Untitled #107

Jupiter Variation is a computer-based recomposition derived from structural and harmonic principles associated with John Coltrane’s music. Rather than quoting existing material, the piece translates selected musical relationships into algorithmic processes and digital signal processing. Through computer coding and DSP, harmonic structures are abstracted, reorganized, and transformed into a system-based electronic composition.

Jupiter Variation — for computer

Performance for the World TB Day

Étoile Magique (Magic Star)

For SuperCollider, ixi Language, Analog Synthesizer and DSP 

Étoile Magique is a serial music composition for computer coding and various synthesis methods, created in six-movements and based on a mathematical game of the same name. The partitions are written to be performed by five components. An integral part of this work is the use of analog synthesizers in the time interval for each melodic line. I am inspired by a mathematical game, The Magic Star, to create this 30 minute texture of formalized events. The main component of this realization is ixi language. A computer programming language for musical creativity.

http://www.stazioneditopolo.it/
http://www.stazioneditopolo.it/24h-2016/

Étoile Magique | Performance for the World TB Day | ToBe Continued Festival 2016

E T E R N I T Y | Sound-Installation For Tadaex Festival 2016

Articulation is an experimental composition for piano, sound generators and processed synthesized sound, characterized by the Doppler effect and the use of sound generating techniques. The first release of the piece was in 2017 by Cold Spring Records in an anthology of Persian Experimental Music titled Visions of Darkness.

https://coldspring.bandcamp.com/track/articulation

Visions of Darkness in Iranian Contemporary  Music

ARTICULATION

Composer and sound artist working with serial and computer music. My work focuses on structured sound systems developed through algorithmic and stochastic processes. Poetic and mystical references inform the conceptual layer of the work alongside formal and computational methods.

Narcissa Kasrai

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