Name: 06_Touchdown (the world)(prod by. Edwin Armin).mp3 by BabyGrey007♏
Duration: 2 min 12 s
Description: whenever you touchdown, always remember to be grateful.💯❤️

You got the energy my g. keep working on getting comfortable with recording your lyrics so it can be a lil smoother & so you can work on your breathe work.. change it from classical to hip hop too.. wont get too much exposure for the track i feel [via https://sc.repostexchange.com]

Asciugati Quella Lacrima Che Accenna A Scendere Dal Tuo Viso

Walk With Me

whenever you touchdown, always remember to be grateful.💯❤️ 

06_Touchdown (the world)(prod by. Edwin Armin).mp3

"Fearcycle" from Takashi's Project I

Release date: 07-01-2023
__________

this barely starts*
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11/11 in track list

Listen to "Darkglow":
https://on.soundcloud.com/HgAUY
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- Social media(s):

Instagram: https://instagram.com/martingarcia_04?igshid=MzNlNGNkZWQ4Mg==


Fearcycle

Monumental

Where Do I Belong

Azzurro Come il Mare

Welcome to the howling whirlwind of 'Werewolf', Take Away Monday's latest track that redefines the landscape of contemporary rock. This track strikes a unique balance between emotive depth and vibrant energy, channeling the angst of 90s grunge and the unabashed vivacity of pop punk. Ignite your playlist with 'Werewolf', Take Away Monday's genre-defying hit. Let your audience revel in their masterful sound.

Werewolf - Single

Werewolf

BPM: 100
KEY: B min

🎵💰 Buy on BeatStars | 👉 https://bsta.rs/d2832d16a
🆓❌🎧 The free version of this beat is available for non-profit and evaluation purposes only

Contact: craftbeats357@gmail.com

Check out my other beats✨
👇👇👇
https://craftbeats.beatstars.com

Seductive R&B Type Beat | Stay With Me

this music is inspired by the stories of H.P. Lovercraft

Echoes

rockon2016

tune-d

Electric Lines for Orchestra, music by Robert Paterson
Duration ca. 9'
Winner of the Lousiville Orchestra Composition Competition
Performances by Minnesota Orchestra, American Composers Orchestra
Publisher: Bill Holab Music: http://www.billholabmusic.com/store/index.php?main_page=product_info&products_id=932
For More Information: https://robertpaterson.com/electric-lines

PROGRAM NOTES
In past summers I have taken long trips across America from New York to Colorado. Driving along the highways, there are endless fields, infrequently dotted with farms and farm machinery. Contrasting the farmland's somewhat natural splendor, there are thousands of miles of electric lines—ubiquitous and perhaps even unsightly, yet somehow blending in with the scenery.

What I find most dramatic about many of these electric lines—other than their gargantuan size—is the realization that day after day, a dizzying amount of information travels through them and across great distances: billions of pieces of information are packed inside these powerful cables. In Electric Lines, my goal is to take the audience on a sonic roller coaster ride: I want the audience to feel tremendous energy and power and the thrill of instantaneously sending and receiving information at light speed.

Although electric lines inspire this work, there is nothing technically "electrical" about it: there are no synthesizers or electrical instruments used, with the exception of the vibraphone. The electric qualities in many sections are highlighted by tense string trills, long, powerful melodic lines and by giving many of the players energetic, concerto-like parts. I also try to make the melodic lines sound charged and electric by enhancing them with various types of orchestral accents and by pairing different instruments using parallel or almost parallel lines at close intervals.

A few of the sections and transitions in Electric Lines are modeled after the physical characteristics of the cables and power line towers. Many of the musical lines occur in groups of two’s and three’s; some of them dip and swoop like power cables, while others are electric rod straight, but tense and electrified. There are also occasional anvil-accented "power chords" that act as markers to delineate certain sections.

Even though Electric Lines might seem to have industrial underpinnings and allusions to mechanics, I am not trying to align myself with the early twentieth century Italian Futurists: it is more the present than the past that I am thinking of in this work.

Electric Lines (for Orchestra)

ARTISTIC_STRATEGIST. ❤️
daOriginal NamelessGrey007.
"iss Your Boy BabyGrey"
MUSICAL ARTIST.
Recording Artist.
iamHip-hop.
#Blacklivesmatter.
Conscious trap/Afro pop/trapsoul.💯
OWN BOSS, Independent ya' heard.😎
Water_Born_Sign. ♏💦
for more info Contact:0817307004
or email:katlegonelson95@gmail.com

06_Touchdown (the world)(prod by. Edwin Armin).mp3

BabyGrey007♏

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