In the Clouds
Composed, performed and recorded by Karen Biehl.
www.soundcloud.com/karen-biehl/
open.spotify.com/artist/2eOvgM62uNUfdbjKaxp1X4
maestramusic.bandcamp.com/
www.youtube.com/@MaestraMusic24
music.apple.com/us/artist/karen-biehl/1071174846

in the Clouds

Downloads

In The Clouds - Ambient PIano Version

Time Moving Slowly. Piano Music by Kathryn Kaye
https://open.spotify.com/artist/5ksBiODrA8xFchQT3AxVG2
https://www.kathrynkaye-music.com/

Dreaming Still

Time Moving Slowly

Spotify

Lisa Linsky is a contemporary solo pianist and composer as well as a voting member of The Recording Academy

Her original heart-felt solo piano compositions are a form of “musical storytelling.” Lisa’s music is a regular favorite on iTunes, Pandora, YouTube and most music streaming platforms. Lisa performs internationally, both publicly and privately. 

Lisa’s debut album, entitled "Sanctuary “ was awarded the prestigious Parents Choice Award for its calming effect on children.

“Lisa Linsky is a pianist who is truly in touch with her musical muse. “ Steve Sheppard, One World Music Radio

"Lisa is obviously a very accomplished pianist, but it is the depth of her heartfelt music that will draw you in and make you want to keep listening.
~ Kathy Parsons, Mainly Piano (mainlypiano.com) 

“Desert Darkness is a solo piano piece that I composed when I was seventeen years old. It was 1973, when Israel was attacked on the holy day of Yom Kippur. When composing “Desert Darkness," I attempted to describe the  sense of isolation, danger, despair, sadness, longing and devastations of senseless war. 

Music has the power to express and evoke a wide range of our emotions, in this piece I tried to capture the darkness and heartbreak of innocent lives lost. 

It is through music that we endeavor to have a deeper understanding and empathy for the experiences of others, even if we haven't directly experienced those situations ourselves.” -Lisa Linsky . 

https://lisalinsky.com/

Desert Darkness

Website

Like shells plucked from the seashore and tucked into my pocket as souvenirs from a magical day at the beach, these pieces evoke memories of some of the beautiful islands and coastal cities I have had the pleasure of visiting.
#SCFirst
🎼 music.apple.com/us/artist/pam-asberry/1288877945
🎼 open.spotify.com/artist/4mP4jktK0i9pyxEdQCTvH9
🎼 www.youtube.com/pamasberry
🎼 music.apple.com/us/artist/pam-asberry/1288877945

Seashells In My Pocket

Sleepy Tide

The Path. Solo piano from the album Touching.
Composed and performed by Mark Pinkus
pianomusicradio.com/mark-pinkus
open.spotify.com/artist/7E2fofV9Ncu0aqfC4ywkRy
music.apple.com/gb/artist/mark-pinkus/4613171
@markpinkus

Touching

The Path

Mark on SoundCloud

The Path | Mark Pinkus | Solo Piano

Solo piano by Lisa Swerdlow. Yuba River Journey
© Lisa Swerdlow Music 2019
♫ lisaswerdlowpiano.com/
#SCFIRST

Voyager

Yuba River Journey

Signature Synchronicity by Fiona Joy
A New Age  'exploration into possibility'
Produced by Will Ackerman (Founder Windham Hill Records), Tom Eaton & James Englund on a 97 key Aussie made Stuart & Sons piano

Signature Synchronicity


Little Star

Piano and Violin
Interwoven Threads Of Chancet (Reimagined)· Fiona Joy Hawkins · Rebecca Daniel
℗ 2021 Little Hartley Music
Released on: 2021-06-01

littlehartleymusic.com.au/

Finding The Way Out (Reimagined)

Interwoven Threads Of Chance (Reimagined)

Interwoven Threads Of Chance (Reimagined) | Fiona Joy Hawkins & Rebecca Daniel

ANGELS' DANCE is just one of the many stories I have to tell through my piano. I invite you to join me on this musical journey and discover the magic and beauty that can be found in the melodies of my album ANGELS AMONG US.

Each song is inspired by different experiences and moments in my life. "ANGELS' DANCE" holds a special place in my heart as it represents the joy and beauty of dancing with the angels. It is a celebration of the spiritual connections and guidance that I have felt throughout my life.

Playing the piano has always been a way for me to express myself and connect with others. Despite my hearing impairment, music has been a powerful tool for me to communicate and share my stories. Through my compositions, I hope to evoke emotions and create a sense of connection with listeners.

The process of creating ANGELS AMONG US was a calling.

I am grateful for the opportunity to share my music with the world, and I hope that my compositions touch the hearts of those who listen. It is my belief that there are Angels among us, guiding and inspiring us in our everyday lives. Through my music, I hope to capture the essence of these Angelic encounters and share them with the world.

Angel's Dance

Angels Dance

New track from Bill Whitfield on solo piano. Presence
Spotify: open.spotify.com/artist/2vsmftXvzst7kEEK4sUWeg
billwhitfieldmusic.com/
www.youtube.com/channel/UC9H4qLZPpBQ3Pgi8n_rOBuA

Presence

I’ve always been fascinated by sunlight filtered through leaves or bare branches, the play of light and shade in clouds and high mountains, and shadows on a rock wall or on a narrow path winding through the woods.

This song, from the album of the same name, has contributions from Jill Haley (English horn), Gus Sebring (French horn), and Tom Eaton plays bass.

CD Baby

Patterns Of Sun And Shade

Kathryn Kaye grew up in the Appalachian Mountains of southeast Kentucky. She began playing piano at the age of four, and music became an essential part of her life. She majored in voice and keyboard in college, then moved to Germany to further her training. Before and during her time in Germany, Kathryn performed professionally as a folk singer and soprano soloist in concerts, recitals, and operas, and she has been a soloist on TV in both Germany and the United States.

As a composer, Kathryn has been influenced by the simple harmonies of the folksongs and hymns that she heard, sang, and played as a child, by her years of experience with classical music, and by the beauty of the Rocky Mountains where she now lives. Her music ranges from compositions with strong, emotional melodies through more contemporary, meditative, instrumental pieces.

Kathryn has composed both instrumental and lyrical music for a wide range of genres, including solo piano, jazz, New Age, classical, country, and folk.

Her first CD, Dreaming Still, was released in January 2011. The album, which was recorded and produced by Will Ackerman at Imaginary Road Studios in Windham County Vermont, was #1 on the Zone Music Reporter Top 100 music chart for the first two months following its release. It finished the year ranked #2 of over 2300 CDs, and Kathryn garnered nominations for Best Album, Best Instrumental Album, and Best New Artist for 2011. 

Kathryn continues to work with Will Ackerman and several other outstanding musicians, including Tony Levin (bass), Eugene Friesen (cello), Tony Bisharat (violin), Jill Haley (English horn), Jeff Haynes (percussion), and Gus Sebring (French horn). Heavy as a Feather and What the Winter Said, her next two albums, reached #2 and #1 on the chart. Heavy as a Feather was nominated Best Instrumental Piano Album of 2012, and What the Winter Said won Best Holiday Album for 2013. Her fourth album, Patterns of Sun and Shade, released January 1, 2015, opened on the ZMR Chart at Number 1, and at the end of 2015 it ranked Number 5 out of over 2,100 albums tracked by ZMR. Her fifth album, There Was a Time, is set for release on February 1, 2016.

Patterns Of Sun And Shade

Kathryn Kaye

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