Recorded live at Carriageworks, June 4th 2022. 

@cyp4
@breezydbr
https://www.instagram.com/j0anshin/
https://www.instagram.com/pd_sky/

DBR, Cypha, Joan Shin & Brigitte Podrasky pres. Traces | live at SC22

Nessiel

Neon Cleptu 21
Tactile feelings. For this episode I like to welcome Ведун.
@astrariumrecords

Ведун is one of many monniker Amsterdam based Demy Ottens has. With Ведун he released a new album on his own highly recommended Astrarium Records. He delivered a blurred and mystical landscape that seamlessly leads the mind down labyrinthine tunnels of his own imagination. Tactile feelings are taking the lead.

I'm very pleased that he participated and will he be the one to guide us through his musical fascinations

Terrence Dixon - Yesterdays world
Stilluppsteypa - 2251 
LF58 - A
Oliver Doerell / Salkhordeh - Scratch 19 
Dasha Rush - Outer space
Ведун - Space Drums

Broadcasted 26.01.2023
www.lyl.live

Neon Cleptu 21 → Ведун

Katatonic Silentio embarks on a tripped out crawl through "a combination of shadowy, ethereal and intricate ambiences," a glimpse of the sounds and textures she draws from for her latest album, Les Chemins De L'inconnu.

https://www.factmag.com/2023/02/06/fact-mix-894-katatonic-silentio/

Fact Mixes

Fact Mix 894: Katatonic Silentio (Feb '23)

a stunning escapade absorbing deep electronics and opiated ambient

by @kochvivian

₀₀₉ 𝘃𝗶𝘃𝗶𝗮𝗻 𝗸𝗼𝗰𝗵

Tunnel Vision Records flyerman is back on @lyl_radio for his eighth season on the web.

Land with us on a new Planète Noire odyssey with a new kind of sounds generated from our nevrotic minds.

Some souvenirs from earth, some souvenirs from space.. Don't
be afraid to step in a new black hole with us : Take your brainticket for 2 hours and 30 minutes of transcendental orgasm.

1st part is by crazy Australian @dgradeknockoff dj with a mix full of spacey and rapturesque beats.

@stakhan-607786920 is taking care of the 2nd part with a dark wicked build-up mix called 'no one will come home tonight'.

See you on the other side. 🌚💫🌚

Recorded in April 2023 at LYL Radio studio in Lyon, France.

LYL Radio - Planète Noire - D-Grade & Stakhan (20.04.23)

Znoj FM #10 (15.04.2023) Live at Radio 80000
1st hour: Sarmabot
2nd hour: Notte Infinita

Znoj FM #10 w/ Notte Infinita

@significant0ther
Temperatures are rising here, this new mix by Significant Other is the perfect introduction to your heated weekend. Out of Brooklyn, NYC, he’s running the CNC (Club Night Club) parties & label (alongside companion Only Child)
This mix feels dense and full of leftfield club energy, balancing it out with drum driven rhythms and melancholia. 
Significant Other released releasing music on a wide range of respected labels like YOUTH, Anno, Well Street Oscilla Sound and Spec:c

Knekelhuis # 104 - Significant Other

A Po(i)etics of the Disembodied Voice is a work which focuses on the sonic potential of the voice as a phenomenon in its own right, separated from the body.
It is a 47 min composition made using my voice elaborated through spectral processing and granular synthesis techniques – originally composed fo PARA, Parasitic radio takeover and digital sound exhibition on Radio 80000.

Pre-Listening via Radio 80000: March 1 - 25, 2021
Radio takeover & opening weekend: March 26 - 28, 2021
Digital sound exhibition: March 29 - April 30, 2021
The project is funded by the City of Munich Department of Art and Culture & the Goethe-Institut.
Further information: https://paraparapara.org/

A Po(i)etics of the Disembodied Voice is a work which focuses on the sonic potential of the voice as a phenomenon in its own right, separated from the body. In all ancient cultures and traditions, voice and orality have always played a fundamental role in the transmission of culture, and of course in the act of communication among living species.
With the advent of the Gutenberg era, with the introduction of printing, sight took over from hearing: there was a shift from an oral culture to a visual, ocular-centric culture, in which the sense of seeing acquired greater weight and importance than the sense of hearing.
Although this, the hearing has always occupied an important place in modern society through the reinvigoration of media such as radio. In recent years, especially if we see at the past year, when it was physically impossible to move,
see and meet with each other, the voice through radio, podcasts, web platforms of various kinds, vocal messages etcetera has managed to overcome the barriers of the real world to connect people with each other. It has achieved a level of awareness that was previously missing or taken for granted.
If we jump back in history, before the invention of electronic and electroacoustic devices for recording and transmitting sounds, every sound was original and inextricably linked to the source that produced it. This separation of the original
sound from its source and its recording was first discussed by R. Murray Schaefer who conceived this condition of separation as a phenomenon called “Schizophonia”.
Following the operating mechanism of Schizophonia, a similar separation also occurs between the voice and the body: there is a partition of one from the other through the fragmentation and omnipresence of new media and technologies. The voice thus becomes an unknown, mysterious territory, a fluctuating and ethereal phenomenon.
There is a liberation of the voice from the signifying words, from metrical and grammatical structures of discourse through the destruction and fragmentation of the discourse itself, of the words themselves, preferring to the semantic aspect the sound aspect, which is full of expressive and communicative power. Indeed, properties such as voice modulation, tonality, expressiveness, quality, vocabulary, cadence, rhythm, accente, volume etcetera carry a subtext of cultural meanings that are lost with the written text, which is marginalised, as opposed to the evanescence of the voice.
All this provokes an emotional response different from the meaning of the words themselves. Hence, the audio is the text, a sound text in which words act together with sounds and silences creating a dramaturgy of voices without a body.
On the basis of this, I like to think this work can increase and extend the awareness of having a voice, physically and metaphorically speaking, and using it in the most diverse and unconventional ways to explore hidden or seemingly meaningless cultural levels.

A Po(i)etics Of The Disembodied Voice (2021)

Pacing the Platform 18 w/ upsammy on NTS (15.06.23)

Drawbridge can be understand as a portal you can use for escaping from the known world to a wonderful place where music and magic are one and only beautiful entity.

A magic world hybridating genres and crossing borders of words used to describe music. 

As his new EP comin’ soon here on Electric Shapes, this mix is a journey threw a magical forest with tribes of bass lines fighting with soundscape wizzard.

Have a nice fly on Drawbridge Treelines.

Follow artist - https://soundcloud.com/pont-levis

257⚡Drawbridge

Sound artist, live performer, DJ and independent researcher in sonic and media cultures.

Bookings: pascal@stayservice.de

A Po(i)etics Of The Disembodied Voice (2021)

Katatonic Silentio

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