🍄🪐Floating Points Turntable🪐🍄

Zevolution # 1 - Ze Edits Redux Album

A Day Like Today (Todd Terje « Friendly Children » Edit)

Oliver Coates cover of Bryce Hackford's Another Fantasy. all played on Cello

Oliver Coates - Another Fantasy (Bryce Hackford)

Installation

LAZULI - ZERO

Freedom 2

A "Mystic Jungle Tribe" Production.
Early Sounds 2015.

[EAS009] The Mystic Jungle Tribe - "Sølaria LP"

DJ Spaqz - Jambo

excerpts from a live solo performance on piano and keyboard at First Presbyterian Church May 21, 2016 at Moogfest

photo by Rick Bahto

nice review/photo of the show and other Moogfest shows here: http://www.radioutd.com/blog/2016/06/moogfest-2016/

Moogfest 2016 solo performance

Golden Teacher's debut album 'No Luscious Life' available for pre-order now here: http://smarturl.it/gtnll

No Luscious Life

Sauchiehall Withdrawal

2004
#SOULR015
R.I.P  https://soundcloud.com/marcusintalex
Info / buy vinyl: https://www.discogs.com/Marcus-Intalex-Zumbar-Temperance/release/312603
Buy digital: https://www.junodownload.com/products/marcus-intalex-zumbar/2521037-02/?track_number=2

Marcus Intalex - Temperance

BEN SHEMIE "A Skeleton" (LP/DL)
Release date: 15th February 2019

Cat.#: HITD 045
All songs written & Produced by Ben Shemie
Recorded & Mixed by Dave Smith @ Breakglass Studio Montreal
Mastered by Ryan Morey
Artwork by Marie-Douce St-Jacques, Layout by Marie Tourigny

www.handsinthedarkrecords.com
www.handsinthedarkrecords.bandcamp.com

BEN SHEMIE - A Skeleton

Taken from 'Fools - Fools' Harp Vol. 1' (MFM047)
Buy Vinyl: www.musicfrommemory.com
Buy Digital: https://music-from-memory.bandcamp.com/
© 2020 Music From Memory

Fools' Harp Vol. 1

A3. Fools - Aeg Old (4:49)

Room For The Moon

If Anyone's Sleepy

Ça Commence Par

для FOR

дуб OAK

For our 25th release, we'll be revisiting the work of singular Japanese musician Minoru ‘Hoodoo’ Fushimi. In 1983, a young Minoru was working from his home studio in Japan’s Kanagawa prefecture and determined his first release would be an ode to Japan’s musical heritage. Minoru had noticed the younger generation become increasingly disillusioned with traditional Enka songs and decided to breathe new life into the sentimental ballads of old. The multi-talented artist laid down the beat using a TR-606 and played all the additional instruments himself. 

The resulting tracks are two mutations from the energetic style of the originals into much darker and abstract versions, albeit managing to maintain the passion and spirit of the Enka genre. Minoru utilised a number of vocal distortions to honour the original vibrato singing style, executing the tracks in a way that was more of a mesh between early punk squelching of the late 70’s and Troutman’s funk-fuelled voice-box of the early 80’s. In true Minoru style, his vision overshadowed the accessibility and ironically the tracks fell short of their appeal to the younger generation he was aiming to inspire, yet resulted in two timeless renditions.

дуб OAK

Kate NV

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