Oklou - Forever Live Session ヾ(-_- )ゞ remix

𝓢𝓐𝓦 𝓤𝓡 𝓟𝓘𝓒𝓣𝓤𝓡𝓔 ('NOT IN LOVE' HXC EDIT)

buy/stream: https://johnobject.bandcamp.com/album/plead
written and produced by Ross Alexander and John Object

If there was something else that felt like this, it would be bought and sold as we breathe.

My Life, The Remix

This is not me. I am not a soldier in the Ukrainian Armed Forces, wearing my father's wartime uniform, on a laptop in a basement somewhere. I am an experimental producer.
but for some reason Russians want me dead, therefore
This is not me. I did not produce these wonders of soundwave, I did not mix the remix and master the masterpiece. I am a soldier in the Ukrainian Armed Forces, wearing my father's uniform.

But a heart is a heart and there are eleven hearts here and they are S280F and Grischa Lichtenberger and Angelo Harmsworth and Galen Tipton and sv1 and trngs and Sara Persico and Hwoaranng and Ludwig Wandinger and Ross Alexander and John Object. I am a file on their drives and they are the song in my heart.

The idea for a John Object compilation would seem obvious to some, as I really do know some of the greatest Ableton Live users to ever stumble upon this plane. I never had the heart to ask!

Ludwig Wandinger and Ross Alexander are two of my friends from Berlin, and they are, to date, the only people that made it their business to bring me to play in that blessed city. I played at 8MM Bar both times (that place is fucking sweet) at Salon Oblique events. Now, at this war, in what I can only describe as a gesture of love and tender caring, they called upon the geniuses of today to work on my work and provided me with an album where there could not be one. This is a remix compilation that I found out about only when it was already release-ready.

I really only could take one night off, walked to the nearest village, and my dear friend Andrii, a soldier himself, brought me my camera, and I titled the compilation in blood. Then for a month I worked on a .pdf booklet for the digital edition, that, really, tells the whole story.

I think this is probably the wildest, most advanced music ever to be released by a soldier in active service.

I can't adequately express the crushing magnitude of tenderness, love and gratitude that I feel towards every person involved.

Thank you S280F: https://s280f.bandcamp.com
thank you Grischa: https://grischa-lichtenberger.com
thank you Angelo: https://angeloharmsworth.bandcamp.com
thank you Galen: https://o0o0o0o0.bandcamp.com
thank you sv1: https://sv-1.bandcamp.com
thank you trngs: https://trngs.bandcamp.com
thank you Sara: https://sarapersico.com
thank you Hwoarang: fantasyfictionrecords.bandcamp.com/album/won-for-the-heart
thank you Ludwig: www.ludwigwandinger.com
thank you Ross: https://rossalexanderpayne.com
thank you Andrii for being the best friend in peace and in war.

This all happened only because Ross brought me to Berlin for Salon Oblique at 8MM Bar www.salonoblique.net, and then Ludwig brought me to Berlin to record with him and play at Salon Oblique again, and then because they cared about me, and because my friend Andrii brought me the camera and helped me find the right way to call this.

So much never happened, and so much never will, because of Russians and their deep-seated hatred of me, of everyone I love, and everyone Ukrainian. I am still at war and I am still under threat of violent death every day. Many people I knew and served with have already been murdered by Russians. I am just lucky.

Coming soon:
Limited edition engraved USB carabiner drive with Plead, .pdf booklet, and a recording of a John Object live set at Salon Oblique on October 18th, 2021, when the war seemed so very, very unlikely, and this existence was not imaginable at all. Ships starting November 1st.

And, lastly, https://alightineverydarkness.com

Elektronika 1993 (Ross Alexander's VTsrmx)

overtime by ken carson biblemami rebuild / remix

mashup thingy 100gecs 757 0khz rmx + darth leng set fire to the roof

@0khz-0khz
@darthleng

free dl: https://www.mediafire.com/file/n1aw9d7oawvsvyd

757tek

taken from "Age of Bloom"
bffmusicbffmusic.bandcamp.com/album/age-of-bloom

—

CONSUMER WARNING
This album is composed of 100% Vulnerable and Sincere Music®.

♧
💻
♧

2025, Poland, Winter

Dear A,

during these brain-freezing months of hardship and cold, my thoughts are drawn to my little, childhood room in my hometown where I’ve been exploring vast, unfamiliar, digital worlds…
I must admit I really miss those days… or at least those feelings.

Listening to “Age of Bloom” transfers me again and again to a certain memory of coming back from school in the late afternoon when everything is pitch black, when the snow is gently touching my hair and red cheeks, when the wind is blowing on my face and when being overwhelmed feels good - almost like blue steel’s softly lingering pads and his lush sounds inviting me for a dance.
The day was hard as fuck. Being trapped in the school system is usually a burden, but not in THIS EXACT moment. Not in the middle of an empty street, not in between those white snow curtains.
And so I run, imagining I’m in my safe, virtual world.

What for me usually is so seductive in video games is the music, and “Age of Bloom” with its mix of Akira-like finality, Spielbergish sense of adventure, and virtual utopian sound palette is literally fucking terraforming my soul as I'm listening to it.
So sick. So immersive.
It gives me the power to keep up and to try again in those hard moments - percussive patterns feel like a fight scene, watery keys make me contemplate, nature soundscapes envelop me in a yellow cocoon shell.

Life, my dear A, is a Skyrimish adventure in a way.
Remember the arrow perfectly smashing up your knee? It was just a mere limitation that you set yourself a long time ago when you buried that inner child. You need to try to find it again. Try and try and try.
And then you gonna beat that final boss and then you gonna beat that stupid, fucking, ugly, rotten life and then you WILL be complete again.

Remember, it’s dangerous to walk alone… so please take this album with you and treat it like a friend, like a backpack, like a companion.

♡
💻
♡

〉music by blue steel
www.instagram.com/b_steeel
blue-steel.bandcamp.com

〉artwork by lyfegain
www.instagram.com/lyfegain

〉master by Fausto Mercier
linktr.ee/faustomercier

♫°008

Buy—Support

Ents' Quest - Collect All and Save

AMALGAM OF REFLECTIONS is about self-reflection and self-destructive cycles, it covers the paradox of longing for love while trying to please your needs through alegories, different juxtapositions and personifications.

It finds the humane in non-living objects and reflects its different aspects in which we can find ourselves. It's a complex journey of desire, love and physical contact.

1. titane crash: - prod. Bugiebby & Exegesis
- written by Exegesis
- mix & master by Ancestral Vision

2. summer on my mind: - prod. Bugiebby & Exegesis
- written by Exegesis & Bugiebby
- mix & master by Ancestral Vision

3. skeletal: - prod. Exegesis & Bugiebby
- written by Exegesis
- mix & master by Ancestral Vision

4. be my savior: - prod. Bugiebby & Exegesis
- written by Exegesis
- mix & master by Lorenzo Targhetta

5. night vision mode: - prod. Bugiebby & Exegesis
- written by Exegesis & Bugiebby
- mix & master by DJ GHEPARD

6. 5-star throat: - prod. Bugiebby & Exegesis
- written by Exegesis
- mix & master by Ancestral Vision

7. destruction is a simple promise: - prod. Bugiebby
- written by Josef Kajetán Tyl
- mix & master by Ancestral Vision

released: 05/03/25 via ESTROGUN

night vision mode

Free Download

Die For Me

“Feeding the Addiction” is both a confession and an exorcism. Inspired by my own battles with addiction, the track blends cinematic bass and midtempo darkness with the haunting presence of Lestat himself—voiced through a clone of actor Sam Reid. Heavy drops, distorted atmospheres, and hypnotic rhythms pull the listener into the same cycle of craving and release that addiction demands.

At its core lies a truth I’ve lived: hope begins in the dark. This song isn’t just about temptation—it’s about finding light in the struggle, even when the shadows feel endless. Feeding the Addiction is where my story and my art collide, turning pain into power and addiction into sound.

dancer (prod. beachie)

karl martian

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