Luminescence

Etude No. 4 in F-Sharp Major, Op. 42

Rachmaninoff: Piano Masterpieces

Moments musicaux, Op. 16: No. 1 in B-Flat Minor

The C major prelude PLUS the fugue that immediately follows it. Version date: 2025-08-17

BACH: Prelude and Fugue 1 in C major, BWV 846 (BOOK 1)

:)
https://youtu.be/mhiXQXrvMyk?si=NUz2n5X2YLcQEfvR

ed sheeran - tenerife sea (lovely piano)

The past, the future? None of this is "present", it is all an illusion. We, or some of us base the present from our past, even being captured by it. Somehow, the future, although it doesn't even exist takes shape on our own thoughts, of what ifs? When in fact the only thing that we know that we don't know is that... the only variable, or variables are that the future is now. the present is erased. Or so we hope? 

for you Meem, my enchanted dream. Always. Yours 


Sir DFALOT :)

unfolding

Immerse yourself in the reflective beauty of 'Hourglass,' a captivating instrumental track that weaves a narrative of time and emotion. Featuring a delicate piano melody supported by lush orchestral strings, this piece is perfect for deep thought, cinematic moments, or as a calming backdrop. Experience its evolving soundscape, ideal for content creators seeking evocative No Copyright Music.


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Hourglass

My performance of the first movement of Beethoven's 14th piano sonata - the Moonlight sonata...

Beethoven - Moonlight Sonata - 1st Movement

Best Classical Music with Guitar - The Most Relaxing Classical Music, Vol. 3

J.K.Mertz: Romanza

Erleben Sie gepflegte Unterhaltungsmusik, charmant präsentiert und auf höchstem Niveau. Ob zum Tee, Kaffee oder Wein, zum fünfgängigen Menü, zum Tanz oder einfach zum Zuhören: Lassen Sie sich entführen in die Zeit der glänzenden Kristalllüster und Samtsofas!

www.artdecotrio.de

Frühlingsstimmen Walzer (Johann Strauß, op.410) - Einer der schönsten großen Wiener Walzer

22:22

↓↓↓ بالعربي  ↓↓↓
Fourty Five? Why Fourty Five? 
This piece came to life one evening after a long time away from my piano, after a while of feeling restless and lacking any sort of motivation or inspiration to write/compose. Anytime I would attempt to play anything my fingers would direct me to the same 2 notes, and so the challenge began. The first part of this piece represents my unlimited thoughts where my right hand has the freedom, meanwhile my left hand plays the same 2 notes maintaining order and structure. Gradually my left hand switches roles with my right hand allowing it to slowly make sense out of the overwhelming right hand thoughts. Beauty emerges through the chaos as my hands learn to make use of the overthinking and live in harmony... and so applies to life. Now where did Fourty Five come from you may ask... every key on the piano is assigned a number from 1 to 88, and the 2 notes this whole piece was created from are keys 40 & 45. Therefore I chose to call it FOURTY (Not Forty) Five as a way to highlight both keys. 

Dana 🖤

خمسة و أربعين؟ لماذا خمسة وأربعين؟
ظهرت هذه القطعة إلى الحياة في إحدى الأمسيات بعد فترة طويلة من الابتعاد عن البيانو الخاص بي ، بعد فترة من الشعور بالضيق والافتقار إلى أي نوع من الحافز أو الإلهام للكتابة / التأليف. في أي وقت كنت أحاول كتابة أي شيء وجهتني أصابعي إلى نفس المفتاحين ، وهكذا بدأ التحدي. يمثل الجزء الأول من هذه المقطوعة أفكاري اللامحدودة حيث تتمتع يدي اليمنى بالحرية ، بينما تلعب يدي اليسرى نفس المفتاحين للحفاظ على النظام والبنية. تدريجيًا تقوم يدي اليسرى بتبديل الأدوار مع يدي اليمنى مما يسمح لها بالتخلي عن أفكار اليد اليمنى الساحقة. يظهر الجمال من خلال الفوضى حيث تتعلم يداي الاستفادة من الإفراط في التفكير والعيش في وئام ... وهكذا ينطبق على الحياة. الآن أنت تسأل من أين أتت خمسة وأربعين ... يتم تخصيص رقم من 1 إلى 88 لكل مفتاح على البيانو ، والمفاتيح التي تم إنشاء هذه المقطوعة بأكملها منها هي المفاتيح 40 و 45. لذلك اخترت تسميتها خمسة وأربعين  كطريقة  لتمييز كلا المفتاحين.

🖤 دانة

Etude No. 4 in F-Sharp Major, Op. 42

Katya Kramer-Lapin

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