Whoaaaa!!  if this is the riyaz, i want a final version too.

I look forward to more lengthy postings like this one :)

Kartikeya Vashist practicing alaap and jor in raga bageshree.raga  bageshree is a night raga which expresses beauty,calmness,romance and a meditative atmosphere.

bageshree riyaaz

SATYA & PARI OM NAMO SHIVAYA

Morning Vedic Mantras

Sound track for THE CONFLUENCE . A historical documentary on the largest gathering in human history: the Maha Kumbha

SHLOKS -FEAT AISHWARYA JOSHI AND MAYUR NARVEKAR

Vocals Chaytanya. Written by DKAS and Chaytanya. Produced by Dub Kirtan All Stars.

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Devi Durga feat. Chaytanya

Uma Mohan - Mrityunjaya Homa Mantra

Raghupati Raghav raja Ram, patit pavan Sita Ram
Sita Ram Sita Ram,Bhaj pyare tu Sitaram
Ishwar Allah tero naam, Saab ko Sanmti de Bhagavan 

Sheila Chandra -  Bhajan (Raghupati Raghav raja Ram, patit pavan Sita Ram)

Sri Rudram (Sanskrit: श्री रुद्रम्), to which the Chamakam (Sanskrit: चमकम्) is added by scriptural tradition, is a Hindu stotram (hymn) dedicated to Rudra (an epithet of Shiva), taken from the Yajurveda (TS 4.5, 4.7).
Sri Rudram is also known as Sri Rudraprasna, Śatarudrīya, and Rudradhyaya. The text is important in Saivism, where Shiva is viewed as the Supreme God. The hymn is an early example of enumerating the names of a deity, a tradition developed extensively in the sahasranama literature of Hinduism. By the first few centuries CE, the recitation of the Śatarudrīya is claimed, in the Jābala Upanishad, to lead to immortality. The hymn is referred to in the Shiva Purana.
The text is also famous for its mention of the Saivite Panchakshara ("five-syllable") mantra (Sanskrit: Namaḥ Śivāya), which appears in the text of the Śatarudrīya in the eighth anuvaka. The text also contains the mantra Aum Namah Bhagavathe Rudraya. Through the chanting of Sri Rudram, Lord Siva's various attributes and aspects are invoked and worshiped. Chanting the Rudram is considered to be of great benefit. The Rudram chanting can be done with or without the accompaniment of a Vedic yagna ritual. When accompanied with the Vedic fire ritual, it is called the Rudra Yagnam. It is said that Lord Shiva, after Bhasmasura was killed with the help of Lord Maha Vishnu, performed the Tandava Dance and then performed the "Rudra Yagna" for the betterment of humanity. The place where the Rudra Yagna was performed is where the "Sri Kalahasti" Temple stands now; this temple also has one of the 5 (Pancha bhootha - Vayu, Agni, Jala, Akash, Prithvi) lingas called Vayu. 

Sri Rudram Namakam

A rainy day in mystical city of Kathmandu always seems fascinating... Empty roads... People running for shelter.... Blocked drains that makes the puddles turn in to ponds... yet it gives you an amazing feeling of freshness Re-Energized. I hope u can get my portrait lot better through my music! 
Cheers!!! Enjoy!!
Flute by Binod Katuwal 
Alap Vocals By Radhika Gautam
Composed, mixed and mastered by Kichaa

A Rainy day in kathmandu

03 Mangalam (Chillums at Dawn Remix)

This track is from the album Sacred Ragas and is available for purchase on CD Baby here: http://www.cdbaby.com/cd/indiajiva

Bliss

Kartikeya Vashist is an indian Flautist who plays various woodwinds,performs and composes Indian Classical,Folk and World Music. This is his soundcloud channel.
Biography
My relationship with flute and music began from Fifth Standard when I purchased a flute from a local fair and tried playing it on my own. I took up flute in school and started learning Hindustani Classical under the guidance of my Guru Shri Sujit Mandal (Maihar Gharana) from 2006. My relationship with the flute became deeper over the years and I realized that I wanted to spend rest of my life playing and learning music. Sometime in 2010 I discovered Alghoza through YouTube videos and was fascinated by it's sound. A year later I traveled to Jaisalmer, Rajasthan and started learning the Rajasthani Alghoza under the guidance of Shri Tagaram Bheel (Moolsagar, Jaisalmer) while living in his village. In Jaisalmer I also met many other folk musicians and also picked up the Morchang. In June 2012, I traveled to Pandit Hari Prasad Chaurasia Ji’s Brindaban Gurukul, Bhubaneswar on a two month music scholarship awarded by Krishna Prerna Trust, and experienced the tradition of Guru Shishya Parampara . Through my rigorous training in the Gurukul, I had the opportunity to learn new Ragas and experience deeper nuances of Indian Classical music. My extensive musical collaborations with my school friend Arman Ali diversified my knowledge, as we experimented with various genres of music including psytrance. Over the years I have been part of various musical groups/bands and also given various solo performances.For recordings,collaborations and live shows call  +919811389549.

bageshree riyaaz

Kartikeya Vashist

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