Name: parai by Karu
Duration: 2 min 57 s
Description: a recording of me playing the parai(indian classical drum). Excuse the bad sound quality

Posting a slightly extended version of my segment from "ABHYASA", the official Origins 2021 Mixtape. Huge shoutout to @margibmusic for putting the entire mixtape together, as well as to @srikarran, @swizzee and @kavindra1s for being features on the full mixtape. 

For more information on Origins, check the links below:
Instagram - www.instagram.com/originschampionship
Linktree - linktr.ee/OriginsExec
Facebook - www.facebook.com/originschampionship

Sarigama Sangamave | ABHYASA: Origins 2021 Mixtape

Have you ever loved someone so much that you settled for being friends just to keep them in your life? Ranga’s debut plenty love perfectly encapsulates this emotion. 


It was written, composed,sung and rhythm guitars by Ranga, featuring Madhav Nair’s soulful and sweet melodies on Flutes, Trilok Divakar rocking the Lead sections and Kabeeb1 just jiving on the Bass which were tracked, mixed and mastered at Conch Music House by Sankararaman with his lovely mix

Plenty Love

Acoustic Anandabharavi. 

Equipment - Yeti Microphone and garageband loops. Feedback welcome

Samagana Priye - Acoustic

Title score - Azhagarsamiyin Kudhirai - Ilayaraja

Experimental Kolkata based duo JESSOP&CO. pick a diverse and immersive selection of tunes for Wild City Mix #104.

“We have no musical talent, but if we don’t do this, we will go crazy.”

We first heard JESSOP&CO. after they sent us a private SoundCloud link with this cheeky imgur attachment. They’ve held our interest since then with the debut ‘সূক্ষ্ম’ EP and more recent live performances at REProduce’s Listening Room Sessions in cities across the country. The duo is, in their words, “inspired by the decaying/rotting, the macabre discoloration of this city and its inhabitants and the various other forms of malaise (particularly those which suddenly creep up on you as you are about to descend from your favourite form of conveyance or mode of intoxication)”.

The duo employs elements of drone, noise and ambient in their music, producing some of the most foreboding, all engulfing walls of sound we’ve had the pleasure to listen to recently.

JESSOP&CO.’s forward thinking, genre irrelevant mix #104 mix clocks in at a lengthy hour and forty minutes (relatively speaking) and had us completely immersed from start to finish. They’ve decided to exclude a tracklist but you can expect everything from ambient, glitch and a sizable dose of Warp-esque ‘IDM’ with music by the likes of Autechre and Vladislav Delay, to techno and even straight up King Tubby dub.

This one might surprise you. Dive in.

For a tracklist and further info, head over here:
http://www.thewildcity.com/EN/music.xhtml/article/9378-wild-city-104-jessopco

Wild City #104 - JESSOP&CO.

https://lachryphagy-articlecollection.bandcamp.com/album/oscillogr-fik

Article Collection - OGM.txt

A
Oscillographic Generative Microtonal Polyrhythms 1 & 2
——
B
Oscillographic Generative Microtonal Polyrhythms 3
Real-time Spectrally Interpolated & Magnitude Shifted Buffers mixed with Trackpad-Controlled Phase-Shifted Sinusoids a.k.a. \DSPFUCKERY

Please, run these tracks through a stereo phase scope to see the Lissajous patterns!

Tracks 1 - 3 were composed and recorded in Atlanta, GA in spring 2015 using interactive real-time software titled Triggered Euclidean Sequencer, written for SuperCollider and an Akai LPD8 MIDI Controller.

All images on artwork taken from screenshots using SuperCollider's scope and renditions visualized with the Triggered Euclidean Sequencer's modified Lissajous Curve animation component. 

Special thanks to Renick Bell and Gordon Reid for the kick drum synthesis research and drum sound template code as well as Alex McLean for the implementation of waveguide mesh physical modeling UGens. 

Track 4 was recorded in Oakland, CA with Mike Finklea using chains, sheet metal, a crowbar, and Vietnam war films then processed using a SynthDef titled \DSPFUCKERY in Atlanta, GA in summer 2015.

Oscilloɡræfɪk - Side B (Oscillographic Generative Microtonal Polyrhythms 3 + \DSPFUCKERY)

Z3NO - Fall out

a recording of me playing the parai(indian classical drum). Excuse the bad sound quality

parai

Paper 2.3

There are many "games" in life, from love to war to the streets.  If you're not aware that you are a player, you are the one getting played.  You are being played because you live in a society where the only game you are taught to play-has you moving within a time construct where it's "Game Over" when you die.

But what if physical life is just the first level?  What if you can upgrade your XP and unlock codes to achieve secret skills?  What if there is more to living than what is advertised?

A virus is altering our programming.  Update your abilities to continue for your next level upgrade.  

"The Book of RaH:" is your instructional manual.

- The Game Master

2.3 ADapThaGame

Avid listener of all genres of music.
to me, music is a universal interpretation.


Born in a culture with a rich music heritage;  but where most of it is now unnoticed/lost,
 I seek to bring back the lost instruments into life and create an orchestra out of it.


being open to any sound, i just wander picking up things from everywhere,
making the sounds that i make..
i believe that music can unite the world;
that it can transcend the mundane materialistic aspects of the world..

parai

Karu

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