'Won't Be Coming Home Tonight' is a single from the Most Vicious Mouh soundtrack to indie-horror film 'Maniac Syndrome.' The track features ominous loops colliding with melodic piano lines, and a reference to the theme song to 'Maniac Syndrome' to close the track.

Won't Be Coming Home Tonight

Unreasonable Bird Jammage (raw iPhone capture)

B-side track of Most Vicious Mouth album 'Themes for Film,' taken from the soundtrack to indie-horror films 'Maniac Syndrome' and Death's Sin.' The track 'Dischord and Crash' is an example of Most Vicious Mouth's unique blend of experimental electronics and droning ambience, and also ties in emotions of mystery, dread and beauty into the same track.

Dischord and Crash

New Most Vicious Mouth work-in-progress, an improvised song from the 'Bunny Saw Medusa' project with musician Jacob French. 'October 29' is an ambient track featuring lo-fi radio samples, deep Pog bass and swelling guitar orchestra.

October 29

Most Vicious Mouth work-in-progress, 'Arpeggios Minus Drums' showcases a series of synthesized passages mixed with vocal treatments, utilizing arpeggios as its main form of sonic communication. Future ideas for this song: Viking-like drums and tenor saxophone.

Arpeggios Minus Drums

Most Vicious Mouth collaboration with experimental guitarist SOMA (a.k.a. Jason Webb); 'The Way We Are' features freaked-out electric guitars, processed drums and remodeled loops from live recording situations with SOMA.

The Way We Are (featuring SOMA)

'Cracked Earth' is a track in a new series called Themes for Film II, a followup to Most Vicious Mouth's Themes for Film album. K.D. Lutt, sole writer, performer and engineer for Most Vicious Mouth, engages in a fresh writing approach called 'music painting.' Photos taken in the field are used as a canvas for writing the music to describe the imagery.

Cracked Earth (work in progress)

'Blue Sheets' is a track in a new series called Themes for Film II, a followup to Most Vicious Mouth's Themes for Film album. K.D. Lutt, sole writer, performer and engineer for Most Vicious Mouth, engages in a fresh writing approach called 'music painting.' Photos taken in the field are used as a canvas for writing the music to describe the imagery.

Blue Sheets (work in progress)

Raw iPhone recording of Unreasonable Bird's new material. 

Unreasonable Bird-Suck It Trebek (raw iPhone capture)

Solo drumset recorded with iPhone 4S via Soundcloud App. 

Improvised Trash Jazz (iPhone Raw audio capture)

'Shimmer' is an ambient electronic track from the upcoming Indie-horror film 'Death's Sin.' Minimal soundscapes excited by subtle distortion and delay feedback intermingle with repeated, distant drum taps to set a backdrop for multiple scenes in the film.

Shimmer

The first track written for the indie-horror film 'Death's Sin,' the 'Remembrance' track helps to develop one of the main characters in an integral part of the plot. Remaining distant sounding like the rest of the 'Death's Sin' score, the melodies cast a mournful mood over chillout drums.

Remembrance

Unreasonable Bird new jam from 06-22-13. Recorded live in Kearney Nebraska.

Jam 1

KD Lutt is a creator of ambient, electronic and experimental music, and CEO and engineer of Tone Tree Audio, LLC. KD Lutt utilizes improvisation and experimentation in crafting his sounds, a technique specially suited for providing soundscapes and background music for soundtracks. His audio company, Tone Tree Audio, LLC, is based out of Nebraska and provides recording, mixing and mastering services for musicians and businesses.