She's Coming Home

Never Relaxed

Carolina Reign - about money  (prod by rob luna)

Opus 141
Entre Galaxies Distantes

Between Distant Galaxies

Approx. Time: 8 minutes, 32 seconds

Description:
A Micro Chamber work for solo Violin accompanied by a quartet of wind instruments along with Vibraphone and Piano. Lovely, fresh melodies explore some interesting timbres.

Full Score 11 x 17 (95 pages)
Instrumental Parts 11 x 17
Performance Bundle contains full score and one copy of each instrumental part

U.S. Copyright Registration: PENDING
Larencio's Music 2012B: SRU1205785
USIRIC: QZCK61821006
ASCAP Title No.: 883543609
ISWC: T9109517546

Copyrighted Audio, Music Video Registered With: Harry Fox (HFA), SoundExchange, MusicReports, USIRIC, AARC, RIAA, SESAC, Rumblefish

LarenciosMusic

1, eng horn, bass, 0 - 1, 0, 0, 0 - vibraphone, piano - 1/0/0/0

INSTRUMENTS:
Flute
English Horn
Bass Clarinet
French Horn
Vibraphone
Grand Piano
Violin

Larencio's Music 2012B

Opus 141 Entre Galaxies Distantes

Op141 Entre Galaxies Distantes

This track is a snapshot of 60 years of family life. Karen Hendricks is playing guitar and Martha Haehl is on vocals and flute.

The Table by Martha Haehl

New version with more up-front vocals. Original spoken word piece by Kai Zen, music and production my Moe Shinola  on Dell laptop in energyXT 2.7 using Focusrite 2i2 interface, Roland JDXi synth, Dimension Pro VSTi, Subconscious VSTi, Ambience reverb, Moneo stereo widener, Cakewalk Linear Compressor, Buzzmaxi3 limiter, and samples from freesound.org..

Kai Zen - Casino/Life

Original performance piece by Kai Zen, with background music and production by Moe Shinola. Recorded on the stage at Steel's Used Books in North Kansas City MO, produced on Dell Laptop using Energy XT 2.7, Sonar X3 Producer Edition and Audacity. Virtual Instruments used were EFM P6002 for bass and Dimension Pro for everything else. FX included the Pro Channel in Sonar, Sonitus Reverb and Buzzroom Buzzmaxi 3.

Kai Zen - Queer

Recorded live in November of 2006. 
Jim Krajewski: acoustic guitar
Bob Brostoski: fretless bass and vocal
Fran Windler: acoustic guitar, vocal and harmonica
Midwest Corridor 

Postcard

"Persephone" (2019) for orchestra
by Patrick Holcomb

Indiana University Concert Orchestra
David Dzubay, conductor

Recorded November 19-20, 2019
Musical Arts Center, Indiana University Jacobs School of Music

"Persephone" © 2019 by N. Patrick Holcomb. All rights reserved.

Program Note:

Persephone (2019) is a reinterpretation of the Greek myth of Persephone, the goddess who was abducted by Hades and subsequently forced to spend a portion of each year with him in the underworld. The work was born out of my attempt to imagine Persephone seeing her reflection in each of the six rivers visible from the underworld on her annual journey into Hades.

The piece begins on the shore of the Oceanus, the river-sea that separates the worlds of the living and the dead. Persephone (represented here by the alto flute and the bassoon) cries out in anguish as she awaits her return to the underworld for the coming months. The towering but distant voice of her mother, the powerful goddess Demeter (represented here by the oboe and the bass clarinet), echoes Persephone’s distress back to her. As the goddesses’ voices become increasingly hysterical, Hades (represented here by the horn and the trombone) emerges from the earth, seizing Persephone and taking her in his chariot over the Oceanus and into the underworld. As they fly over the Acheron, the river of pain that marks the entrance of the underworld, Persephone sees the reflections of her and her captor distorted by the ripples caused by the oars of the ferryman Charon. The Phlegethon, the river of fire, is patrolled on both sides by centaurs who prevent the shades of the wicked from escaping the water; Persephone’s reflection stands alongside the ghosts imprisoned in the river. She sees her face contorted by rage in the turbulent waters of the Styx, the river of hatred that wraps around the underworld seven times. The dead who do not receive a proper burial spend eternity on the banks of the Cocytus, the river of wailing; similarly trapped, Persephone sees her reflection mingled with these ghosts and hears her voice echoed in their cries. The Lethe, the river of forgetfulness, passes by the cave of the sleep god Hypnos; in this river, Persephone watches herself surrender to sleep, accepting that she can do nothing to change her fate.

Persephone (2019) for orchestra

Sunsupwalkaboutdemo

DIGITAL SHEET MUSIC AVAILABLE FOR ALL UPOADS - CONTACT COMPOSER

MANY, MANY THANKS FOR ALL WHO HAVE TAKEN TIME TO LISTEN TO MY RECENT UPLOADING OF THE ENTIRE CATALOG!!!

"Timbre Explorations" are what we've most sought for as the musical creative process bloomed into 160 compositions created from 2007-2011. 
Believe it, or not, this period in our life was a magnificently creative. . . learning to channel emotional energy from manic episodes into a creative process; learning to use the Finale music notation program, with its built in staggering learning curves, to the point where we could hear the music inside our head and get it notated into a full score.

"THE SKILLS NEEDED TO CREATE ART ARE COMPLETELY SEPARATE AND DISTINCT FROM THE SKILLS REQUIRED TO CREATE AN INCOME STREAM FROM THE ART." Sad but oh so true!

A modern Classical Composer living in Kansas City, Missouri USA, Richard "Larencio" Matthis has created 160 contemporary classical compositions over the past five years with over 1069 audio files copyright and registered.

By the way, all audio is copyrighted and registered with SoundExchange, HFA, SESAC, RIAA, and Mechanical Licensing Collective and Rumblefish. Sheet music is registered with ASCAP and is available for purchase from composer---send your performance-related project ideas!

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Op141 Entre Galaxies Distantes

Richard "Larencio" Matthis

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