Name: Ayer La Vi by Katipiyan
Duration: 2 min 19 s
Description: Lo más feliz y relajante que he hecho :D

smooth vibes on this beat. nice bass too [via https://sc.repostexchange.com]

i like this, kinda sound like 90's boom bap

Really nice track! Keep up the good work man

“The Phone Recordings” Life Is Strange but whenever we come together and HoldHandz we understand we are all human. 

HoldHandz Featuring Michael Watson￼ & Eyeday  

We Free-styled This And Dropped It The Same Day phone recorded just for you. May this heal are heartz. 

“Placed on Top 40 Re-Ex charts under Best of the Rest at #27”

“Placed on Top 40 Re-Ex charts under Pop/Rock at #7” 

“Was placed over all genres on Top 40 charts at #40 on the Re-Ex charts”

“AVAILABLE TO DOWNLOAD”

“Acoustic and electric guitar live phone recording”

“This is a phone recorded album”

“The Phone Recordings”

“Cover Art by HAZPAIN”

HoldHandz “Live Audition” To Ukraine & Russian

Artwork based on photography by Lance Grandahl

RED VELVET

Now hear this 
And now this 
The truth is a 
Double edged sword 

And when it comes back to you 
you’ll see 
It’s not what you expected 

And when it comes back to you 
you’ll see 
You don’t even know if it’s 
What you wanted in the first place 

But a belief
Is a flexible thing at times 
Depends on the situation 
Depends on the information 
Depends on the motivation 
What’s coming through 
all the senses 

The truth is 
A double edged sword 

And when it comes back to you 
you’ll see 
It’s not what you expected  

And when it comes back to you 
you’ll see 
You don’t even know if it’s 
What you wanted in the first place

Truthsenser

Written: 2022-23
Duration: 30'
for piano trio (violin, cello, and piano) and orchestra (2-2-2-2 / 4-2-3-1 / 3 percussion, timpani, strings)
Commissioned by Neave Trio
World Premiere: Mostly Modern Orchestra with Neave Trio, JoAnn Falletta, conductor, Mostly Modern Festival, Arthur Zankel Music Center, Helen Filene Ladd Concert Hall, Skidmore College, Saratoga Springs, NY, June 17, 2023.
Publisher: Bill Holab Music

As we live through a sixth mass extinction, it is not difficult to question whether we can act as good stewards of our earth. While I often feel a sense of despair — how could we have messed this up so badly? — my thoughts are often, perhaps irrationally, tempered by a sense of optimism. Maybe we can fix this, or at least that’s what I tell myself. Triple Concerto is essentially an exploration of these emotions. As a scenic point of departure, the entire work also uses three types of geographical regions as inspiration.

Triple Concerto is structured a bit differently than a traditional concerto. An introduction and three larger movements are interspersed with three small trio-centric movements that loosely function as either a prelude, interlude, or cadenza. These three smaller movements also exist as a stand-alone version for the piano trio that may be performed as a sort of “teaser” for the concerto on a chamber music concert.

The first movement, Introduction, loosely evokes a sunrise. Toward the end of the movement, bird song melodies from around the world are incorporated and performed by the winds. This leads to a movement entitled Chorale Prelude, focusing on the piano trio, leading to a joyful third movement, Bright Pastorale, filled with bright, sunlit bell-like chords and sounds reminiscent of birdsong. Moments of despair begin to appear as the movement progresses. The movement ends darkly, like an overcast sky before a storm. The fourth movement, Interlude, echoes the beginning, focusing on the trio once again and evoking a sense of longing, the sound of a more innocent time. Tundra, the fifth movement, is cold, dark, and bleak but with swaths of color. A sense of sadness and loneliness permeates this movement, at times represented by various mournful effects such as bent notes created by dipping tubular bells in water and glissandi in the strings and brass.

After the fifth movement, the trio performs a virtuosic Cadenza, full of grief and rage but with signs of hope. This leads to the final movement, entitled Summit. Ascending lines suggest climbing a mountain, both literally and figuratively. After a brief climax, eleven bell-like chords sound one after the other, symbolizing the chimes of the Doomsday Clock. The winds perform birdsong once again, perhaps of songbirds that may soon become endangered or even extinct. In a nod to Haydn’s Symphony No. 45 (his “Farewell Symphony”), the players leave the stage one by one until all that is left are the trio and conductor.

Triple Concerto was commissioned by the Neave Trio and premiered by the trio and Mostly Modern Orchestra, JoAnn Falletta, conductor, at Mostly Modern Festival in Saratoga Springs, NY.

– RP

Movements:
I. Introduction
II. Chorale Prelude
III. Bright Pastorale
IV. Interlude
V. Tundra
VI. Cadenza
VII. Summit

Triple Concerto, "Summit" for Piano Trio and Orchestra (World Premiere)

Audio Music Library for Videos – FREE DOWNLOAD!

***
Track name: Fun Adventures in Paris
Music by Michael Herter
Free Download: https://bnd.link/sibviolin
Video: 

Embark on a lively journey through the streets of the capital of France with "Fun Adventures in Paris", a delightful music track in the style of Vladimir Kosma and French comedy music. Featuring enchanting accordion melodies, grooving double bass, jovial tuba, playful clarinet and energetic percussion. Perfect for film, television, advertising and more. 

d-moll; 4/4; 115 bpm

► Support my Creativity: https://bnd.link/sibviolin

___
Stay tuned as more tracks will be released in the coming weeks and months.

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Thanks For Listening!

Fun Adventures in Paris

Fun Adventures In Paris

It was difficult for me to write and publish my feelings. I'd rather not look you in the eye. But I raised my head and look at you. That's what came out of it.

The Joker

Art can be influential anytime of the week! 
Only Creatives Can Relate 🏁🖕🏾

Buy This Beat At Headliningthefuture.com

So Influenced (instrumental)

FUCK UP

Comming Throw (dl)

Lo más feliz y relajante que he hecho :D

Insomnio en Santiago

Ayer La Vi

Grand Prize: Anthony St. Juan: vocals, mixing Twan J.: engineering, production. From the album 12 Track Mind.

Just Like An Angel

Me gusta el lofi, los 90's, el boombap, el buen trap, música experimental, y todo lo que conecte conmigo.

I like lofi, the 90's, boombap, good trap sh*t, experimental stuff, and everything that vibes with me.


1LP: lofi, Jazzrap, Blues, Hip Hop, Boombap, Internet, Videogames, ValsTrap/R&B, Salsa Trap
             XX/XX/2023


2LP: ??



3LP: ???



4LP:????




@katipiyan



Contacto/Contact: katipiyan@gmail.com








2017:
Exponente de lofi hip hop chileno, y demás estilos relacionados con el hip hop


Chilean lofi hip hop exponent, and other styles related to hip hop

Ayer La Vi

Katipiyan

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