 
# Johann Sebastian Bach (1685 - 1750)
# Casio PX-350 DP
# MuseScore 3
# Arranged for Mellow Grand Piano, Acoustic Bass, and Mandolin

Trio Sonata in E flat major, BWV 525 - I. Allegro

# III. Allegro
# Trio Sonata in E flat major, BWV 525
# Johann Sebastian Bach (1685 - 1750)
# Casio PX-350 DP
# MuseScore 3
# Arranged for Mellow Grand Piano, Acoustic Bass, and Mandolin

Trio Sonata in E flat major, BWV 525 - III. Allegro

Kambhoji is a raga that has been dealt with extensively by all the great musicians of today and the yester-years. Yet, Madurai Mani Iyer’s rendition of this raga is one to cherish. MMI’s pencil sketch like rendition of Kambhoji occurs mainly in the tharasthayi and it captures the complete essence of the regal raga. The build-up to the tharasthayi panchamam is exhilarating and nothing short of masterful. The pallavi, rendered at a madhyama kalam pace, aesthetically blends with the presentation as a whole. He concludes the rendition with ragamalika swaras in ragas Behag and Kaanada respectively. Despite the madhyama kalam tempo, the ragas are beautifully portrayed without any ambiguity. A point to note in this rendition occurs during his rendition of Kaanada. In his first encounter with the swara D, MMI teeters into the shuddha dhaivatham, which is a swara that is not present in the raga Kaanada. Despite being a point of contention in the realm of technicalities, the addition of the anya swara gives an interesting flavour to the already splendid rendition.

- Shreyas Gowrishanker

Trio Sonata in E flat major, BWV 525 - III. Allegro

Karl Sezhian