Inspirée de ses prédécesseures et précurseures Digital Zandoli, Digital Kabar ou encore Digital Indigenous, Digital Ngoma est née de la volonté du festival Kayamba d’agir pour la préservation du patrimoine de Mayotte à travers l’utilisation d’outils novateurs pour cette île de l'océan Indien. Le second volet de cette compilation de musiques électroniques 100 % made in Mayotte est le fruit de l'engouement artistique autour des traditions musicales de l'île et de tout le travail pour offrir à Mayotte et à sa culture un regard nouveau ainsi qu’une visibilité à travers les musiques électroniques, en pleine conscience des enjeux culturels qui se jouent à l’heure de l'uniformisation musicale.

Inspired by its predecessors and precursors Digital Zandoli, Digital Kabar and Digital Indigenous, Digital Ngoma was born of the Kayamba festival's desire to help preserve Mayotte's heritage through the use of innovative tools for this Indian Ocean island. The second part of this compilation of electronic music 100% made in Mayotte is the fruit of the artistic craze around the island's musical traditions and of all the work done to give Mayotte and its culture a fresh look and visibility through electronic music, in full awareness of the cultural issues at stake at a time of musical standardisation.

Praktika - Golgoth

A release by Love In The Endz

LITE has long sought to spotlight the cultural catalysts who shape music movements — those who connect
sounds, artists, and scenes. This new series is a tribute to them.

With this first volume, Anaco highlights the deep connections between two major hubs of European electronic music: Spain and France — two countries close to her heart, as she embodies both cultures.

Bringing together 10 tracks from 12 artists, this compilation showcases diverse interpretations of club music & redefines what shapes the club sound today. It highlights the influence of artists from Latin America, North Africa, and the French overseas territories, who are essential to the evolution of today’s European club scene.

The proceeds from this compilation will be fully donated to OST – Organisation de Solidarité Trans, an association that advocates for the rights, protection, and well-being of trans and non-binary people, providing essential support in the face of systemic discrimination and violence in an increasingly hostile global context.

Produced & Mixed by Anaco
Mastered by LOELASH

Artwork by Jonjo & Blue Canariñho
Visuals by Jonjo

Curated by Anaco
Coordinated by Daviaa 

Label - Love In The Endz 
Catalog - LITE031
loveintheendz.com

Anaco - Give me bass

A release by Love In The Endz

LITE has long sought to spotlight the cultural catalysts who shape music movements — those who connect
sounds, artists, and scenes. This new series is a tribute to them.

With this first volume, Anaco highlights the deep connections between two major hubs of European electronic music: Spain and France — two countries close to her heart, as she embodies both cultures.

Bringing together 10 tracks from 12 artists, this compilation showcases diverse interpretations of club music & redefines what shapes the club sound today. It highlights the influence of artists from Latin America, North Africa, and the French overseas territories, who are essential to the evolution of today’s European club scene.

The proceeds from this compilation will be fully donated to OST – Organisation de Solidarité Trans, an association that advocates for the rights, protection, and well-being of trans and non-binary people, providing essential support in the face of systemic discrimination and violence in an increasingly hostile global context.

Produced & Mixed by mariad
Mastered by LOELASH

Artwork by Jonjo & Blue Canariñho
Visuals by Jonjo

Curated by Anaco
Coordinated by Daviaa 

Label - Love In The Endz 
Catalog - LITE031
loveintheendz.com

mariad - when i met her

A big record deserves a big remix package — and JIALING’s FREAKY HORNS was always destined for an extended life on the floor. So we called in friends, family, and freaks to give it the flip it deserved.

WTCHCRFT answers the call and takes ‘ADDY’ to the afters, adding his own vocals and ramping up the claps with all the frenetic energy of a sweaty back room.

On ‘PERCOLATE ON ACID’, Sister Zo channels her love for the original into a late-night propulsive heater: vocal chops, filtered synths and just a whisper of Benny Benassi. That one was always hers to remix.

Baltimore’s own Kade Young & S.DOT take the reins on ‘GET OFF MY JOGWHEEL’, chopping the vocals with the kind of effortless instinct you only get from years in the scene. Friends, collaborators and comrades-in-club, their version is a love letter to home turf — one for the local legends.

And finally: a rare remix from JIALING herself. A first for her, nudged along by a late-night text thread and a dumb joke too good not to run with. “Freaky Horns for Horny Freaks” became the mission statement — and the result is a VIP that dials everything up, from the bass to the brass to the mischief. Suitably ambitious, it sounds like it was made for an NBA arena. Sometimes the title comes before the track, so we had to commit to the bit.

releases May 1, 2025

All tracks written and produced by JIALING in Brooklyn.
Remixed by JIALING, WTCHCRFT, Kade Young & S.DOT, Sister Zo.
Mastered by Alex Gordon at Abbey Road Studios.
Artwork by All Purpose Studio.
Cover photo by Ie-Ming Shih.
Released by Clasico Records | Catalog #: CCO004R

☆

JIALING – GET OFF MY JOGWHEEL (Kade Young & S.DOT Remix)

Bandcamp

DJ Mudak 2000 & FTL - Marisola (DJ Mudak 2000 D&B Edit)

Download on bandcamp : https://cardozo.bandcamp.com/album/waveforms-002

WAVEFORMS continues, a series of sonic dialogues between producers.
Each release a pairing, a process of exchange: stems, textures, and rhythmic DNA passed back and forth, reshaped into something singular.

For this second transmission Cardozo links with Gipsyan, a close friend from Montpellier.
These tracks carry the pulse of shared space and instinctive collaboration.
“Burning Question” unfolds in slow motion, half-time weight, dubstep haze, and dembow pulse spiraling into one.
“Wait WHAT” erupts in contrast : a frantic club tool built for sweat-soaked peak hours, all sharp turns and percussive charge.

Praktika - Golgoth

Kayamba

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