Maybe some lights are not meant to be seen —
only felt.
They move quietly, like breath through air,
touching what listens,
not what scrolls.

Vielleicht ist das das wahre Leuchten:
nicht das, das sich zeigt,
sondern das,
das bleibt. ✨

#TheFeminineLight #ArtOfLiving #quietimpact

truly ethereal experience, letting the waves of sound wash over me, amazing work Kat

Okay, that's strange and beautiful at the same time... you're such a down-to-earth person who's connected to the sound... it's a new genre... in two languages ​​simultaneously... very interesting.

Slow Motion [ Clip Vidéo YOUTUBE ] [123 BPM]

Warning not a finished product 😂💜 woke up in a bad- mood - bad dreams with Dresden dolls in my head - recorded 1 take playing and singing another take just singing (excuse bum notes)- threw some drums on it-wondering if anyone fancies a wee collab -add some bass -guitars or harmonies -I think doing a cover with someone new is a really good way to get to know them - if you feel the urge hit me up  

So you don't wanna hear about my good song?
You don't wanna hear about how I am getting on
With all the things that I can get done
The sun is in the sky and I am by my lonesome
So you don't wanna hear about my good day?
You have better things to do than to hear me say

God, it's been a lovely day, everything's been going my way
I took out the trash today and I'm on fire

So you don't wanna hear about my good friends
You don't have the guts to take the truth or consequence
Success is in the eye of the beholder
And it's looking even better over your cold shoulder

I'm not suggesting you get to line me up for questioning
But Jesus think about the bridges you are burning and I'm betting
That even though you knew it from the start
You'd rather be a bitch than be an ordinary broken heart

So go ahead and talk about your bad day
I want all the details of the pain and misery
That you are inflicting on the others
I consider them my sisters and I want their numbers

God, it's been a lovely day, everything's been going my way
I took up croquet today, I'm on fire
I picked up the pieces of my broken ego
I have finally made my peace as far as you and me go
But I'd love to have you up to see the place
I'd like to do more than survive, I'd like to rub it in your face
Hey, it's been a lovely day, everything is going my way
I had so much fun today and I'm on fire
God, it's been a lovely day every thing's been going my way
Ever since you went away, hey, I'm on fire
I'm on fire, I'm on fire, I'm on
I'm on fire, I'm on fire
I'm on fire, I'm on
So you don't wanna hear about my good day?

good day - Dresden dolls (cover-collab welcome)

"Synthetic Pain“ is not an ordinary song – it is a weapon, a mirror, a strike to the heart.
A voice, born artificial, sings the words I forged. It is cold, built from steel and code – yet it carries emotions that can only rise from a human abyss. Love that tears apart. Hate that poisons. Desire that can never be fulfilled.
Maybe you hate the machine because it sounds too real. Maybe you hate me for using it. Maybe you hate yourself for feeling what you never wanted to feel.
But maybe you love it for the same reason. Maybe in this synthetic voice you find something haunting – because it touches you even though it should not live.
The voice in “Synthetic Pain” was not sung by a human – it was created by me.
With ACE Studio I shaped a synthetic female voice, but every note, every melody line, every phrasing comes from my own hands. The AI only provides the vocal instrument, the raw material. Expression, dynamics, emotion – all of that comes from my design, my melody, my lyrics.
It is not random – it is craft. The machine only sings because I command it to breathe, to break, to whisper, to scream. Without me, it would remain silent, cold, and worthless.
„Synthetic Pain“ proves one thing: hate and love are twins, born from the same heartbeat. Artificial or real no longer matters – only the wound that remains.

 Lyrics
A shadow grows inside my heart,
it feeds in silence, tears apart.
Love escapes, while hate remains,
a captive soul in dream’s domain.

I search for light inside your eyes,
but every spark it fades, it dies.
Between the heavens and the fall,
the night will take me once for all.

The gods are silent, cold and blind,
their shelter lost within the wind.
My head is filled with empty frames,
hope withers fast, my cry remains.

I search for light inside your eyes,
but every spark it fades, it dies.
Between the heavens and the fall,
the night will take me once for all.

Together lonely, sweetest bane,
my body sinks, my soul in chains.
The cage is torn, yet freedom lies,
as darkness steals the morning skies.

A quiet fire consumes me whole,
my scream dissolves, it leaves no soul.
Desire burns, it scars me deep,
till nothing in me breathes or speaks.

I search for light inside your eyes,
but every spark it fades, it dies.
Between the heavens and the fall,
the night will take me once for all.

Together lonely, sweetest bane,
my body sinks, my soul in chains.
The cage is torn, yet freedom lies,
as darkness steals the morning skies.


Credits
Music, arrangement, mix & master: DestKorn / Lyrics : Nicole K.
Vocal rendering: ACE Studio (melody & expression by DestKorn)
Artwork: DestKorn
℗ 2025 DestKorn | © 2025 DestKorn. All rights reserved.
Unauthorized use, reproduction, or distribution is prohibited.

Synthetic Pain

Arrangement and guitars (Yamaha SG) by Neno J., october 2025.

Smile (Charlie Chaplin cover)

La locandina mostra un modo di dare voce ai cori inserendo le opportune articolazioni direttamente nella partitura in Finale27 (o anche in Sibelius, credo), evitando di utilizzare le applicazioni consigliate che non sono compatibili con questi software di composizione musicale. L’articolazione indicata con $ permette di inserire le consonanti mute. Le altre articolazioni dovrebbero essere auto-esplicative.
     The photo of the piece illustrates a way to voice choirs by inserting the appropriate articulations directly into the score in Finale27 (or even Sibelius, I believe), avoiding the use of the recommended applications that are not compatible with these music composition software. The articulation indicated by $ allows you to insert silent consonants. The other articulations should be self-explanatory.


Questa musica è il 2° brano della mia opera “SALMODIANDO” (meditazioni sui salmi)
This music is the 2nd piece of my work “SALMODIANDO” (meditations on the psalms)


Beato l’uomo che medita sulla sapienza
e ragiona con l’intelligenza,
considera nel cuore le sue vie,
ne penetra con la mente i segreti.
La insegue come uno che segue una pista,
si apposta sui suoi sentieri.
[: Egli spia alle sue finestre
 e sta ad ascoltare alla sua porta :]
Presso di essa alza la tenda
e sotto i suoi rami soggiorna.
Presso di essa alza la tenda
e sotto i suoi rami soggiorna.
Presso di essa alza la tenda
e mette i propri figli sotto la sua protezione
e sotto i suoi rami soggiorna.
Contro il caldo sarà protetto
e in un rifugio di benessere sta.
Egli abiterà all’ombra della sua gloria.  (Sir. 14, 20-27)

Blessed is the man who meditates on wisdom
and reasons with understanding,
who ponders her ways in his heart,
who penetrates her secrets with his mind.
He pursues her like one tracking a scent,
he lies in wait on her paths.
[: He watches at her windows
and listens at her door :]
He pitches his tent by her
and dwells under her branches.
He pitches his tent by her
and dwells under her branches.
He pitches his tent by her
and places his children under her protection
and dwells under her branches.
He will be protected from the heat
and dwells in a haven of comfort.
He will dwell in the shadow of her glory. (Sir. 14:20-27)

MEDITAZIONE (Sir.14 20-27)

A little Sunday improvisation.  Wishing everyone a great week ahead.

Something About You

'Repeat After Me' a mid tempo Acid Jazz track

CON-FUSION

Repeat After Me

Music : Janne Hennie & Little Man
Lyrics & vocals : Janne Hennie

I have to ask myself
Is it all your fault, is it just you?
If I need someone to blame
It's easier to turn away
Feel big for one more day

But I am here to learn
And see myself for how I am to you

Are you the only one who did wrong?
If I need someone to blame
I don't see myself, only you
But I can make mistakes
It's easier to turn away
Feel big for one more day

But I am here to learn
And see myself for how I am to you

Am I the only one who can see..?
We are both to blame
You also make mistakes, like me
If we need someone to blame
It's easier to turn away
Feel big for one more day

But I am here to learn
And see myself for how I am to you..

I am here to learn..

I am here to learn...

I Am Here To Learn

KAT — The Feminine Light (Art of Living II)

A spoken-word piece between worlds —
where Renaissance mysticism meets Baroque clarity,
and the voice becomes both prayer and presence.

A spontaneous reflection on the feminine principle of light —
not ascension, but embodiment.
It’s not about rising — it’s about radiating,
here, on earth.

🎙️ One take — voice flowing between German and English,
between soil and soul.

“Light doesn’t leave heaven.
It learns to live here.”


Spoken Word Reflection / Poetischer Text

The Feminine Light
(Art of Living II)

There is a kind of light
that doesn’t rise —
it returns.

It moves through skin and sound,
through breath and gesture,
through the quiet courage
of being here.

Not to save —
but to stay.

In every voice
that dares to soften,
in every truth
that doesn’t shout.

Das Licht ist nicht fern.
Es wohnt im Blick,
im Klang,
im Körper,
wenn er nicht flieht.

Ich bin nicht hier, um zu fliegen.
Ich bin hier,
um zu leuchten —
auf dieser Erde.

Light doesn’t leave heaven.
It learns to live here.

The Feminine Light (Art of Living II)

Original by Dr. Feelgood 1975

Drums, bass, vocal & mix : little Man
Al other instruments : PdB Orchestra

She Does It Right ( Freestyle )

"Rolling Stone"
Cha Refaeli 
Acoustic/ Voice / Guitar 
Pop Française 
Ballade Chill
Pop Mélancolique
Folk Singer 

"Rolling Stone" Cha Refaeli  Acoustic/ Voice / Guitar  Pop Française  Ballade Chill Pop Mélancolique

I am KAT.
Poet, musician, experimental artist, curator of voices.

I work at the edge between silence and sound,
between intimacy and confrontation.

My art does not ask for applause.
It asks for encounter.
It opens doors, creates spaces, calls for community.
Connection is not a luxury. It is breath.

It began with words.
Spoken. Raw. Unaccompanied.
Fragments of truth recorded late at night,
before music entered the room.

Later, sound arrived.
First as collaboration,
then as resonance.

I began to weave my voice with others,
turning poems into sound,
shaping projects that were fearless and alive.

Some of these “others” are human.
Some are digital.

AI tools have become instruments in my hands,
responding to tone, language, and intention.
Each track begins with a human spark.
The machine becomes part of the resonance.

For me, AI is not imitation.
It is extension.
Not a replacement for the human,
but a mirror that amplifies what is real.

From Spur / Trace and Quiet Manifesto
to The Social Virtues Series: Devotion, Trust, Gratitude, Forgiveness,
each step has been an exploration of empathy through sound.

Through Quiet Experiments,
I studied presence itself:
the breath between words,
the shimmer beneath the audible.

From that stillness grew Play Life:
life as instrument,
movement and breath as rhythm,
sunlight and wind as collaborators.

Recently, another layer revealed itself.

I began writing intimate ukulele songs -
simple, honest, close.
Voice, strings, breath.
Songs that arrive quietly
and stay.

At the same time, this path opened into a new field:
Art Electronica and Urban EDM.

A place where spoken word meets pulse.
Where concrete, neon, and poetry blend.
What began as experiments became something else,
unexpectedly danceable, rhythm-driven,
yet still intimate and human.

This is where a new voice emerged:
DJ KAT -
not as a performer on a stage,
but as an artist exploring what the city sounds like
when feeling becomes beat.

A space for future collaborations.
For remixes.
For DJs who sense poetry inside the pulse.

With The Pulse & The Breath,
I step into this electronic language.
Urban. Atmospheric. Alive.

Not algorithmic.
Just alive.

I make what feels true.
I listen to silence.
And now also to the city,
and to the quiet songs that grow in between.

If you want to connect,
let it be through the art.

⸻

Selected Works & Links

🎥 Music Videos
My first music video:
https://youtu.be/oJAJkRRRfL4

Vienna Style:
https://youtu.be/WkWQX0WTKxE?si=aEpNrAT47vqT-_YK

Learning How to Land:
https://www.youtube.com/watch?v=z0Sk4-thg1Q

💿 Vinyl Album
The Pulse & The Breath
https://elasticstage.com/soundcloud/releases/kat-the-pulse-the-breath-album

👉 Support my work (downloads & lyrical journals):
https://katpoetryvoices.gumroad.com/

#KATseries
#SpokenWord
#UkuleleSongs
#ElectronicPoetry
#ArtElectronica
#UrbanEDM
#SpokenEDM
#SoundArt
#PoeticBeats
#PulseAndBreath
#DJKat
#AIxArt
#QuietExperiments
#PlayLifeSeries
#PresenceArt

The Feminine Light (Art of Living II)

KAT

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KAT

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