Name: Indian Classical Pahadi Flavour by Karma Bhutia in همه جور آجیل
Duration: 8 min
Description: Indian Classical

like a psychedelic version of "dear prudence" !! nice sounds

همه جور آجیل

Now with added beats, bass and better vocals.
Am I the first to cover this song? I love it's simplicity, and it's message.
All vocals and instruments Mark Brenner.

Traces Of You (updated version) (Anoushka Shankar cover)

Savrotere

Mali is a fabled land of musical giants and this Rough Guide features the towering figures of Oumou Sangare, Ali Farka Touré and Basekou Kouyate. However the music of Mali is now under threat as never before. In the words of singer Fatoumata Diawara, ‘music has always brought hope in Mali. Music has always been strong and spiritual.’

For more information, visit http://www.worldmusic.net/store/item/RGNET1311

Before the March 2012 coup d’etat of President Amadou Toumani Touré, very few outside of West Africa knew much about Mali (except for perhaps a group of historians and world music devotees). Much of Mali is encompassed by the Sahara desert, which, despite its often scorching temperatures, has been aptly described as an ‘inland sea’, connecting the Arab and Berber cultures of the north, with the Fulani, Bambara, Mandinka and others in the south. After Muammar Gaddafi fell in the Libyan civil war, huge caches of heavy weapons were left unguarded – many ended up crossing that ‘desert sea’ and arrived in Mali. Fueled by outside groups, Al Qaeda gained a stronghold in northern Mali, installing Sharia law, closing schools, and banning so-called ‘Satan’s music’. Tragically, the region that had long been known for its ancient manuscripts, magnificent mud-architectural mosques, and captivating folk music was engulfed in conflict.

Mali’s musicians have never shied away from mixing politics and song. Vocalist Oumou Sangare (who is also a United Nations Goodwill Ambassador) has been outspoken on issues including women’s rights and polygamy since the 1990s. In 2013, when the conflict made it impossible for Mali to host its renowned Festival in the Desert, Sangare helped to take the show on the road, headlining the Caravan For Peace, performing in Tuareg refugee camps in Burkina Faso. Similarly, Khaira Arby (cousin of legendary guitarist Ali Farka Touré) has taken on issues such as female circumcision in her music. So, it shouldn’t come as a surprise that when war threatened to engulf Mali, its leading musicians banded together. Fatoumata Diawara gathered the nation’s leading musicians together to produce a video calling for a peaceful end to the conflict, most of whom are featured on this compilation, including Oumou Sangare, Toumani Diabate, Vieux Farka Touré, Nahawa Doumbia and Khaira Arby.

The role of these musicians cannot be underestimated, as it both galvanized the Malian public, and the international community into action, leading to military involvement by France as well as United Nations peacekeepers that quickly restored calm to most of Mali. Musically and ethnically, Mali is an incredibly diverse country. This album reflects that diversity, featuring driving Tuareg grooves rooted in a nomadic Saharan past, generations-old ‘social advice’ songs, Wassoulou music from the south, and of course there are a host of songs from Mali’s next generation of stars.

Samba Touré: Koye Ma (taken from the Rough Guide To Mali)

Almost as big as the USA, the vast Sahara spans Africa from the Atlantic Ocean to the Red Sea.  Despite being the hottest desert on earth, it is home to millions of people whose diverse cultures and traditions create a vivid cultural landscape.  This Rough Guide features the region’s best-loved artists as well as exploring beyond the arid sandscapes to reveal hidden Saharan sounds. 

For more information, visit www.worldmusic.net/sahara

The Sahara spans a humungous 3,600,000 square miles across North Africa, from the Red Sea to the Atlantic Ocean. Its photogenic undulating sandscapes have seduced travellers, artists and storytellers for centuries. 
Since the ancient empires of Nubia, the Great Desert has been inhabited consistently: Phoenicians, Egyptians, Greeks, Berbers, Ottoman Turks and European colonialists are among the tribes that have lived in its realms. Among the Sahara’s present-day inhabitants are nomad Fulani, Tubu and Tuareg peoples who recall stories of ancient battles forcing their ancestors to seek refuge deep in the desert where they carved out a way of life, constantly moving onwards, respecting the moods and winds of the desert herself. Religion is largely Islamic in the region with cultural remnants of Christian, Pagan and Jewish traditions audible in local dialects and traditions. 
Today religious and traditional factions across the Sahara jostle against each other making for a vivid political landscape, not without conflict. Of course political passions inform musical expressions, many of which are portentously highlighted on this insightful album. Etran Finawata from Niger strive to promote unity - their band members are from both the Wodaabe and Touareg ethnicities which have historically been rivals. Mariem Hassan is a Saharawi singer whose music pays tribute to old poems written by Ali Bachir and Lamin Allal, artists from her oppressed nation who were forced to live in exile. The title of her 2012 album El Aaiún Egdat (El Aaiún on Fire) casts a striking comment on the largest city in the Western Sahara, which is under Moroccan occupation. Toureg de Fewet are from Libya and are inspired by their homeland’s traditional song  repertoire.
Other artists bend expectations, re-working familiar pop genres into new, surprising formations. Anansy Cissé sucks up all the brilliant things about well-trodden West African ‘Desert Blues’ trope and spits them out with a new agitated attitude. Moudou Ould Mattala hails from Mauritania, his guitar style has Pink Floyd-ian inspirations. AGS & EJ represent the North-Eastern reaches of the Sahara on track ‘Ya Salam’. Salamat, headed up by Percussion Mahmoud Fadl, explore Nubian elements of Egyptian music, as does Ali Hassan Kuban. Malian rising star Djama Djigui speaks a new language with his tamani (talking drum).

Mariem Hassan: Legneiba (taken from The Rough Guide To The Sahara)

Adiyogi

Keeping an ear to the ground for today’s Malian sounds, these tunes were specially recorded for this release and feature inspirational new artists yet to be heard outside their homeland.

For more visit www.worldmusic.net/lostinmali

Nainy Koné: Ne Sabou

Song 2 Karsh Kale Houston Tx 2015

Nirvana Shatakam

Maha Mrityunjaya Mantra: A Great death-conquering mantra which help us get rid of Diseases and ailments, injuries and accidents. It is a mantra that has many names and forms. It is called the Rudra mantra, referring to the furious aspect of Shiva; the Tryambakam mantra, alluding to Shiva's three eyes; and its is sometimes known as the Mrita-Sanjivini mantra because it is a component of the "life-restoring" practice given to the primordial sage Shukra after he had completed an exhausting period of austerity. 

The Maha Mrityunjaya mantra is hailed by the sages as the heart of the Veda. Along with the Gayatri mantra it holds the highest place among the many mantras used for contemplation and meditation.

Maha Mritunjaya Mantra

Powerful Lord Shiva Hindu Mantra

This beautiful song DWML is a track of the Kashi album of Prem Joshua and Chintan Relenberg
vocals: Prem Joshua, Hamsika Iyer, Sanou Olszewski

Kashi: Songs from the India Within

Don't Worry My Love

Indian Classical Pahadi Flavour

A piece about the journey of two lovers starting from being strangers to friends to soulmates to lovers and back to strangers. The piece expresses highs and lows, love and pain, obsession and ignorance. Through the sound of the bamboo flute, the lover breathes emotions as he dwindles in the forest of memories.

To Endless, The Beloved

Five Great Guitars - African Blues Tour
Live recording 2011

Special guest: Habib Koité
Jan Kuiper: guitar
Zoumana Diarra: guitar, kora, balafon, n'goni
Erwin Java: elektric guitar
Digmon Roovers: guitar-bass
Mousse Pathe M'Baye: percussion
Dramane Diarra: percussion

Sound: Neil Denholm


Five Great Guitars - Titati (HQ)

Late Morning Raga-IoW May 2012

Hello Everyone! I'm happy to share the music of my latest release Memoirs Of Love Raga Desh. This one has all been about various emotions and memories of love. Through the notes of the raga, the artist travels to a passage of memories.
Flute + Composition - Kartikeya Vashist
Sound Production - Armaan Ali Production
Director Of Photography - Mahesh Kumar Sharma / Nitesh Rana

Kartikeya Vashist - Memoirs Of Love

Tired beat of life-ضربان خسته تکرار

Entrepreneur, Mentor, Speaker with interest in #DataScience, #Blockchain, #NFT, Music, Football
"संगीत के बिना, जीवन एक गलती होगी" - फ्रेडरिक नीत्शे।

Indian Classical Pahadi Flavour

Karma Bhutia

Recent comments

Aysweria Naathan

Darren Sangita

Related tracks