Future - Hero (Feat. 21 Savage) (Prod. By 3LAKE)
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This remix produced by 3LAKE.

Future - Hero (Feat. 21 Savage) (Prod. By 3LAKE)

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Dragonsong

In ‘A Voz da Bateria’, the classical instruments, rhythms and variations of capoeira music are imitated with the voice. This technique of imitating the instruments with the voice through solfege is often used to learn the different rhythms of capoeira. Capoeira music is often very repetitive, which leads to a kind of trance. The atabaque, the big drum, is like the heartbeat. It is constant, unchanging and cannot speed up or slow down. The pandeiro, a smaller drum, also ensures a steady rhythm, but is also allowed to improvise a lot. The berimbaus, gunga, médio and viola, all have their own rhythms, which are sometimes more and sometimes less varied. The composition not only improvises on the rhythm, but also on the sound quality, the place, the space and the tempo.

A Voz da Bateria

‘Journey of One Note’ is a research into the textures and timbres of one note. In the piece, only a single note is played continuously and harmonies, overtones and feelings are amplified. The sound develops itself by exploring all areas of its existence.

Journey of One Note

‘Song for Vinicius’ is about the encounters and rhythm disturbances that happen in life.

Song for Vinicius

'Grounded' is a stop motion video with music. It explores the fundamental connection between the body and the floor. 

Grounded

A live electronics piece with Berimbau and voice. Through looping and using delays the sounds of the Berimbau and voice are woven into each other to finally turn into a sonic carpet.

Tecelagem

Composed for Wendelien van Oldenborgh’s exhibition "Dance Floor as Study Room", this track moves fluidly across styles, echoing the structure and spontaneity of a DJ set. Built around layers of arpeggiators and driven by a bouncing electronic pulse, it invites movement while encouraging reflection.

At its core is a reinterpretation of "Kawa no Nagare no Yō ni", performed by Aliwen, followed by the resonant textures of Indonesian gamelan music. The composition opens a discursive space where musical traditions and traces of a shared colonial history are brought into dialogue, a dance floor that thinks, and a study room that moves.

Link to the exhibition: https://wendelienvanoldenborgh.info/Dance-Floor-as-Study-Room

Soundtrack to a Study Room

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