Tobi's Fresh Net Favs 2021

KMT KI Media 2025 (08.08.2025)
Album Nr. 129 "Ungebrochen by KMT" - Style: Electro, Pop, Synthwave | Tracks: 30 (ai generated)
Lyrik: Deutsch

Theme: Dieses Album erforscht die dunklen Tiefen des Mobbings, umrahmt aber gleichzeitig die Möglichkeiten der Heilung und des Wiederaufbaus einer unzerbrochenen Identität.

Track 01: Schatten der Angst
Synthwave, Dark Electro, Deutsch

Track 03: Mauern aus Schweigen
synthwave, electro-pop, Deutsch

Track 05: Spiegelbilder
synthwave, darkwave, deutsch

Track 07: Narben der Seele
Electro/Industrial, Deutsch

Track 09: Licht in der Dunkelheit
synthwave, electro-pop, deutsch

Track 11: Zerbrochene Spiegel
Dark Synthwave, Deutsch

Track 13: Unsichtbare Ketten
electro-industrial, industrial, Deutsch

Track 15: Echo der Scham
synth-pop, Deutsch

Track 17: Maskenball
Retro-Synth, Deutsch

Track 19: Scherbenhaufen
dark electro, industrial, experimental

Track 21: Gegen den Sturm
synthwave, electronic, uplifting

Track 23: Brücken Bauen
electro-pop, pop

Track 25: Stärker als die Angst
Anthem Synth, Deutsch

Track 27: Farben der Wahrheit
synthwave, Deutsch

Track 29: Neuanfang
Hopeful Electro, Deutsch

If you would like to use my music commercially, please contact me. No financial income may be derived from my music without my permission. My music is free for private use. However, it would be appreciated if you would credit me (Kurt Michael Treichl).

Thank you very much for your time and ear. Enjoy the your journey through my artificially generated music paradise.

© Album cover and music generated with AI by Kurt Michael Treichl

Best Regards,
Kurt Michael Treichl (KMT KI Media) - Austria / Salzburg

Visit me at
https://www.mystic-arts.com
https://www.ai-music.at
https://www.kmt.zone

30 Neuanfang v2

Lyrics

I fall back into my teens
Whenever I get close but

You don’t feel like home
To me anymore
You don’t feel like home
But you did once and if time stood still

I’d wait for hours for a glimpse of those child like chills
But all the things i’ve said move further from my mouth

You don’t feel like home
To me anymore
You don’t feel like home
When I fall backwards

You’re no more than births and funerals
You’re no more than all I’ve been
Where there once was grudge there’s now peace and a sense of end
I’ll mourn your gradual death but cherish every breath

You don’t feel like home
To me anymore
You don’t feel like home
When I fall backwards
You don’t feel like home
To me any more
You don’t feel like home
But you did once

You Don't Feel Like Home

Forsaken

John Springer - Guitar & Bass & Drums
Paul Janszen - Mixing & Mastering
Mike Walker - Lyrics & Vocals 

A Sonic Porn Re-mix

Covid A - Sonic Porn Remix

https://soundcloud.com/tengos-trail/sealed-off

Sealed Off - Tengo's Trail - Sunday Jam-Collab

Beat and lyrics written performed and produced by Codex Scrolls for C.rap productions 2020

If Only. Free download

Nigel Lloyd's Album

Download

Dark

A track from "Haunted Houses" album. Released by Laverna label. Digital copy is available for free download here: http://www.laverna.net/releases/Lav85.html

Composed, recorded and mixed by Alessandro Barbanera (march - july 2020)
Mastered by Francis M. Gri

"Haunted Houses" is a collection of seven tracks in slow, melancholy, dreamlike, nocturnal mood. It's a work made of waiting, of grainy sounds and silences full of rustles. It's a work talking about isolation, either in a physical and mental space; which talks about full spaces and empty or restricted spaces, of presences and absences, of memory and hope, of distances, of houses and rooms. Rooms innervated with restlessness and waiting (the opening track "Sleepless"). Houses where memories crowd, layered memories that coexist with the present (the title-track "Haunted Houses" is a short electroacoustic study on perception: indistinct, evanescent sounds, old pianos in the distance, confused and ectoplasmic voices, furniture that moves from the floor above, sighs...). And then there are presences such as those of literary characters, which can come to life in the mind while reading ("The death of Joe Christmas" is inspired by the restless and controversial character narrated by William Faulkner in "Light in August"). 
Even absences find space in the album, manifesting themselves in their impalpable distance (the piece "In Absence"), as memories of a past that has no place in the present. Then the rooms can become places overloaded with pain (the track "Torture Room"), where this suffering and effort can take an expiatory, spiritual, meditative form. And after all this inner torment, even isolation can turn into an opportunity for reflection, "redemption" and sincere change: the final tracks "Pure" and "Endless" try to capture this renewed spirit, following a strongly emotional path. “Endless” closes the circle, but it can also reopen it. 

"Haunted Houses" was made with guitars, contact microphones, an old cassette recorder, field recordings, dusty and grainy lo-fi sounds, found objects, recordings of streets at night, sounds of a carpentry workshop, slowed sounds, manipulation of loops of classical music taken from the radio. Every detail, every sound has been carved and polished day after day, chiseled and positioned with care and devotion, in a work of "sound craftsmanship".

Haunted Houses

Sleepless

It is a very melancholy waltz for solo piano, one of my very first original compositions.
It is quite suited for a soundtrack I think.
Hope you enjoy it.

A Nostalgic Waltz for solo piano.

while looking at everything

Ave Life

Helly Hansen 4

Bass and drums drive this rock song.Synths and guitars add colour and harmony. Topped off with lead vocal and harmonies.

(Is There?) A Noise In Your Head

I Still See You

Lukewarm Lover (Clean Radio Edit)

Lukewarm Lover (Clean Radio Edit) (Mastered)

Pivotal Orbit

Look what happened when Rope Store got back in the studio in 2020.

Because 2020's been a very 'different' year, this is a very different Rope Store!

Written, played & sung by Jason & Gemma.

Recorded, mixed & mastered at The Crunch, UK.

Isabella

Two brothers versus the machines. Clusters of Eyes debuted at Smugglers Festival 2018 and have since been inhabiting coastal Kent’s subterranean network of tunnels, honing their set of gritty electronica and robot-rock.

This latest track features guest vocals from Troy of punk/hardcore band The Long Knives.

Imagery of a dystopian post-Covid, post-Brexit landscape is set to an irrepressible groove - inspired in equal parts by The Fall’s ‘Blindness’ and Death In Vegas’ ‘Aisha’.

Watch the video here: https://youtu.be/QaII3ePbDtc

This Is Transformation (feat. Troy)

WEB SITE: https://www.katiekittermaster.com

Katie Kittermaster articulates the melancholy of young adulthood with a unique warmth, wit and clarity. On her 2019 EP Coming Home At Dawn, she parcels up her song writing craft in the humblest of sonic spaces, leaning predominantly on guitar and voice.

Opening for the likes of Jools Holland, Olly Murs and Ronan Keating and touring with Lucy Spraggan, and Boyzlife (Brian McFadden and Keith Duffy) over the course of the past two years has made it abundantly clear for Katie that crowds really homed in on her honest, conversational songs. As her words were sung back to her manifold, she was compelled to explore the potential of her music a little deeper.

New single ‘One Of A Kind’ introduces a more condensed, pop-focused direction for Katie, without sacrificing the down-to-earth magnetism that marked her previous material. The song holds the looking glass under a long-term relationship in your teens and the quandary of knowing you need to let go.

“It’s something a lot of people can hopefully relate to”, Katie comments. “Because there are so many songs about being heartbroken, but the other side of the break-up is rarely spoken about. For me, song-writing is almost like writing a journal and sometimes it takes writing a song to work out how I am feeling.  Writing 'One of a Kind' made me realise that the shoe being on the other foot can be equally as upsetting, as you never want to hurt somebody that you care about."

Katie reveals that the coming material she’ll release will not only explore different types of relationships but expand sonically into the realms of floor-filling, widescreen pop. ‘She Should Be Here’ is essentially written as a spiritual successor to ‘You Needed Me’ off her previous EP, written from an individual with slightly more miles on her soul. “It’s about being on a night out with my friends, trying to have a good time but being unable to escape the constant memories of a friend who should be there with me; someone who wasn't part of my life for a while.”

Homing in on specific situations like waiting for the taxi and going to the kebab shop creates a vivid image and one that many will be able to relate to. Sonically, the song is heavily inspired by Robyn, combining a supple dance floor sensibility with wistful lyrics. Katie even makes a cheeky reference to Sophie Ellis-Bextor’s iconic hit ‘Murder On The Dancefloor’.

All in all, in her new songs, Katie Kittermaster dares herself to ask the harder questions, albeit juxtaposing them with the immediacy of contemporary pop. This alliance helped expand her vocabulary to bright new levels. ‘The Problem’ marks this stylistic shift most cogently. “It was the night before I was flying to LA for a writing session and I was feeling the pressure of working with seasoned writers and hit makers.”  Katie channelled all that nervous energy to pen ‘The Problem’. “I think I’ve become a worrier this year. With more pressure put on you or you put on yourself, you feel a responsibility to deliver. There are obviously things in everyone’s life that go wrong: friendships that fall apart, relationships that don’t turn out the way you wanted them to. "The Problem' is a reflection on these sorts of things that happen when you grow up; ‘What if I was the problem? What if this is all my fault?'" 

Instead of spiralling down in resignation, the song bursts at the seams with vigour. "Sonically, ‘The Problem’ is very upbeat. I think the song personifies who I am; I am perceived as lively, chatty and bubbly but there is a lot more beneath the surface. On the first listen, that’s probably what ‘The Problem’ sounds like, but if you listen a bit deeper, you’ll realise there is more to this song

Powerfully uncool electronic pop grooves for sarcastic introverts.
Working the Recovery Chronic Depression/Anxiety
Trekkie 🖖

Lukewarm Lover (Clean Radio Edit) (Mastered)

Katie Kittermaster

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