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KNZD3N Socials 👇

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L1V 4 3VR - Trip Hop/Hip Hop BEAT (Prod. KNZD3N)

Baby, you scaled the walls around me
I can't believe you found me
And set me free
You gave me
A reason to keep living
And still you keep on giving
You know no greed

Wake me
Shake me
This feels a little like it's a dream
Make me
Believe that you're as good 
as you really seem

Take me
To places I ain't seen
Where grass don't give no greener
I need to breathe
Baby, this is your finest hour
You've given me the power
To believe

Wake me
Shake me
This feels a little like it's a dream
Make me believe 
That you're as good as you really seem

Wake me, shake me, this feels a little like it's a dream
Make me believe that you're as good as you really seem

Wake me
Shake me
This feels a little like it's a dream
(This feels a little like it's a dream)
Make me believe 
That you're as good as you really seem

Wake me
Shake me
This feels a little like it's a dream
(This feels a little like it's a dream)
Make me believe 
That you're as good as you really seem

Music and Lyrics by T. Hall ©️2025

Walls

This song is about realizing that the thing you were warned about your whole life — the thing that felt dangerous, forbidden, or “too much” — was actually who you were all along. It’s about a calling that shows up early, follows you through every stage of your life, and never lets go, no matter how much you try to quiet it. For me, it’s the moment when you stop asking permission, stop doubting the spark inside you, and finally accept that your power isn’t something you borrowed or learned — it’s something you were born carrying. This song lives in that calm, electric space between restraint and release, where you understand that the fire doesn’t need to explode to be real. It’s already there, humming under the surface, steady and unstoppable.


LYRICS:

[Verse 1]
I was barely tall enough to reach the dial
Static in the radio, lightning in my smile
They said, don’t touch the wires
You don’t know what you’ll become
But I felt the hum beneath my skin
Before I learned to run

[Pre-Chorus]
Every warning sounded holy
Every no just pulled me closer

[Chorus]
Oh the current
Oh the sound
Blessed are the ones who feel it
Rising when the lights go down
Call me reckless
Call me wrong
I don’t pray for resurrection
I was electric all along

[Verse 2]
I was twenty-one, westbound, engine crying out
Neon bleeding into dreams I couldn’t drown
They said, pick a safer silence
Learn to hold your tongue
But the storm was in my throat by then
And it wanted to be sung

[Pre-Chorus]
Every lock was only wrong
Every fear just fed the voltage

[Chorus]
Oh the current
Oh the sound
Blessed are the ones who feel it
Rising when the lights go down
Call me reckless
Call me wrong
I don’t pray for resurrection
I was electric all along

[Verse 3]
Don't tell me it's too much
Don't tell me to be still
You don't feel it in your bloodstream
But I always will

I tried to dim the lightning
I tried to speak in code
But the silence started screamin
It begged me to explode
Begged me to explode

[Bridge]
Now I’m rolling through your city
Sky split open, wires alive
If the lights go out behind me
You’ll know exactly why

[Final Chorus]
Oh the current
Oh the sound
If you feel it, don’t deny it
Let it take you underground
No forgiveness
No control
I don’t ask for absolution
I was power in a soul


Electric All Along

Buy on Bandcamp

Merry Christmas and a Happy New Year to all friends and music lovers of all genres.

When Midnight Comes

Jungle Love

Cogs in the Machine

Liminal Spaces (2023) – Floating between worlds
This dark, atmospheric trip hop song began when Kate Stanton filmed a soon-to-be-demolished dead mall in her hometown and shared both the footage and a rough sketch of piano, synth, and vocals with arranger and producer Nadine de Macedo. The result blends the uncanny tension of Nine Inch Nails with the dreamlike expressiveness of Kate Bush, creating a sound that feels both intimate and unsettling.

Kate Stanton: composition, piano, vocals, lyrics
Nadine de Macedo: composition, synthesizer, arrangement, programming, production
Special thanks to Dex Hannon and Nadia Cripps

Where to find us:
https://soundcloud.com/nadinedemacedo
https://soundcloud.com/katestanton21

Liminal Spaces

A seriously messed up but cool dnb tune exploring soundscapes not normally used. Its a hybrid, Come closer

Theremin Beats

⚠️ ADVERTENCIA: NEWSTYLE EXTREMO ⚠️
🩸 Ritmo sin frenos
🔥 Energía constante
🔊 Bombos a cuchillo
Esto no es música bonita.
Es presión, velocidad y agresividad sonora.
Un viaje directo a la pista cuando todo se vuelve rojo
y el volumen lo domina todo.
📢 Si esta sesión recibe apoyo real,
🚨 esta serie continuará
🔊 con más volumen
💣 y sets cada vez más violentos.
Tú decides hasta dónde llegamos. 😤🔥
#Newstyle #HardDance #Makina #Rave #Underground #BPM #HardVibes #SoundCloudHard #Volumen

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