Mestre Antonio Carlos de Xangô - vocals.  Dih Neques - percussion.   Gloria de Iemanja da Xambá, Gizelda Maria de Xangô, Celia do Coco (Filha de Seu Manoel do Coco), Negra Dany - backing vocals.  

Recorded in Rio de Janeiro, Olinda and Porto Alegre. Vinyl mastered and cut by Frank Merit at The Carvery London, digital master by Krishnin at Blissonance, Paris, France. Graphic design by Senegambia. Models - Renata Batista & Luang Senegambia. 

À memória de Mestre Antonio Carlos de Xangô

Letras/Lyrics - Yoruba/Português/English

EXÚ O LODÊ (Dono da rua, Exu) -  Exú (spiritual entity, from the street, from outside)
EXÚ EXÚ O BARÁ LANÃ (Dono do caminho, rei do corpo, Exu) -  Exú (spiritual entity which belongs to the path)
6X

AMODIBAU EXÚ
BARÁ
LANÃ EXÚ 
BARÁ
EXÚ ADAGUE
BARÁ
EXÚ AGELÚ
BARÁ 
Mojúbà Èsù! (Reverencio ao Exu)
BARÁ  

Èsù abánà bánà Èsù abánàiyé - (Exu encontramos no caminho, surpreende no caminho, Exu encontramos nos caminhos do mundo) - Exu finds the way, surprises on the way, Exu finds the ways of the world
Èsù abánà bánà Èsù abánàiyé - (Exu encontramos no caminho, surpreende no caminho, Exu encontramos nos caminhos do mundo)- Exu finds the way, surprises on the way, Exu finds the ways of the world
2X

EUADEMI CHECHEMI - (Aos outros sempre fazemos uma estátua, ele é reverenciado, Exu encontramos no caminho criando) - To the others we always make a statue, We  meet Exu on the way while creating
EUADEMI CHECHEMIRÊ - (Aos outros sempre fazemos uma estátua, ele é reverenciado, Exu encontramos no caminho criando) - To the others we always make a statue, We  meet Exu on the way while creating
3X

EXÚ DA LANA FUÁ (Oh! Exu, abre o caminho me limpando, oh! Bará abre o caminho para os Orixás) - Oh, Exu, open the way while cleaning me, oh, Bará, open the path to the orixás
EXÚ DA LANA FUMALÉ - (Oh! Exu, abre o caminho me limpando, oh! Exu abre o caminho para os Orixás) - Oh, Exu, open the way while cleaning me, oh, Bará, open the path to the orixás
3X

E BARÁ EXÚ DEMÍ - (Exu cria abertura de caminho, faz a viagem que nós fazemos a oferenda) - Exu creates an opening in the way, makes the trip and we make an offering
EXÚ DEMÍ EXÚ DEMÍ LANÃ (Exu cria a abertura de caminho para a oferenda) - Exu creates an opening in the way for the offering
8X

Amor (É Revolução)

Buy at BandCamp

Axé para o Bará Featuring Mestre Antonio Carlos De Xangô

[BIOEDITS012] _ "Abre a mata, Oxóssi" (Kika Deeke Vocal Edit e Synth Edit) by Alessandra Leão  / Free Download | link na bio @biomarec 

O terceiro lançamento da nossa trilogia de EDITS da série "Salve a Mata” chegou! Com percussão e canto, a música "Abre a mata, Oxóssi" ganhou duas versões da nossa biomer Kika Deeke , sendo a primeira a versão "VOCAL EDIT" com uma pegada mais orgânica low bpm, e a segunda versão "SYNTH EDIT" com uma cara mais eletrônica para embalar aquela pistinha. A música original é da cantora, compositora, percussionista e produtora Alessandra Leão em parceria com Abuhl Jr fazendo parte de seu álbum "Macumbas e Catimbós", indicado ao Grammy Latino de Melhor Álbum de Música de Raízes em Língua Portuguesa, e também eleito um dos 25 melhores álbuns brasileiros do primeiro semestre de 2019 pela Associação Paulista de Críticos de Arte.

The third release of our "Salve a Mata" series EDITS trilogy is here! With percussion and singing, the song "Abre a mata, Oxóssi" won two versions by biomer Kika Deeke, the first version being "VOCAL EDIT" with a more organic low bpm footprint, and the second version "SYNTH EDIT" with a more electronics to pack that little track. The original music is by singer, songwriter, percussionist and producer Alessandra Leão in partnership with Abuhl Jr as part of her album "Macumbas" e Catimbós", nominated for a Latin Grammy for Best Album of Roots Music in Portuguese Language, and also elected a of the 25 best favorite albums of the first half of 2019 by the Paulista Association of Art Critics.

CAT NUMBER: BIOEDITS0012
Artist Producer EDIT: Kika Deeke
https://soundcloud.com/kikadeeke
Label: Bioma Rec
https://soundcloud.com/biomarec
Arte: EDUARDO MARTINS
https://www.instagram.com/eduardomartins____________
Mastering: Dallanoras
https://soundcloud.com/dallanoras

#BiomaRec #SalveaMata #AlessandraLeao #KikaDeeke #downtempo #electronic #BiomaRec #World #Brasilidade #Brazil #freedownload #soundcloud

Alessandra Leão - Abre A Mata, Oxóssi (Kika Deeke Vocal Edit)

Free Download

Mamãe Oxum - Lia de Itamaracá (remix)

Brazil 45, number 63 https://www.mrbongo.com/products/majo-as-sementes-os-impossiveis-dando-fora-7-vinyl

‘As Sementes’ is a mid tempo, funk-soul head nodder laden with percussion and soaring vocals and strings. Originally released in 1974 on Odeon. Major released one album and a handful of ‘compactos’ on Odeon and Som Livre.

‘Dando Fora’ is a mid-tempo samba-funk gem – a firm favourite for David in his DJ sets. Taken from their 'Edição Extra No. 2' LP released on Copacabana in 1972.

Majó – As Sementes

GPR001 - V.A. Miragem

❰♥❱ @gatha-prado

Miragem

Pavão Mysterioso

❯ Download & Stream ❮

Agrabah - Pavão Mysterioso (Tribute Edit Ednardo)

KFD008 – Maga Bo Apresenta Samba de Coco Raízes de Arcoverde

Release Date: January 30, 2018
Format: Digital
Label: Kafundó Records
Artist: Samba de Coco Raízes de Arcoverde
Catalog #: KFD008
Produced: Maga Bo
Mastering: Krishnin at Blissonance
Cover Art: Depoté
Cover Photo: Alfredo Portugal
Press Contact:  us@kafundorecords.com
Website:  www.kafundorecords.com

The latest Kafundó Records release is from one of the oldest running coco groups in Brazil, Samba de Coco Raízes de Arcoverde.  Building on decades of tradition, for this release they have taken a new path working with producer Maga Bo.  The results respect and preserve the original afro-brazilian rhythmic structure, while simultaneously introducing a new electronic pallette to their work.  Think folkloric, afro-brazilian vibes produced and mixed for big sound systems!

Based in Arcoverde in the semi-arid desert interior of Pernambuco, Samba de Coco Raízes de Arcoverde is a poetic portrait of regional northeastern Brazilian culture.  Formed in 1992 by Lula Calixto and the Lopes sisters, it was in 1996 when they managed to break out of the small town boundaries of Arcoverde and perform in other parts of Brasil as well as in Belgium, France and Italy.

A very special ingredient of Samba de Coco Raízes de Arcoverde comes from what they call the coco trupé, which consists of a rapid and strong dance step performed with wooden shoes on a wooden platform (fitted with piezo microphones) which adds a very loud and distinctive percussive element to their sound.  Xaxado and samba de roda are 2 other regional manifestations present in the music and dance of the group.  In addition to the percussive dance steps and strident vocal harmonies, the traditional instruments present in the group are triangle, surdo and pandeiro.  The simple and positive messages of the lyrics complement the frenetic coco rhythms.

Maga Bo became aware of Samba de Coco Raízes de Arcoverde after receiving a a track entitled “Afro-Brazilian awesomeness track 7” in an MP3 swap with fellow djs.  It was, indeed, afro-brazilian awesomeness and he began including the track in his sets, mixing and fusing it with dembow riddims which eventually evolved into a full blown remix.  The added low end support and international dancehall signifiers made it an immediate hit with global bass and Brazilian djs.  When asked to make a mixtape for Nike/Fader for the 2010 World Cup in South Africa, he sought out the group for permission to release the track.  The group ended up loving the remix – it was one of the only remixes that they had ever heard that brough a new sonic palette to the mix while still respecting and retaining the original rhythmic structure.  Finally, in 2012, a booking at Rec-Beat in Recife brought Maga Bo to Pernambuco where he was finally able to meet the group in person.  They agreed to try things out and record a few songs as an experiment.  This eventually turned into many trips to Arcoverde and a full album.

On this album, Maga Bo pushed them outside of their comfort zone to bring in new instruments, arrangements and sounds.  After noticing that some of the group members also played with a local maracatu group, he suggested that they bring some elements of maracatu to the album.  Initially met with skepticism and hesitation, eventually, the group warmed up to the idea and as the production of the album progressed, became more and more open to experimentation and innovation – the first time alfaias, caixas, timbaus, electronic dub fx and heavy sub bass have been included in their sound!

Recorded on a non-existent budget with a backpack worth of gear in an improvised studio over the course of several sessions in several years, this is an independent, guerilla project fueled and financed by air miles, the hospitality of others and the shear desire to see this project to fruition.

Buy at Bandcamp

Samba de Coco Raízes de Arcoverde - Andrelina

Projeto CCOMA apresenta Di Melo o Imorrível.
Do álbum PEREGRINO, com lançamento em 31 julho de 2012. 
Extracted from the album PEREGRINO. Release in July, 2012. 
Una canción del álbun PEREGRINO, com lanzamiento en  31 de julio de 2012.

Xangô é Rei (feat. Di Melo, O Imorrível)

Initiated into candomblé at 8 years of age as Ogã de Xangô, Léo Leobons has rhythm in his veins. Today, he is the most accomplished Brazilian authority on afro-cuban folklore, having contributed to the education of a whole generation of percussionists from Rio de Janeiro. He has worked with everyone from Maria Rita to Azymuth; from Nando Reis to Pedro Luís e a Parede; from Lucas Santtana and Ramiro Musotto to appearances with Tito Puente and Eddie Palmieri. His work appears in films, documentaries, radio programs and television in Brazil and around the world.

Full of rich collaborations with brilliant musicians from across the spectrum of current and traditional music in Brazil, his new album, “Ritual," brings all of his experience together into one cohesive whole, traversing and combining Afro-Brazilian and Afro-Cuban traditions into one seamless and organic package. 

“Ritual REMIXED” takes it one step further by passing the original material along to a crew of remixers who push, pull, warp and morph the ancestral rhythms into productions meant to be heard on large sound systems.

Ritual REMIXED

Caboclo (DJ Tahira Edit)

Kaô Kabecilê Xangô!

Original: Canto de Xangô - (Baden Powell) Fabiano do Nascimento - Cover
Mix & Master: Arthur Carneiro a.k.a. @ElPeche - @pauze-rec

<a href='https://theartistunion.com/tracks/2e394e'>Download for free on The Artist Union</a>

Canto de Xangô - Fabiano do Nascimento - (LZØ Edit)

Um dia eu sonhei com este ponto e, quando acordei, o lembrava quase inteiro. Peço licença ao Cacique para publicá-lo. Oke aro Kao!

Olha a cobra mole, mole
mexe, mexe, bole, bole
Olha a cobra mole, mole
mexe, remexe, bole, rebole

Vem chegando aqui agora
Mestre Cacique Cobra Coral
Seu cocar esconde a chuva
Seu bodoque atira o sol

Ele é o rei da mata
da bonança e do temporal
Vem chegando aqui, agora
Mestre Cacique Cobra Coral

Ponto para o Mestre Cacique Cobra Coral

Canto de Proteção

Download & Streaming

Luana Flores - Canto De Proteção

A space where the ancestors speak through modern and ancient technology, where the old, which is present and revered, helps shape, inform and guide the new.

Caboclo (DJ Tahira Edit)

Kaxambu Records

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